BARE BONES

BARE BONES is an experimental short film written, directed and scored by DEBBY FRIDAY. Conceived during the Covid-19 lockdown and shot in Vancouver, BC on 16mm, the film tells the story of a young woman who swallows a bee and begins to undergo a hallucinatory and transformative experience. Abstract visual sequences depict time and space fracturing around her as she succumbs to wave after wave of pure feeling.

Who Gets the Dog?

Six years after saying "I do," Olive and Clay call it quits. Although they split amicably, both want custody of their beloved dog Wesley and they end up in court. With everything at stake, can man's best friend find a way to reunite the couple?

Slap Shot

To build up attendance at their games, the management of a struggling minor-league hockey team signs up the Hanson Brothers, three hard-charging players whose job is to demolish the opposition.

Almost Twenty

A young woman passes an emotional night in the city.

Miracle on Ice

The story of the 1980 United States Olympic hockey players, a group of amateurs from around the country who were whipped into a cohesive unit by controversial coach Herb Brooks to win a gold medal at Lake Placid during the winter games.

Koncert pro mantinely

CFA Presents: Waxwing Slain (1968) by John Boggs (commentary by Charles Minnimatsu)

A former student of a recently deceased and forgotten '60s filmmaker provides commentary to the late director's film, offering a unique interpretation as only he could.

Sudden Death

When a man's daughter is suddenly taken during a championship hockey game – with the captors demanding a billion dollars by game's end – he frantically sets a plan in motion to rescue her and abort an impending explosion before the final buzzer.

Marital Rape Is Real

Marital Rape Is Real is a short film adapted from several published essays on marital rape by Shanon Lee.

Raal

A young man and his dog encounter a sinister force while on a walk through the woods.

Qu'est-ce que c'est?

An experimental docu-fiction short from hours of collected material shot by the director. Different scenes, from drunk parties with friends to shots of the Dutch landscape during a train ride, are cut together to see if a narrative story can be constructed from nothing but randomly shot footage.

Memórias de um Estrangulador de Loiras

First film by Julio Bressane shot in exile, "Memoirs" is a film about a man who repeatedly kills the same type of woman in same places, the same way. Filmed on the streets of London.

Amor Louco

Bressane's second London film, shot in six days in his apartment. "I had seen the French avant-garde films of the 1920's and naturally the title cites Breton. But underneath it can also be read in many ways. It is a cinema that is invented on the spur of the moment, like you invent an instrument to play music and then abandon it. This film came out like an improvisation, a total risk. It is a deconstruction of meaning but not in the analytical, intellectual sense. I have always tried to lose myself with my films. There is no trace of American or French underground cinema. If anything, it is the idea of home movies, there were many ideas for digital films long before digital film existed. This film made itself, it was like a jazz improvisation. Amor Louco is a lost object, it doesn't speak any language, it has no signs, no letters, no captions. And in the scene where the cataract is cut with the razor blade, it was the adventure of the film itself that was put to the test".

アンチポルノ

Young artist Kyoko wreaks havoc on everyone that she encounters when Japan's oldest major movie studio asks a batch of venerable filmmakers to revive its high-brow soft-core Roman Porno series.

Bulworth

A suicidally disillusioned liberal politician puts a contract out on himself and takes the opportunity to be bluntly honest with his voters by affecting the rhythms and speech of hip-hop music and culture.

Kinder unserer Zeit

Three kids are trying to stand strong. In a world where you don’t know for what you want to stay strong. Full of sexuality and the need to define their identity. “We are the children with no obligations, the most possibilities, with the most liberated freedom. We are children who build words. Children who give birth to children. We are children of our time, free from guilt.”

Bruja

A story of diaspora. The film criticises the myth of Swiss neutrality, which violently masks structural, systemic, and social passivity.

Running Scared

A low-ranking thug is entrusted by his boss to dispose of a gun that killed corrupt cops, but things spiral out of control when the gun ends up in wrong hands.

Der große vergängliche Haut-Film

Inside the claustrophobic scenery of a fancy apartment in the city of Frankfurt three men and a woman lock themselves in for ten days. Oskar and Julia are a couple. They have sex and let themselves be filmed. Benjamin and Bastian are behind the camera, trying to get pictures of absolute intimacy. Closeness as it can only be found among lovers.

Санитары-оборотни

A young sailor descends from a local train. He goes to a nearby forest, which is full of strange men in medical uniforms behaving in an absurd and eccentric manner. The sailor falls under their influence and masochistically gives himself up to them only to be disemboweled by the werewolf orderlies. The sailor’s last unconscious image is a “white ship sailing towards the horizon”—a Soviet symbol for happiness and joy.