Lejos de los árboles

An unprejudiced portrait of Spanish folklore and a crude analysis in black and white of its intimate relationship with atavism and superstition, with violence and pain, with blood and death; a story of terror, a journey to the most sinister and ancestral Spain; the one that lived far from the most visited tourist destinations, from the economic miracle and unstoppable progress, relentlessly promoted by the Franco regime during the sixties.

A Minha Avó Trelotótó

«My grandma had a great strength and love for life which made me believe that some of us were able to become immortals and escape death. When she passed at the age of 92, her death was a surprise to me, which I was not prepared for. The cinema has the immense power of creating the illusion of life and its protection. This film is my attempt to rescue my grandma from death. It is not a documentary about my grandma but a film with my grandma. I wanted to film a ghost and then return it to the realm of the living, like Orfeu tried with Eurídice. It is a route to resurrection. It is my way of giving her immortality which I deem to be her right.»

Baobab Play

Children and teenagers throw sticks, berries, and leaves at each other from perches in a large baobab tree.

Om våld

Concerning Violence is based on newly discovered, powerful archival material documenting the most daring moments in the struggle for liberation in the Third World, accompanied by classic text from The Wretched of the Earth by Frantz Fanon.

Healing Heart Feeling Country

Witness country come alive as Mark Cora, proud Minjungbal man and cultural educator unveils the rich contexts that shape his evocative artwork, The Wind Dancer.

René Vautier, le rebelle

Toorumi Pojad

In the same vein as Meri's other documentations, this one takes advantage of the glasnost policy to discuss the social and ecologic impact of the Russian oil industry on the natives and the lands they inhabit.

Šamaan

"Shaman" was filmed on July the 16th, 1977 in the northernmost corner of Eurasia, on the Taymyr Peninsula, at the Avam river, concurrently with the shooting of the documentary "The Winds of the Milky Way". The Nganasan Shaman Demnime (1913-1980) was 64 years old at the time. The documentary about Demnime's incarnation ritual was completed 20 years later. The fifth and final documentary in Lennart Meri's "Encyclopaedia Cinematographica Gentium Fenno - Uricarum" series.

Veelinnurahvas

A documentary about the histoy and linguistic ties of the Finno-Ugric, and Samoyedic peoples. Speakers of the Kamassian, Nenets, Khanty, Komi, Mari, and Karelian languages were filmed in their everyday settings in the late 1960s and early 1970s. The footage was shot in Altai Krai, the Nenets Okrug, Khantia-Mansia, Uzbekistan, the Komi Republic, Mari el, Karelia, and Estonia. The first documentary in Lennart Meri's "Encyclopaedia Cinematographica Gentium Fenno - Ugricarum (1970 - 1997)" series.

Linnutee tuuled

Sequel to the "The Waterfowl People". The author interprets the kinship, linguistic and cultural relationships of the Finno-Ugric peoples. Finns, Vepsians, Votes, Setos, Erzya-Mordvinians, Mansi, Hungarians, Sami, Nganasans, and Estonians appear in the film. The film was shot in 1977 on location in northern Finland, Sapmi, Vepsia, Votia, Mordovia, Khantia-Mansia, Hungary, the Taymyr Peninsula, the Setomaa region in Estonia, and on the Estonian islands of Saaremaa and Muhu. Footage was also shot in 1970 in the Nenets Okrug. The second documentary in Lennart Meri's "Encyclopaedia Cinematographica Gentium Fenno - Ugricarum" series.

Ongka's Big Moka

The film follows Ongka's struggles to accumulate huge numbers of pigs and other items of value to present at a Moka ceremony to another tribe.

I Will Speak English

'An instructional film made on behalf of the Department of Social Welfare, demonstrating a new technique to teach English to illiterate adult audiences in the Gold Coast. (..) This is a film with an almost entirely African cast, depicting an African teacher instructing a group of African students, produced by a predominantly African crew. Yet, the subject of the film – encouraging the widespread teaching of English – jars with this image of a modern Gold Coast. Just as the Gold Coast Film Unit was overseen by British figures – such as Sean Graham and, in this case, George Noble – this film also endorses the retention of British influence within a new national identity'. - Tom Rice, for colonialfilm.org

Burden of Dreams

The Amazon rain forest, 1979. The crew of Fitzcarraldo (1982), a film directed by German director Werner Herzog, soon finds itself with problems related to casting, tribal struggles and accidents, among many other setbacks; but nothing compared to dragging a huge steamboat up a mountain, while Herzog embraces the path of a certain madness to make his vision come true.

Marked

This documentary explores Nigeria's cultural practice of marking, including its origins and meaning as a symbol of identity, beauty and spirituality.

Congo

An experimental ethnographic documentary that criticizes the colonizer view of anthropology.

Negotiating Amnesia

Negotiating Amnesia is an essay film based on research conducted at the Alinari Archive and the National Library in Florence. It focuses on the Ethiopian War of 1935-36 and the legacy of the fascist, imperial drive in Italy. Through interviews, archival images and the analysis of high-school textbooks employed in Italy since 1946, the film shifts through different historical and personal anecdotes, modes and technologies of representation.

Metal: A Headbanger's Journey

The film discusses the traits and originators of some of metal's many subgenres, including the New Wave of British Heavy Metal, power metal, Nu metal, glam metal, thrash metal, black metal, and death metal. Dunn uses a family-tree-type flowchart to document some of the most popular metal subgenres. The film also explores various aspects of heavy metal culture.

Derrière les fronts : résistances et résiliences en Palestine

African Spirit

A celebration of the diversity of Ethiopia's culture and wildlife. It journeys from North to South - spanning mountains, rainforests and the hottest place on Earth. It documents Muslims mixing with Christians as they have for over a millennia and the 'honey people' of the forest, filmed here for the first time. Visually stunning and unsentimental, this is Ethiopia as you've never seen it before.

Walkatjurra: Our Actions Will Never Stop

WORLD PREMIERE: It is the 70th anniversary of the first nuclear test in indigenous Australian territory and the aboriginal communities call on activists from all over the world to carry out a 200 km anti-nuclear walk through the desert. Among them, the directors of this documentary join to record this walk, which seeks to end the extraction of uranium, the mineral with which atomic bombs are produced. What attitude will we take as humanity in the face of the possibility of creation and destruction