Geneva Jacuzzi's Casket

Los Angeles 2066AD: The Pleasure-U BioDrone, Kate Shaw's only assistant, has contracted an undiagnosed mental-disease.

"Parade" de Satie

A Parade for three managers and four performers. Sketchy drawings in a neatly arranged palette, involving quotes from the French composer Erik Satie, set to the music of Parade performed by the Dutch Willem Breuker Kollektief.

Caminho dos Gigantes

In a forest of giant trees, six-year-old Oquirá embarks on a quest to understand life.

We Collide

A queercore romance - a visceral and immersive exploration of the power of the mosh pit and finding love in the most unlikely of places.

We the Cats Shall Hep Ya

Cab Calloway sings "We the Cats Shall Hep Ya".

DJ Smash & Венгеров & Bobina с участием Матуа & Аверин & Кравец - Нефть

Johnny Long and His Orchestra

Helen Young sings, and Johnny Long leads his orchestra as they perform a song.

Hi-Fi

A car drives through the streets and tunnels of New York City. On board, four teenagers talk, play, and flirt. An innocent joyride amongst friends? Right away the viewer understands that this is not just simple fun as the drugs get in the way.

Trigger Happy

“Trigger Happy” was made with hundreds of objects found on the streets and sidewalks of New York. It began as an attempt to make an animated ballet, but as I was shooting the dance turned rowdy, into more of a nocturnal revel. It was shot on a lightbox with high-contrast film. The backlight silhouetted the objects, making them into graphic icons of themselves. The resulting film is a negative, which turned the objects white and the background black as asphalt. It makes the dance almost phantasmagoric. The trigger I was happy about was on the camera, but the title also fits the velocity of the imagery. Much of the animation happens by the rapid replacement of one object with another. It’s the afterimage in your eyes that animates the difference between the shapes, as one is replaced by another, and another… The music by Shay Lynch perfectly captures the idea of dancing in the streets.” —Jeffrey Noyes Scher

Giant Steps

2-minute animation film to music by John Coltrane.

All the Cats Join In

A hep teen hears a tune on the jukebox at the malt shop and calls his girl; She rounds up a crowd and soon the whole place is jumping.

Yankee Doodle Boy

Screen song from Fleischer Studios

Spheres

This animated short is a play on motion set against a background of multi-hued sky. Spheres of translucent pearl float weightlessly in the unlimited panorama of the sky, grouping, regrouping or colliding like the stylized burst of some atomic chain reaction. The dance is set to the musical cadences of Bach, played by pianist Glenn Gould.

Experimental Animation

Len Lye scraped together enough funding and borrowed equipment to produce a two-minute short featuring his self-made monkey, singing and dancing to 'Peanut Vendor', a 1931 jazz hit for Red Nichols. The two foot high monkey had bolted, moveable joints and some 50 interchangeable mouths to convey the singing. To get the movements right, Lye filmed his new wife, Jane, a prize-winning rumba dancer.

Cantares

Several Puerto Rican Christmas tunes are performed on screen by Juan Rivera, Juan Ortiz Vargas, José Ramón Morales, and the Morgado Brothers.

Session Man

When personal and creative differences threaten to destroy a musical supergroup during the recording of an album, studio guitar player McQueen is brought in to smooth out the tracks. Soon he is reconsidering the direction of his life as he dreams of the elusive brass ring.

Non Plus One

A young writer struggling to create a good story meets a cute waitress and imagination and fantasy blossom.

Light Up the Night

Light Up the Night is an analog science-fiction short film set in an Orwellian, futuristic 1980s. The story tells the tensions flaring between rebellious citizens and robotic law enforcement. We are introduced to two dissidents as they take aim at the city's looming, panoptic control tower, while local band The Protomen take the stage amidst the action, inciting unrest as they narrate the struggle.

Street Musique

Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.

A Life in Our Times

James and Linda struggle to take care of her nephew, and his grandma, but when they receive more bad news, their only solution is to retreat to a fantasy.