Le Petit Vingtième : le siècle de Tintin

From the beginning, Hergé's work, Tintin's creator, was conditioned by the ideology of his publisher, the weekly child supplement of a Belgian Catholic newspaper. An exciting analysis of the political meaning of the adventures of Tintin.

Animal Charm: Golden Digest

Animal Charm makes videos from other people's videos. By compositing TV and reducing it to a kind of tic-ridden babble, they force television to not make sense. While this disruption is playful, it also reveals an overall 'essence' of mass culture that would not be apprehended otherwise. Videos such as Stuffing, Ashley, and Lightfoot Fever upset the hypnotic spectacle of TV viewing, revealing how advertising creates anxiety, how culture constructs "nature" and how conventional morality is dictated through seemingly neutral images. By forcing television to convulse like a raving lunatic, we might finally hear what it is actually saying.

Between Science and Garbage

A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.

King of the Jews

King of the Jews is a film about anti-Semitism and transcendence. Utilizing Hollywood movies, 1950's educational films, personal home movies and religious films, the filmmaker depicts his childhood fear of Jesus Christ. These childhood recollections are a point of departure for larger issues such as the roots of Christian anti-Semitism.

Carabosse

Animation, also of a new order in the recent series of short works. Mostly on black space, the figures in blue perform a very compact and jewel-like opera in surreal form, again to Satie’s piano music. Ideally, the film should be projected on a 30" wide white card sitting on a music stand, center stage of a large auditorium or music hall, with sound from the projector piped into the big speaker system. The film is most effective this way, but can be shown normal-size also

The Smell of Burning Ants

A haunting documentary on the pains of growing up male. It explores the inner and outer cruelties that boys perpetrate and endure. The film provokes the viewer to reflect on how our society can deprive boys of wholeness.

A Nativa Solitária

The life of Luz del Fuego, her artistic performances and involvement with naturism. One of the great Brazilian feminists and precursor of the Brazilian naturist movement.

Papers

Abstract animation by Satoh Yoshinao

Newspaper

Abstract animation by Satoh Yoshinao

Chile lebt

This short, animated piece of agitprop fiercely expresses the hopes of the Chilean people.

Inför våra ögon

One inside, one outside. One thin line that creates “us” and “them”. The importance of the borders has again a huge impact in Europe. Yesterday it was all about free movement. Today it´s about controled borders. And walls and fences have become normality. “Before our eyes” is a testimony that shows a situation where Hungary, and indirectly Europe closes itself to the outside world. The film portrays four places, four events, which was filmed over three days in early September 2015, when the worst refugee crisis we have seen since the Second World War started in earnest. “My Europe does not build walls!” said Stefan Löfven, the swedish prime minister, in a speech a few days later. Before our eyes shows how words and actions are no longer connected. Today, Spain, Greece, Bulgaria, the UK, Hungary, Slovenia and Austria have built fences and walls to strengthen theirs and Europe’s external borders.

El sueño europeo: Serbia

“The European Dream: Serbia” is an investigative documentary by journalist Jaime Alekos about the tortures of Hungarian police to the refugees and migrants they catch trying to cross their border and the harsh living conditions in which they survive in Serbia awaiting an opportunity to enter the EU.

The Angelmakers

The Angelmakers is a 2005 documentary that provides insight into the epidemic of arsenic murders by women, known as The Angel Makers of Nagyrév, in 1929. The film is shot on location in the rural Hungarian village of Nagyrév, alternating between portraits of the surrounding landscape and first-hand narrations by the elderly inhabitants.

Chateau/Poyet

The scene is set in front of a French chateau. The camera chases improbable incidents across the screen. Many are constructed out of one of Jordan's favorite engravings illustrators: Poyet. Duels occur on a tight rope. Heavier-than- air machines fly (and sometimes crash). Below guns spear exploding spheres. The timing of the animation is exquisite, existing in an atmosphere balanced between frenzy and delight.

Braverman's Condensed Cream of the Beatles

Photos, animation, and music illustrate the story of the Beatles.

The Take

In suburban Buenos Aires, thirty unemployed ceramics workers walk into their idle factory, roll out sleeping mats and refuse to leave. All they want is to re-start the silent machines. But this simple act - the take - has the power to turn the globalization debate on its head. Armed only with slingshots and an abiding faith in shop-floor democracy, the workers face off against the bosses, bankers and a whole system that sees their beloved factories as nothing more than scrap metal for sale.

Mashed Media

From the front lines of the bankrupt Chicago Tribune, to the vibrant local online publishing and start-up scene, pioneering journalists struggle to reinvent a storied, yet troubled industry. "Mashed Media" visits bloggers, independent publishers, hacker journalists, and social media mavens working in the trenches of Chicago, providing a rare and intimate look at the future of journalism now.

Selbstportrait 1

Keskeny út a boldogság felé

A young gay Romani couple from a remote village in Hungary has a dream so absurd that it seems impossible: making a musical film based on their lives.

Balaton retró

Scenes from holiday life at Lake Balaton in Hungary during the communism.