Et pourtant elles étaient là
2021
0h 30m
Dominique, Suzanne, and Annette: three women who participated in the adventure of the Medvedkine groups (Besançon, Sochaux, 1967-1974). In those same years, the lives of our grandmothers and mothers experienced decisive changes: they worked outside the home and revolutionized customs. A group of Besançon students are investigating those events and questioning their own family memory.
If current server doesn't work please try other servers beside.
Similar Movies
Papel de Parede
Rating:
0.0/10
Votes:
0
Year:
2023
Lurralde hotzak
'Cold Lands' makes a personal journey through the images and cinema, guided by filmmakers and artist like, Theo Angelopoulos, Bego Vicario, Wim Wenders or Rut Hillarp among others. In this non-fictional road-movie their vision of what cinema is, of what is hidden behind the images, intersects with the world of beekeeping, architecture and the human landscape.
Rating:
0.0/10
Votes:
0
Year:
2018
Sem Pai, Nem Mãe
Three young people circulate in different mobility categories. The newly emancipated city goes through its everyday experiences.
Rating:
0.0/10
Votes:
0
Year:
2018
Un homme de Parole
Rating:
8.0/10
Votes:
1
Year:
1991
Corpo Presente
A hybrid feature film that investigates contemporaneity through the body and its countless possibilities of expression and meanings. The film puts the body and the idea of the body in evidence, through metalanguage, articulation and confrontation of documentary, fictional and performative languages. The film follows the trajectory of the main character who uses her own body to formulate universes and investigate the meanings that are drawn in it. In a kind of subjective diary written on her skin, she records sensations and reflections, building relationships with thinkers, performances and archival materials, which lead her to other bodies and other stories.
Rating:
0.0/10
Votes:
0
Year:
2024
Exergo
A young woman who has just started a job at an art museum writes an email to a friend she lived with until recently. The other woman, also young, works as an artist and has just moved to a new city. A narrator reads this email, but we don't know which of the two women the voice belongs to, whether to the sender or to the receiver of the message. Neither are we aware of the details of this relationship; but what we do know is that, in addition to their interest in art, they share a concern for the difficulties of carrying out their personal and professional lives in the present. By focusing on the peripheral or hidden details of some paintings in the Bilbao Fine Arts Museum, this narrator relates several stories linked to the social, economic and psychological conditions of the artists, both past and present.
Rating:
0.0/10
Votes:
0
Year:
2024
Battle Front in Britain
From growing potatoes in Green Park, London, to transforming rabbit crates into seed boxes – just a couple of the many ingenious ways of supporting the war effort which are covered in this film from the Ministry of Information.
Rating:
10.0/10
Votes:
1
Year:
1918
Nuits claires
In an experimentally compiled film review, Danielle Jaeggi, Paule Baillargeon and Claudia von Alemann reflect on their work as filmmakers and life as mothers. Just as the title is based on Michel Leiris' book of poems Bright Nights and Many a Dark Day, the film has its own poetry, which is also evident in shots of everyday activities, such as hands washing dishes. “Just the hair or the relationship of the hands to each other or gestures, and then words come in between and film clips that we talk about, and we were amazed to find that the women we portray in the films always have a lot of trouble with theirs Identity, their search for something, for lost people or lost things. “They are usually looking for something that has been lost, forgotten or gone,” said Claudia von Alemann in the 1992 interview conducted by Renate Fischetti, A Pioneer of Female Film Language. An essay about desire, doubt, contradictions. (fib)
Rating:
7.0/10
Votes:
1
Year:
1990
A Film for Discussion
A docu-drama shot in 1970, but not completed until 1973, the film sought to encapsulate in an experimental form issues that were under discussion within the Women’s Liberation Movement at this time and to thus contribute to action for change. In its numerous community screenings, active debate was encouraged as part of the viewing experience.
