Die gespaltene Seele Amerikas

Under the Trump administration, USA is a deeply divided country. One side feeds populism and religious rectitude in a monochromatic landscape, painted white, lamenting for a past that never will return. The other side fuels diversity and multiculturalism, a biased vision of a progressive future, quite unlikely. Both sides are constantly confronted, without listening to each other. Only a few reasonable people gather to change this potentially dangerous situation.

Bécquer y las brujas

In 1864, the Spanish poet Gustavo Adolfo Bécquer (1836-70), suffering from health problems, retires to the monastery of Veruela. Far from the noise and worldly activity of the capital, he immerses himself in the landscape of the mysterious Moncayo mountain. There, he discovers a new world full of legends that converge in a small village located at the foot of the mountain: Trasmoz, the Village of the Witches, the only officially cursed village in Spain.

Co słonko widziało

Three strangers living in Silesia - a 12-year-old half-orphan, a musically talented girl and a middle-aged unemployed ex-miner - are all desperate to get money to make their small dreams come true.

The Void Inside

After getting caught in a fight, Vahid needs to sell one of his kidneys to avoid a prison sentence of many years. While waiting for the liberating call from a buyer, a wish for a better life starts to grow within him.

Jimmy's Hall

Jimmy Gralton returns from New York and reopens his beloved community hall, only to meet opposition from the local parish.

Los posibles

Santiago Mitre co-directs his first movement following The Student together with choreographer Onofri Barbato. Although it would have been more accurate to say “his first film-story-adventure-movie-great movie following The Student”, the word movement fits perfectly in Los posibles, the most overwhelmingly kinetic work Argentine cinema has delivered in many, many years. The film deals with the adaptation of a dance show directed by Onofri together with a group of teenagers who came to Casa La Salle, a center of social integration located in González Catán, trying to find some refuge from hardship. Already entitled Los posibles, the piece opened in the La Plata Tacec and was later staged in the AB Hall of the San Martín Cultural Center. Now, it dazzles audiences out of a film screen, with extraordinary muscles and a huge heart: Los posibles is a rhapsody of roughen bodies and torn emotions. Precise and exciting, it’s our own delayed, necessary, and incandescent West Side Story.

When Life Hands You Lemons

Homeless student in New York City documents her family struggles.

God's Own Country

A young farmer in rural Yorkshire numbs his daily frustrations with binge drinking and casual sex, until the arrival of a Romanian migrant worker.

L'eclisse

This romantic drama by Michelangelo Antonioni follows the love life of Vittoria, a beautiful literary translator living in Rome. After splitting from her writer boyfriend, Riccardo, Vittoria meets Piero, a lively stockbroker, on the hectic floor of the Roman stock exchange. Though Vittoria and Piero begin a relationship, it is not one without difficulties, and their commitment to one another is tested during an eclipse.

Netek

موزة بالنص

This film depicts a struggle between a male and a female trying to win the banana on the table

Le mie ragazze di carta

End of the 70s in the Treviso area. Two decisive moments in the lives of three teenagers of the Bottacin family: Primo, Anna and Tiberio. The passage from puberty to pre-adolescence experienced between first loves and rugby matches and that from the world of the countryside to the world of the city.

Aus westlichen Richtungen

A film essay investigating the question of what “the West” means beyond the cardinal direction: a model of society inscribed itself in the Federal Republic of Germany’s postwar history and architecture. The narrator shifts among reflections on modern architecture and property relations, detailed scenes from childhood, and a passed-down memory of a “hemmed-in West Germany,” recalling the years of her parents’ membership in a 1970s communist splinter group.

Invictus

Newly elected President Nelson Mandela knows his nation remains racially and economically divided in the wake of apartheid. Believing he can bring his people together through the universal language of sport, Mandela rallies South Africa's rugby union team as they make their historic run to the 1995 Rugby World Cup Championship match.

Scheme Birds

As her adolescence gives way to the obligations of motherhood, troubled Gemma matures in Motherwell, her Scottish hometown, heavily dependent on the steel industry. Unfortunately for her, her hedonistic way of understanding the world does not fit in with the philosophy of the rest of the villagers, so trouble soon follows.

Laskar Pelangi

A group of 10 students struggles with poverty and develop hopes for the future in Gantong Village on the farming and tin mining island of Belitung.

The Migrants

A look at the lives of migratory farm workers, focusing on one family.

Los albañiles

When a worker is found murdered on the construction side, the investigation swiftly turns from things criminal to the political circumstances surrounding the building itself. Widespread corruption and neglect by the builder himself are seen to have brought the situation about. Much of the movie is filmed using hand-held cameras, and the majority of the dialogue is in the difficult-to-understand and very slangy Spanish dialect of Mexico City's bricklayers.

Lakeuksien lukko

Set in rural Ostrobothnia in 1859, Tuomas Kantola, a farmer, is the only peasant in the village who does not sell his land to Lohikoski's boss Adler, and even starts to annoy him by building a dam to defy the project to drain Lohikoski's lands. During the summer, Harri , a student, and Kantola's daughter Annika fall in love, which is not accepted by either of their fathers or Annika's ex-fiancé Tuomas.

Resan

Peter Watkins' global look at the impact of military use of nuclear technology and people's perception of it, as well as a meditation on the inherent bias of the media, and documentaries themselves.