Bhoutan : Dans les pas de Matthieu Ricard

Buddhist monk and photographer Matthieu Picard as he returns to the Asian country in the Himalayas where he spent a decade after seven years away, revisiting breathtaking landscapes and experiencing local traditions.

Nkumi, la vie quotidienne

Short ethnographic documentary showing some everyday life scenes based upon footage shot by director Luc de Heusch in Congo in 1954 reassembled by Damien Mottier (Université Paris Nanterre) and Grace Winter (CINEMATEK).

Enterrement chez les Tetela

Short ethnographic documentary on the Tetela tribe in Congo based upon footage and commentary by director Luc de Heusch from 1953 reassembled by Damien Mottier (Université Paris Nanterre) and Grace Winter (CINEMATEK).

Lotoko

Short ethnographic documentary showing a leopard dance based upon footage shot by director Luc de Heusch in Congo in 1954 reassembled by Damien Mottier (Université Paris Nanterre) and Grace Winter (CINEMATEK).

Matisse voyageur, en quête de lumière

On the occasion of the 150th anniversary of Matisse's birth and of the exhibition at the Center Pompidou which will be dedicated to him in 2020, this art documentary brings us back to life of the journeys made by Matisse that influenced his art. And particularly his last trip to Polynesia in 1930 which will bring him to the threshold of contemporary art with the invention of his gouache cut-out papers.

Voyage en Occident

"Journey to the West" is an embedded documentary film into a bus full of Chinese tourists visiting Europe (6 countries in 10 days!) for the very first time. This road movie captures with humor, poetry and spirit the cultural differences between China and Europe in a play of mirrors and contrasts. It also destroys the stereotypes about the emerging Chinese middle class and reveals what they think about the "others" who are "us", the Westerners.

Sinfonía de Aragón

Carlos Saura shows us in this piece his personal vision of the land where he was born. Throughout the seasons we enter a route that ranges from the green Pyrenean landscapes to the Monegros desert. The images offer us the beauty of this Aragonese land but also reflect the harshness of its contrasts.

Salir de casa

After almost thirty years of his career, the musician Fran Nixon joins film director David Trueba for a travel around Spain in which they'll talk about it and meet some friends.

Él Es Dios

About the "concheros", dancers in México City that keep aztec traditions alive.

Mythos Côte d'Azur - Liebe, Luxus, Leidenschaft

A Place in the Sun

At the south tip of Gran Canaria, the sun is always shining. Resorts warmly captures the easy and complicated lives of 6 tourists that never left their holiday. A visual tour of the pastel-coloured holiday destination of Gran Canaria, a haven for millions of tourists – and for people fleeing more than just rain and cold. The paradoxes of tourism meet the harsh realities of those who live in paradise all year round.

Московские паломники

"The Moscow Pilgrims" is a film that takes you on a tour of Russia’s ancient capital. The film’s main characters – father and son – are doing the most intersting sights of old Moscow, including the Simonov Monastery, the New Spassky Cloister and the Krutitsky Church located on a picturesque bank of the Moskva River. The celibate priest Ilia, the dean of the church of the Holy Mother of God father Vladimir and other priests will help the pilgrims and visitors to see the world of Moscow’s ancient holy sites: the burial-vault of the noble Romanov family, the Cathedral of the Transfiguration of God recently cleared from security services, and the graves of the Kulikovo battle heroes, the monks Oslyabi and Peresvet.

Wolfram, a Saliva do Lobo

The darkness of the mine, invaded by the miners' light, by the noisy machines and the permanent and intense smell of ore in the air, leads us to an environment in which time and space become confused. A documentary film at Panasqueiras' Mine, between 2008/09. A reality captured by an eye-observer which does not interfere, but follows the compost that grows from the earth and is decomposed by man-machine.

Naked Spaces: Living Is Round

Shot with stunning elegance and clarity, NAKED SPACES explores the rhythm and ritual of life in the rural environments of six West African countries (Mauritania, Mali, Burkino Faso, Togo, Benin and Senegal). The nonlinear structure of NAKED SPACES challenges the traditions of ethnographic filmmaking, while sensuous sights and sounds lead the viewer on a poetic journey to the most inaccessible parts of the African continent: the private interaction of people in their living spaces.

Belmondo, l'Italie en héritage

Mythos Amalfiküste - Liebe, Laster, Dolce Vita

Funeral Chants from the Georgian Caucasus

A short film set in the mountainous province of Svaneti, documents the performance of polyphonic men’s funerary laments common to the region.

Choqela: Only Interpretation

This provocative and profound film documents the Choqela ceremony, an agricultural ritual and song of the Aymara Indians of Peru. By offering several different translations of the proceedings, the film acknowledges the problems of interpretation as an inherent dilemma of anthropology.

Asante Market Women

As retailers, wholesalers, and negotiators, Asante women of Ghana dominate the huge Kumasi Central Market amid the laughter, argument, colour and music. The crew of this `Disappearing World' film have jumped into the fray, explored, and tried to explain the complexities of the market and its traders. As the film was to be about women traders, an all female film crew was selected and the rapport between the two groups of women is remarkable. The relationship was no doubt all the stronger because the anthropologist acting as advisor to the crew, Charlotte Boaitey, is herself an Asante. The people open up for the interviewers telling them about their lives as traders, about differences between men and women, in their perception of their society and also about marriage.

The Hunters

An ethnographic film that documents the efforts of four !Kung men (also known as Ju/'hoansi or Bushmen) to hunt a giraffe in the Kalahari Desert of Namibia. The footage was shot by John Marshall during a Smithsonian-Harvard Peabody sponsored expedition in 1952–53. In addition to the giraffe hunt, the film shows other aspects of !Kung life at that time, including family relationships, socializing and storytelling, and the hard work of gathering plant foods and hunting for small game.