Linnea Quigley's Horror Workout

Blood starts flowing as Linnea Quigley leads viewers through exercise routines while looking back on the films that made her a legend.

Calabacitas Tiernas (¡Ay qué bonitas piernas!)

A man hired to impersonate a bankrupt business mogul who is currently on the run from creditors sets out organize a musical starring beauties from Brazil, Mexico, and Spain in this Spanish-language comedy starring popular funnyman Tin Tan. Now, as the hapless imposter attempts to finance a musical without any money, he also discovers just how difficult it can be to juggle three beautiful starlets who all have eyes for their presumably wealthy producer.

Mitzi

Mitzi Gaynor welcomes guests George Hamilton & Phil Harris (The Jungle Book) for a sparkling hour of music, comedy and dance. Songs performed include "Everybody Loves My Baby," "Gentle on My Mind," "Pretty," and "Love Is Blue." Mitzi & George parody classic movies on the late-late show, George playing Cary Grant to Mitzi's Rosalind Russell, Rock Hudson to her Doris Day, and Glenn Ford to her Rita Hayworth.

Mitzi's 2nd Special

Mitzi Gaynor opens her second special with a dazzling performance of "Let Go." Additional songs include "Poor Papa," and "What'll I Do." She welcomes guest star Ross Martin (The Wild, Wild, West) for a musical-comedy spoof of Gone with the Wind. Other comedy skits include Mitzi as "The Kid" describing a school recital, and as a Hungarian Gypsy performing "Those Were the Days."

Le Piano irrésistible

A piano entices anyone who comes near.

Go! Go! Cory Carson: The Chrissy

The Carson kids win a talent show with a dance that Cory created. But when "The Chrissy" catches on, his little sister gets all of the attention.

Rigor Mortis

5.24 seconds passed and a caramelized peanut changed the life of Nicole Quintero and her son Mani. It’s been six years since her son’s petrification, and with Nicole’s imminent aging, it’s time for her to make an important decision about their future.

Salsa

At age 24, Rémi Bonnet, brilliant pianist, abandons Chopin and Toulouse to play the music he has secretly loved for years - Salsa! He heads for Paris, the salsa capital of Europe, only to discover to his great surprise, that nobody wants a white boy in Latin band! Felipe, his Cuban friend, sets him straight: " You don't have the Latino look, muchacho! Today, if your are not Cubano or Columbiano, you are out!". Undaunted, Rémi deliberately takes on the identity, accent and complexion of an unemployed alien in a city where most foreigners will do almost anything to become French. Barreto, 75, the legendary Cuban composer, who is about to close down the once famous Casa Cubana, offers Rémi a job giving dance lessons to the locals. It is here that Rémi falls in love with Nathalie. Her family's "secrets and lies" reveal parental links to Barreto. Do these links explain why this shy beauty ought to be a bomb on the dance floor?

Il ritmo della vita

ARGILEUX

Trilby Dance

The Leigh Sisters perform a risqué Trilby-inspired dance with an umbrella. Scene from David Henderson's Aladdin, Jr. burlesque. Lost.

King of Jazz

Made during the early years of the movie musical, this exuberant revue was one of the most extravagant, eclectic, and technically ambitious Hollywood productions of its day. Starring the bandleader Paul Whiteman, then widely celebrated as the King of Jazz, the film drew from Broadway variety shows to present a spectacular array of sketches, performances by such acts as the Rhythm Boys (featuring a young Bing Crosby), and orchestral numbers—all lavishly staged by veteran theater director John Murray Anderson.

Moving Matter I

Moving Matter is the culmination of a material-led process with artists from dance, costume design and film that began with a study of old kitchen flooring about to be discarded. This flax-based material enters our orbit in the 1950s, where a measured homelife and prescribed domesticity offered a reassuring antidote to bomb scares, political turmoil, and paranormativity. Stability topples as the flooring becomes entangled in the lives of those who don the material as garments and shelters. This film was made through Moving Matter, a long-term research-creation project that offers a methodology for rethinking the dynamism between raw materials, garments, and the body. Moving Matter steers the locus of choreography and wearable design away from human hierarchy to instead support truer collaboration amongst all moving materials, both human and non-human, in this case… linoleum.

Smooth Criminal

John Travolto... da un insolito destino

Also known as THE LONELY DESTINY OF JOHN TRAVOLTO, it's the first and only Travoltasploitation movie. It's about a hotel cook named Gianni who can't dance but is frustratingly in love with the sexy blonde DJ (Cicciolina) at the nightclub "John's Fever". When one of the cook's coworkers draws a mustache and beard on a poster of John Travolta everyone somehow finally notices that Gianni looks exactly like Travolta and the game is on.

Girls' Night In (Beauty, Brains, and Personality)

A girls'-night-in dinner party among three friends turns into a disaster when one of them makes a hurtful remark.

Chicken Girls: The Movie

With a new principal in town and the Spring Fling in jeopardy, Rhyme and the Chicken Girls must band together to save the dance.

Mr. Santa: A Christmas Extravaganza

Three music-loving teens clash with the popular kids as the Christmas show nears—until a surprise substitute teacher, Santa Claus, arrives to save the day in this festive, feel-good adventure!

Eadie Was a Lady

In this amiable Columbia B musical, society girl Ann Miller escapes her Back Bay family by performing in the chorus line in a burlesque house. But trouble starts when her boss (William Wright) decides to build her up as a star. One of the many bread-and-butter Columbia productions graced by the contributions of Cole’s in-house dance studio. Cole dances behind Miller in “I’m Gonna See My Baby.” --Museum of Modern Art

Write on Time

Trying to write and procrastinating as "Judgment Day" draws near.