Rating:
0.0/10
Votes:
0
Year:
1973
Island Home Country
A poetic cine-essay about race and Australia’s colonised history and how it impacts into the present offering insights into how various individuals deal with the traumatic legacies of British colonialism and its race-based policies. The film’s consultative process, with ‘Respecting Cultures’ (Tasmanian Aboriginal Protocols), offers an evolving shift in Australian historical narratives from the frontier wars, to one of diverse peoples working through historical trauma in a process of decolonisation.
Rating:
5.0/10
Votes:
1
Year:
2008
$avvy
$avy investigates the historical, cultural, and societal norms around women and money.
Rating:
8.0/10
Votes:
1
Year:
2021
I Am an Ox, I Am a Horse, I Am a Man, I Am a Woman
This glasnost-era documentary, which incorporates footage from films from the 1920s through the 1980s, looks at the history of women in Russian cinema through the eyes of Russian women directors, actors, and scriptwriters. The film’s title refers to a WWII slogan about women doing the work of absent men in the fields and at home. Featuring Kira Muratova, Natalia Ryazantseva, Inna Churikova, Nonna Mordyukova, and others.
Rating:
5.7/10
Votes:
3
Year:
1988
Because We Have Each Other
Janet Sharrock has two children and Brent “Buddha” Barnes has three; the pair has a meet-cute at the local RSL, marry and unite their families, Brady Bunch style. Now grown up, Becky (famous for being one of only 80 people in the world with Highly Superior Autobiographical Memory), Jessica (a comedian living with depression), Brendan (who aspires to take over Buddha’s repair shop), and young Kylie and Dylan laugh, cry, contemplate existence and dream big with their parents, finding joy and stability in one another as they face immense change.
Rating:
0.0/10
Votes:
0
Year:
2022
A Motorcycle Saved My Life
The open road presents a point of departure for director lori lozinski to process deep-seated grief. Revisiting the formative experiences that drove her ambition, lozinski examines the influence of her parents in the present light of day.
Rating:
0.0/10
Votes:
0
Year:
2022
Varda par Agnès
An unpredictable documentary from a fascinating storyteller, Agnès Varda’s last film sheds light on her experience as a director, bringing a personal insight to what she calls "cine-writing," traveling from Rue Daguerre in Paris to Los Angeles and Beijing.
Rating:
7.9/10
Votes:
69
Year:
2019
Déjalo ser (1970-1974)
Chapter 15 of the series 18 decades of life in Mexico in the twentieth century. Images of the cultural, social and political life in Mexico from 1970 to 1974. During the presidential term of Luis Echeverria Alvarez fantasies of prosperous and modern country it dissolves; Mexico live in political crisis. It is a time of omnipotence, barbarism, and violence intervention: the world seeks new ways. In Mexico, it held the World Cup, unionism is strengthened and inflation responds to the continuing economic imbalances.
Rating:
8.0/10
Votes:
1
Year:
1993
Vrouwen achter de camera
History of Dutch women working behind the scenes of moviemaking.
Rating:
0.0/10
Votes:
0
Year:
2018
Razón de Ver: Correspondencia I
When she realizes that her grandmother, the woman who raised her, is losing her sight, the director decides to explore the bond that unites them through the episodes of non-vision that these three generations share, the memories of the past, the misunderstandings and the new memories they seek to have in common.
Rating:
0.0/10
Votes:
0
Year:
2022
She Who Must Be Loved
A documentary that tells the epic life story of Alfreda Glynn, 78-year-old Aboriginal woman, stills photographer, co-founder of the Central Australian Aboriginal Media Association (CAAMA), and Imparja TV, mother, grandmother, great grandmother, radical, pacifist, grumpy old woman, who in equal measure loves the limelight and total privacy. Part bio-pic, part social history, it details the life of a woman born beneath a tree north of Alice Springs in 1939, her childhood living under the Aboriginal Protection policies and the impact, both good and bad they had on her life.
Rating:
5.0/10
Votes:
1
Year:
2018
The Woman and The Car
Artist Kate Blackmore looks at motherhood and mobility, film and feminism through the prism of Margaret Dodd's 1982 classic short film 'This Woman is not a Car.'
Rating:
0.0/10
Votes:
0
Year:
2018
If current server doesn't work please try other servers beside.