René Vautier, le maquisard à la caméra

Daniel Timsit, l’Algérien

Cheikh El Hasnaoui, de la maison blanche à l'océan bleu

Cheikh El-Hasnaoui is an Algerian singer who left his country in 1937 without ever setting foot there again. Between 1939 and 1968 he composed most of his repertoire in France. For many years the Algerian cafes of Paris were the stages of his shows. With a handful of artists of his generation, he laid the foundations of modern Algerian song. A fervent defender of women's rights, he claims, as a pioneer, the fight for identity for a plural Algeria. At the end of the Sixties, he ended his artistic career. On July 6, 2002 he died in Saint-Pierre de la Réunion, where he is buried to this day. This 80-minute documentary follows in the footsteps of this extraordinary character. From Kabylia to Saint-Pierre de a Réunion via the Casbah of Algiers and the belly of Paris.

Sin libertad: 20 años después

The Lockerbie Bombing

On 21 December 1988 a Pan Am 747 jet exploded over the small Scottish town of Lockerbie. On the 25th anniversary of the worst terrorist attack on British soil, this is the story.

Scream

An experimental essay film about terrorism, media, violence and globalisation. Three infotainment news broadcasts - a rollercoaster, a hijacking, and an influencer - are soundtracked by pulsating experimental electronics that push the psychic residue of a post war-on-terror world out of the unconscious and onto the screen. Capitalism, imperialism, desire; all three are implicated in a nihilism that has seeped from the news into the social psyche.

11 septembre : En direct du cockpit

Li Fet Met (Le passé est mort)

The SAS (Section Administrative Spécialisée) were created in 1956 by the French army during the Algerian war to pacify "the natives". During the day, the SAS were used as treatment centres and at night as torture centres, in order to crush the Algerian resistance. The SAS were inhabited by French soldiers and auxiliaries (harkis, goumiers) and their families. At independence in 1962, a few families of auxiliaries stayed on; the vacant buildings were occupied by families of martyrs awaiting the better days promised by the new Algeria. 46 years later, the SAS at Laperrine, in the Bouira region, still exists, a unique place inhabited by people who have taken refuge there. They have been joined by farmers fleeing the terrorism of the 90s. They all live as best they can in a place they did not choose, suffering the consequences of war.

Kamel Hamadi, Ger Yenzizen

Portrait of the Algerian singer and composer Kamal Hamadi (husband of the singer Noura). Performer, musician, conductor, lyricist, author and composer, he is considered today as the witness par excellence of Algerian artistic action of the 20th century. The film received the Golden Olivier for best documentary 2010 at the Tizi-Ouzou Amazigh Film Festival in Algeria.

Oversand

Artifact War

An intrepid archeology professor and his team of students are the only ones who stand in the way of an ISIS illicit antiquities network. Faced with losing their cultural heritage they become spies and they go undercover in ISIS territory. They dodge bombs and militia to create a system to monitor theft and destruction of Syrian antiquities. During this process, they discover more than they anticipated, discovering thousands of trafficked items and that the crimes committed are being enabled by terrorists and multinational corporations. The tragedy continues because the sale of illegal goods are uncovered in the most unsuspecting place.

The Jihadis Next Door

Over the course of two years, filmmaker Jamie Roberts meets those spreading extremist Islamic fundamentalism in Britain, including a bouncy castle salesman who is now one of the world's most wanted men.

9/11: Escape from the Towers

Each World Trade Center tower consisted of 110 floors. Each floor has a story. In this two-hour special, survivors from two of those floors, many speaking publicly for the first time, tell their stories. Focusing on one floor in the North Tower and one in the South, this film will provide a never-before-achieved intimacy with what it was really like to be inside the Twin Towers on 9/11.

Archie Shepp chez les Touaregs

Algérie Tours Détours

A documentary road movie with René Vautier In the aftermath of Algeria's independence, René Vautier, a militant filmmaker, considered "the dad" of Algerian cinema, set up the cine-pops. We recreate with him the device of itinerant projections and we travel the country in ciné-bus (Algiers, Béjaïa, Tizi Ouzou, Tébessa) to hear the voices of the spectators on the political situation, youth and living conditions of men and Of women today.

Four Days That Shook Britain

One year on from the first of four terror attacks which hit Britain in 2017, this documentary tells the personal stories of people who were caught up in the atrocities in Westminster, at Manchester Arena, around London Bridge and outside Finsbury Park Mosque. Those involved - some speaking for the first time - relive the moments of fear and panic that unfolded after the attacks, building a vivid picture of these catastrophic and life-changing events. They also explain how they have continued to try to cope with the consequences ever since. Featuring contributions from the likes of Grant Shapps MP, visitors to Parliament on the day of the Westminster Bridge attack, Ariana Grande fans injured in the Manchester bombing, those caught up in the London Bridge attack and members from the Muslim community in Finsbury Park, this programme provides a compelling insight into the personal consequences of the attacks, as well as the public and political mood in the aftermath.

Histoire de la Poterie et de la Céramique en Algérie

In Algeria, pottery is different from one region to another, the result of the various influences it has undergone throughout history. If the manufacturing steps are substantially the same, the result is far from identical. In Kabylia, for example, the pottery, decorated with patterns, is red in color. In the south of Adrar, there are objects with rather original shapes and black in color. The pottery of the Nementcha Mountains is fashioned in clay with pink tones and decorated with brown designs. Originally, objects were made in families and exchanged between neighbours...

La Zerda ou les chants de l'oubli

“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.

Algérie en flammes

These are the first images shot in the ALN maquis, camera in hand, at the end of 1956 and in 1957. These war images taken in the Aurès-Nementchas are intended to be the basis of a dialogue between French and Algerians for peace in Algeria, by demonstrating the existence of an armed organization close to the people. Three versions of Algeria in Flames are produced: French, German and Arabic. From the end of the editing, the film circulates without any cuts throughout the world, except in France where the first screening takes place in the occupied Sorbonne in 1968. Certain images of the film have circulated and are found in films, in particular Algerian films. Because of the excitement caused by this film, he was forced to go into hiding for 25 months. After the declaration of independence, he founded the first Algerian Audiovisual Center.

Il Était Une Fois Cheb Hasni