Madrepérola

Essa Terra é o Meu Quilombo

Casa Helenira Preta de Referência para Mulher

Firelight

Incarcerated women join a band of volunteers who battle forest fires and assist during natural disasters.

Colombiennes

Almerinda, Uma Mulher de Trinta

Rescue of the life story of feminist activist from the 1930s, Almerinda Farias Gama, participant in the struggle for the right to vote for women in the 1934 Constitution, and activist of the Brazilian Federation for Female Progress, together with Bertha Lutz.

Para Onde Vão As Mulheres?

A Casa Tina Martins

Ocupação Mulheres Mirabal

IUS del tiempo

Luca, a young photography, arrives in an Asturian village to develop one of his artistic projects and explore his own roots. He stays at the home of Xuan, a veteran cheesemaker who rents part of his house to supplement the meager income from his artisanal work. Luca is met with Xuan's innate brusqueness, a facade that the young man soon discovers is tied to a past shadowed by old rumors and sexual prejudices. As Luca’s camera captures the intricate details of Xuan's hands at work, he awakens in Xuan a passion for life long thought lost, prompting the older man to reflect on cherished memories and connections. Gradually, Luca uncovers a universe distinct from his own, as he confronts the complexities of identity and heritage. Through shared gazes and unspoken histories, they find unexpected connections in lives that initially seemed worlds apart. As their bond deepens, they encounter the delicate interplay of life and death, illuminating the invisible threads that unite us all.

Estigma

Stop-Motion with flowers representing the various cicles of existence.

The New Flesh

Mundurukuyü - A Floresta das Mulheres Peixe

Using the camera as a weapon to defend their ancestral land in Brazil, three women of the Daje Kapap Eypi audiovisual collective lovingly record their Munduruku traditions and their mythology of humans transforming into forest plants and animals.

Capitais

Alice's life changes when Laura, the daughter of her neighbor on the wall, knocks on her door to ask if she knows anything about her mother. No one has seen her for days, neither Alice nor Laura, nor the lonely residents of the building.

Antes de que las flores marchiten

Sandy and Alejandra are two young women who live together with Lexa, an artist with a multiple personality who is preparing her new exhibition. however, the romance between these two personalities will be in danger, not only because of their inability to have physical contact but also because of the problems it generates for Lexa and the body they inhabit. therefore, Sandy and Alejandra must decide before it is too late.

Negra soy

The women of the first Garífuna community in Honduras work hard for the future of their daughters. Surrounded by a dazzling landscape, they celebrate their identity and the importance of maternal figures.

As Iracemas

Corpo Presente

A hybrid feature film that investigates contemporaneity through the body and its countless possibilities of expression and meanings. The film puts the body and the idea of the body in evidence, through metalanguage, articulation and confrontation of documentary, fictional and performative languages. The film follows the trajectory of the main character who uses her own body to formulate universes and investigate the meanings that are drawn in it. In a kind of subjective diary written on her skin, she records sensations and reflections, building relationships with thinkers, performances and archival materials, which lead her to other bodies and other stories.

Carta Sobre Nosso Lugar: Mulheres do Vila Nova

Bunda Reinha - Celebrating 500 Years of Tuan Ma