白骨離魂針

Yiu But-fan marries on the day his father Yan-kit retires as a distinguished swordsman when Yan-kit's nemesis 'Ghostly Mother Blue Flower' Chiu Choi-wan and her foster son Lai Chun-wah gatecrash the party, striking dead the elder and But-fan's wife with the White-bone Soul-thrashing needles. Having pledged his alliance to the anguished son, Taoist Tranquil of Emei vows to eradicate the menace at Mid-Autumn Festival when his junior disciple Kau Suet-mui is challenged to a duel with Chiu. Kau's fellow disciples Hung Tin-bo and Chuk Yuk-heung follow the orders of their master to roam the martial world and tumble into a bandit lair. Extricated from danger by the Taoist, the duo join hands with the passer-by Yiu to thwart Lai's assault on Kau by sorcery, again aided by the Taoist. Yiu, Kau and her peers head back to the Kau Fortress where a martial contest is being held to select a prospective groom for the daughter. Kau overwhelms Lai in the ring but concedes defeat to Chiu.

白骨離魂針下集大結局

'Ghostly Mother Blue Flower' Chiu Choi-wan has abducted a group of virgin boys and girls for the nourishment of her mind and soul. Alarmed by the abduction, Yiu But-fan, Kau Suet-mui and Hung Tin-bo make a night raid on the Hanshan Temple to release the children and set a torch to the bandit lair. Fuming over the arson, Chiu casts a spell on Kau, who kills the father of Chuk Yuk-heung in her cross-dressing persona as Yiu. Confronted by the angry Chuk clansmen at the Chuk Fortress, Yiu tries futilely to defend his innocence. Believing that Chiu has masterminded the framed murder, the fugitive infiltrates the White-bone Yinyang Cave where he finds himself attacked by Kau and Chiu. Demon-vanquishing Magic Monk, Chuk and Hung helped Yiu wrestle Chiu, who fled. Kau is nursed back to health by the monk and joins the fellowship in their quest to annihilate the demon. With all her venomous needles forfeited to the monk, Chiu gets her comeuppance, slain by Chuk's flying dagger.

四大名捕2

The four constables Emotionless, Iron Hands , Life Snatcher and ColdBlood are specially skilled in their own individual super powers. When the four constables of the Divine Constabulary investigate a murder in the suburbs, they unexpectedly stumble on clues to the murder of Emotionless's family 15 years ago.

Hokus Fokus

A filmmaker gets lost in a world of his own creation, literally. He is plotted against by his outer demons, searches for his lost sex scene and contends with several other versions of himself. A joyful rule-breaking carnival ride through a filmmaker's dreamland.

おしどり喧嘩笠

十三號情報員

During World War II, spy Wu Lai-sheung is instructed by her superior Fan Yeung-shan to murder spy number 13 Cheung Chi-ping. While Wu establishes a relationship with Sakei, the assistant general of the Japanese army, she also gets acquainted with Cheung. Cheung and Wu fall in love. Wu recommends Cheung to become Sakei's driver. Cheung pretends to court the Japanese spy Siu-kuen, but Siu-kuen arranges to kill the spies contacting with him. Cheung has seen through Kuen's identity for long. When Kuen is going to kill Wu, Cheung kills Kuen, Fan compels Wu to kill Cheung. Wu follows the instruction to murder Cheung. After the murder, Wu disappears. After the war, Fan discovers Wu ends up in asylum. When he visits Wu, he tells her of Cheung's innocence. This breaks Wu's heart. Cheung turns out to have seen through Wu's identity for a long time and pretended to have been killed to cover up his identity and facilitate his work. With the truth known and the war ended, Cheung and Wu married.

流星．蝴蝶．劍

Based on a popular swordplay novel, this colorful and complex saga (whose Chinese title literally translates into the poetic Meteor, Butterfly, Sword) has enough conspiracies, stratagems, and sword fights to fascinate even novice kung-fu cinema viewers. The cast of Shaw Brothers' leading swordsmen and swordswomen are masterfully staged by Yuen Cheung-yan, the brother of Matrix and Crouching Tiger Hidden Dragon martial arts choreographer Yuen Woo-ping. The result is both a great action movie and an exceptional dramatic film.

女黑俠威震地獄門

Ghost-faced To is murdered in a mortuary after paying a visit to Muk Lan-fa. A set of teeth is found missing from another dead body. Lan-fa’s sister Sau-chen follows the leads on a business card To left behind to a dental clinic which suddenly bursts into flame. The news of her sister’s abduction by the infamous Japanese criminal Katsu Saburo soon reaches Lan-fa. Working together with her police friend Ko Cheung to crack the case, Lan-fa analyses photo evidences in minute detail. The duo order the retrieval of a pole that has survived the explosion intact while lying in wait at the clinic. Sau-chen, who has escaped, saves the duo from the chiller where they are detained. Inspector Yeung retrieves the operation plan concealed in the pole and the secret codes in the set of teeth, but the spook is shot dead by Katsu before he could reach the Hell’s Gate and the treasure buried there. Constable Kwan, and others and wipes out the gang at the Hell’s Gate.

女飛俠黃鶯巧破鑽石黨

The Diamond Gang commits a robbery. The leader Chiu Yee-kong wants to keep the booty and this arouses the suspicion of gang member Tai-wai. The police does not have a clue and thus invite Wong Ngung, Heung Ad and Wu Ngar for help. Kong is in accomplice with his third concubine. They order someone to steal the diamond and leave Wong's symbol. Wai turns his attention on Wong. Wong, Ad and Wu are not afraid of Wai and they throw him out. They sneak in Kong's apartment to investigate. Kong's second concubine is mad at Kong for neglecting her. She tells Wong the truth but gets killed. Kong's people surround Wong, Ad and Wu. Each of the three faces their enemy. Ad is tortured by Wai. Wong and Wu arrive in time and save her. One of Kong's people tells Wai the truth. Wai immediately attacks Kong. Wong, Ad, Wu and the police arrive at Kong's headquarter to arrest the gangsters. Wai is arrested but Kong has escaped. The diamonds are found. The inspector makes Wong, Ad and Wu as partners.

