Petitet

Joan Ximénez el Petitet is a Catalan gypsy who pursues a dream. A former musician now —a percussionist, son of Ramón el Huesos who worked with the mythical singer Peret—, and affected by a rare chronic disease, he wants to accomplish the promise he made to his mother before she died: to celebrate a rumba concert on the stage of the Liceu, a great theater in Barcelona, along with a big symphony orchestra.

Rumba Catalana

Rumba Tres, de ida y vuelta

Razões Africanas

Yo, 'El Vaquilla'

Juan Jose Moreno Cuenca, alias the Heifer, is 23 years old and tells his story as a criminal offender from 1 Ocaña Toledo. Fatherless, the offender has his childhood and how everything changed when her mother went to prison.

Rumba

A bored society girl sets her sights on a dancer in a Broadway show.

Cuban Rhythm

In this Pete Smith Specialties short, two professional dancers beautifully demonstrate the rumba and conga while actors humorously display some incorrect techniques for those dances.

El mesón del gitano

The young gypsy Peret and his friend Fidel are owners of an inn frequented by tourists. Peret orders the expansion of the business to a young decorator, who falls madly in love with him. Fifth feature by the Rumelo Peret, built for his brilliance, which here plays the owner of a tourist inn, a gypsy rumba singer whose songs will love both a young woman and her mother. A friendly comedy that has as its background the tourist boom of Spain in the late 1960

Norman McLaren: Animated Musician

Not only did Norman McLaren create his own film imagery, he also made his own music by drawing, etching and photographing patterns directly onto the sound track area of the film, becoming a pioneer of electronic music long before the invention of the synthesizer. Norman McLaren: Animated Musician celebrates this exploration and presents much never-before-seen work by this master of cinema.

The Cult of Conspiracy: QAnon

An examination of the wildest conspiracy of our times. From the biggest names in QAnon to the front-line digital soldiers, what leads people down such a different path?

Rebel Without a Crew: The Robert Rodriguez Film School

25 years after making his independent film "El Mariachi" for only 7,000 dollars, filmmaker Robert Rodriguez recreates the experience with his micro-budget film, "Red 11," this time documenting his process in order to teach other artists how they can make their dreams a reality.

Babadaboca

35mm record of the figures that still haunt the Boca do Lixo de Cinema, in São Paulo. With emphasis on the deterioration of the cinematographic support itself, as well as the abandoned movie theaters in Cinelândia. And of course, the end of Cinema as a whole.

A Letter from a Time of War

Filmed in Beirut in the Spring of 1984, in many ways a letter about warfront.

Tuttifruttiland - Dokumentaren

A documentary following Norwegian comedian Lars Berrum during the tour of his Tuttifruttiland stand-up show.

La Plaie et le Couteau, Charles Baudelaire

Die Geschichte des Todes

What is there after death? It is everywhere and shapes religious beliefs, culture and social relations: a history of death from antiquity to the present day.

La Part des singes

Titanic: 25 Years Later with James Cameron

The Academy Award-winning director and National Geographic Explorer-at-Large James Cameron adds a postscript to his fictional retelling of the tragedy. After hearing fans continue to insist Jack didn't have to die that night, he mounts tests to see, once and for all, whether both Jack and Rose could have fit on that raft and survived.

The Perfect Machine

Fifty years ago, history was made when the Miami Dolphins completed a perfect 17-0 season by winning Super Bowl VII in Los Angeles. Despite several teams coming close, the perfect record has stood the test of time and the 1972 Dolphins remain the only team to complete an undefeated season in NFL history. This examines what made that team so good and how the undefeated season unfolded.

Пока, Свободный

A film must confront the world in which it is made, but also the one in which it is shown. When Vadim Kostrov accompanied young couple Katya and Kostya to a nearby lake, and filmed them with the directness for which he is known, he couldn’t foresee the political implications of these images. At the time Kostya was about to join the Russian military – a decision he came to regret later on. It’s breathtaking to witness the film’s playful innocence, while at the same time measuring every word against the destructive nature of war – yet the film outlines more than a political parable: Kostrov reflectively turns towards the few hours of light in the face of an impending darkness, which linger too briefly.