Amin

AMIN portrays Qashqai musician Amin Aghaie, a young modern nomad and his family who despite facing steep financial, cultural and political obstacles are dedicated to their art and culture. Amin travels to remote towns and villages to record the music of the surviving masters whose numbers decline each year. His nomadic family are selling their meager belongings to help support their son's education in performance and ethnomusicology at Tchaikovsky's Conservatory in Kyiv, Ukraine, but it is not enough. Amin, desperate to finish his academic education, sells his violins one at a time just to pay for his tuition.

We Are Not Princesses

We Are Not Princesses is a documentary film about the incredible strength and spirit of four Syrian women living as refugees in Beirut as they come together to tell their stories of love, loss, pain and hope through the ancient Greek play, Antigone.

The Light in Her Eyes

Houda al-Habash, a conservative Muslim preacher, founded a Qur'an school for girls in Damascus, Syria when she was just 17 years old. Every summer, her female students immerse themselves in a rigorous study of Islam, in addition to their secular schooling. A surprising cultural shift is underway-women are claiming space within the mosque, a place historically dominated by men. Challenging tradition, Houda insists education for women is a form of worship. Using Qur'anic teachings, she encourages her students to pursue higher education, jobs, and public lives, while remaining committed to an interpretation of Islam prioritizing women's role as wives and mothers. In a world rarely seen, The Light In Her Eyes tells the story of a leader who challenges the women of her community to live according to Islam, without giving up their dreams. Shot right before the uprising in Syria erupted, the film is an exclusive look at a social movement thriving in a country controlled by a repressive regime

All Governments Lie: Truth, Deception, and the Spirit of I.F. Stone

Vancouver-based filmmaker and TV news veteran Fred Peabody explores the life and legacy of the maverick American journalist I.F. Stone, whose long one-man crusade against government deception lives on in the work of such contemporary filmmakers and journalists as Laura Poitras, Glenn Greenwald, David Corn, and Matt Taibbi.

Cuisine libanaise : Chiche ou pois chiche ?

Isis: The Origins of Violence

Historian Tom Holland traces the origins of Isis’ barbaric and sadistic violence which it claims is justified by the tenets and scriptures of Islam.

Die letzten Reporter

North German community journalists: an endangered species. Their Mission: to find and process local stories – and the desperate search for them. Their nemesis: digitalisation. Their everyday business: amateur football, toad migrations and the community bus.

Er nannte sich Surava

Hans Werner hirsch aka Surava was a journalist. He wrote about the deportation of French jews, and the Swiss government chased him because the Swiss government was Nazi-friendly. The Swiss intelligence service (Bundespolizei) knew him as a "communist jew". In fact, he worked for a left newspaper, but he wasn't a jew. Surava took his courage to write about the "censored" inhumanity in Europe.

Forbidden to Wander

Forbidden to Wander chronicles the experiences of a 25-year-old Arab American woman traveling on her own in the occupied territories of the West Bank and Gaza Strip during the summer of 2002. The film is a reflection on the complexity of Palestinian existence and the torturously disturbing "ordinariness" of living under constant curfew. The film's title reflects this, as the Arabic words used to describe the imposed curfew "mane' tajawwul" literally translate as "forbidden to wander". The video is also the journey of personal discovery for the filmmaker, the wanderer who falls in love with a Palestinian man in Gaza.

The Plot Against the President

Based on Lee Smith's book of the same name, this documentary follows the story of the biggest political scandal in U.S. history.

مقدمة لنهايات جدال

This highly kinetic tableaux of uprooted sights and sounds works most earnestly to expose the racial biases concealed in familiar images. Relying on valuable snippets from feature films such as "Exodus", "Lawrence of Arabia", "Black Sunday", "Little Drummer Girl", and network news shows, the filmmakers have constructed an oddly wry narrative, mimicking the history of Mid East politics.

Vals Im Bashir

An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.

Bil'in Habibti

The Israeli filmmaker Shai Corneli Polak records the building of the 'security wall' through Palestinian territory at the village of Bil'in. The villagers protest mostly peacefully, while the Israeli army doesn't react peacefully. By now the Israeli High Court has ruled that the building of the wall was illegal.

Después de Ucrania: Relatos de una Cobertura

Four journalists talk about their experiences and share their testimonies of the Russian invasion of Ukraine.

The Hunt for Jihadi John

The inside story of Mohammed Emwazi's journey from being an ordinary London boy to becoming terrorist 'Jihadi John', and the intelligence operatives' attempts to catch him.

Je vous salue Pinard

The Way Home

When filmmaker Wael Kadlo picks up his mother from the airport in Beirut, it seems like a rather warm family visit. But Kadlo, who was born in Damascus in 1980, has some questions he needs to ask her.

Lyra

An emotive, intimate film on the life and death of acclaimed young Northern Irish journalist Lyra McKee, whose murder by the New IRA in April 2019 sent shockwaves across the world. Directed by her close friend Alison Millar, the film seeks answers to her senseless killing through Lyra’s own work and words.

In the Rumbling Belly of Motherland

As the U.S. planned to withdraw troops from Afghanistan in September 2021, Canadian-Afghan filmmaker and journalist Brishkay Ahmed was filming IN THE RUMBLING BELLY OF MOTHERLAND. Revealing the ongoing dangers for women reporters, and the extraordinary risks they take, this brave film provides an in-depth look into Zan TV, Kabul’s female-led news agency. A professional journalist herself, Ahmed documents both the harrowing and inspiring work of young, female journalists over the course of the two-year lead up to the Taliban takeover of Afghanistan. Following parallel news stories as they unfold – two sets of national elections as well as ongoing U.S.-Taliban peace talks – the film reveals the daily hurdles Afghan female reporters and media staff face, underscoring the existential current events that threaten both Zan TV as a media outlet and the livelihoods of the women at its heart.

Here is the News

A day in the life of the Manchester Evening News.