女俠黃鶯夜破三屍案

The three heroines, Wong Ang, Wu Nga, and Heung At expose a murder case involving three dead bodies found in an old temple. Unbeknown to the trio, they've fallen in a trap laid by gangster Hui Pui-shing, who desires to avenge his brother's death by eliminating the women. With the cooperation of Hui's righteous subordinate, the police arrest Hui for smuggling tobacco and seizes their forged banknotes.

秘密三女探

The Flying Dragon gang goes on a rampage and the police Inspector is at his wits' end. He then commissions Wong Ngung, Wu Ngar and Heung Nga to help him catch the gang members. Suet-ying, a young woman, is addicted to gambling and owes a huge sum to the gambling den that belongs to the Flying Dragon gang. She has even signed IOUs. When the younger sister of Ying's husband sees that Ying is weighed down by worries, she asks Wu Ngar for help. Wu Ngar sneaks into the gambling den, but her behaviour is suspected by the gang leaders, Tai-kit and Tai-hong. Fortunately, Wong Ngung saves her. To get back the IOUs, Ying falls under the control of Hong and Kit. Master Lung has evil designs on Ying. He first kills Kit and seizes Ying. Hong then shoots and kills Lung. Wong Ngung and her two partners get back the IOUs for Ying. They notify the police Inspector to arrest the members of the Flying Dragon gang. Hong is shot and injured by Wong Ngung. He is arrested with the other gang members.

勇特務大戰神秘黨

Hong Kong's Ironman stepped up to the plate when Dr. No (1962) took the world by storm in the 1960s. Tso Tat-wah, the quintessential tough guy of Cantonese cinema who had appeared in dozens of popular action films, was licensed to spy in several 007 imitations. Here, he is Agent 303, the lucky number "3" a vivid sign of East-West integration. Presented in glorious widescreen, the film is garnished with secret weapons and ominous hideouts, mind games and technological intrigues, violence and sex, the latter in the form of a silhouette striptease!

Maleficent

A beautiful, pure-hearted young woman, Maleficent has an idyllic life growing up in a peaceable forest kingdom, until one day when an invading army threatens the harmony of the land. She rises to be the land's fiercest protector, but she ultimately suffers a ruthless betrayal – an act that begins to turn her heart into stone. Bent on revenge, Maleficent faces an epic battle with the invading King's successor and, as a result, places a curse upon his newborn infant Aurora. As the child grows, Maleficent realizes that Aurora holds the key to peace in the kingdom – and to Maleficent's true happiness as well.

大丈夫日記

The Diary of a Husband serves as an illustration for the arrival of the white-collar economy, in which the extended family is replaced by the smaller nuclear family. It is a story about four pals who work at the same office, which, like other white-collar workplaces, has become the men's primary site of life, where livings are made and friendships fostered. Meanwhile, their wives have fostered something of their own—a brigade to catch cheating husbands. Much comedy is then generated by the cat-and-mouse game between the men and the women...The battle line drawn here between the sexes remains for years, to the extent that this very same story has been retold many times in Hong Kong films, including Men Suddenly in Black, the 2003 Pang Ho-cheung film with a similar Chinese title.

A Mighty Nice Man

Patricia Highsmith's haunting story of a day in a young girl's life when a kind stranger comes to town.

Animal Charm: Golden Digest

Animal Charm makes videos from other people's videos. By compositing TV and reducing it to a kind of tic-ridden babble, they force television to not make sense. While this disruption is playful, it also reveals an overall 'essence' of mass culture that would not be apprehended otherwise. Videos such as Stuffing, Ashley, and Lightfoot Fever upset the hypnotic spectacle of TV viewing, revealing how advertising creates anxiety, how culture constructs "nature" and how conventional morality is dictated through seemingly neutral images. By forcing television to convulse like a raving lunatic, we might finally hear what it is actually saying.

Between Science and Garbage

A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.

Behind a Hill

This documentary is a journey into our own fascination, a collection of portraits of folk musicians living in New England, and a study of the ground on which their music is founded. We listen to them as they tell their stories and play their music. First and foremost, Behind a Hill is a tribute to these musicians and a rare peep into the house parties and basement jams of New England, in the northwestern corner of the USA, with the vain hope attached that maybe you, the viewer, will grow as fond of the music as we have. When we first encountered these musicians, we were overwhelmed by the quality of their musical output. We were entranced by the melodies, harmonies, rhythms, and tempos and every other element that constitutes a song (or, as is often the case, a piece of abstract drone music, heavy feedback, or someone banging a steel pipe against a bag of dirt while chanting in a yet undiscovered language, or...).

The Phantom of the Opera

The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.

湖畔草

Chor Yuen started his directorial career with a bang. From its very first image, The Natural Son establishes Chor as a filmmaker of stylistic flourish, which would be sustained in various forms throughout his long tenure. Adapted from '30 cents' pulp fiction, it is a Kong Ngee melodrama made in the studio's mould, with Westernised characters and trendy middle-class lifestyles. Yet, Chor's first film is not exempt from the social urgency that characterises the Cantonese cinema of his father, Cheung Wood-yau. The film cloaks its entertainment in a moral deliberation on blood ties, its story about the raising of a bastard child a head-on challenge of archaic family values. An ostentatious start for a colourful and eventful career.