Scream

An experimental essay film about terrorism, media, violence and globalisation. Three infotainment news broadcasts - a rollercoaster, a hijacking, and an influencer - are soundtracked by pulsating experimental electronics that push the psychic residue of a post war-on-terror world out of the unconscious and onto the screen. Capitalism, imperialism, desire; all three are implicated in a nihilism that has seeped from the news into the social psyche.

Dora Maar, a pesar de Picasso

Dora Maar, a world-class photographer who began her artistic career in the French Surrealist scene of the 30s, lived in the shadow of Spanish painter Pablo Picasso, her lover between 1935 and 1943, with whom she maintained a chaotic, even violent, relationship. Fortunately, she survived Picasso's abusive behavior and its sequels to find a new path, the best one, the one that is worth to be told, in spite of Picasso.

Fahrenheit 9/11

Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.

Začalo to stromy: Vzpoura v Gezi Parku

Protesters diary from Gezi Park - Taksim Square, Istanbul. Occupy Gezi movement started when the government decided to build shopping mall in place of the last green area that remained in the middle of Taksim Square.

Donna: vrouwen in verzet

The story of those Italian women who, for eighty years, have fought against power in all its forms.

The Wind ( الريح)

The tragedy of the Syrian people: War, conflict, loss, migration, exile, asylum, detention, drowning… A deserted place. Abandoned people. Abandoned country. The doors slammed shot; the doors are now locked - the keys thrown away...for what seems forever.

The Catastrophe Garden

It is a daring idea: to grow food from old mattresses in a desolate camp at the edge of a war zone. When a refugee scientist meets two quirky professors, they must confront their own catastrophes - and make a garden grow. Short film now streaming on Waterbear.com.

Gönderen: İlhan Sami Çomak

The story puts İlhan Çomak at the center, even though he is not physically present in the film. It focuses on the 21 years that İlhan spent in prison and his family’s experience of those years without him. The narrative is constructed through the letters İlhan wrote and aims to describe his life, his emotions and longings. The film constructs İlhan’s history through a chronology in the prison but refrains from restricting it only to a “prisoner’s quest for justice”, and rather tells a story of the situations he finds himself in over the years and his emotions and their equivalents in life.

Modigliani et ses secrets

Sometimes reduced to the image of a cursed artist, Amedeo Modigliani, an admirer of the masters of the Italian Renaissance, has traced an unparalleled path in modern art.

Demirkırat: Baskı

Looking back at the turmoil of the 1950s today, it's hard not to be sad. Even though one knows the end of the story, he is always waiting for something to happen to prevent this bitter ending. He wants the mistakes made to be noticed, a common point to be agreed and the accident that says I am coming to be prevented. But in vain... After the accident today, all we can do is look at the causes of the accident and learn from it... Beginning from the mid-1950s, the democracy, which was knitted stitch by knot before, began to unravel again, stitch by stitch. A tense, harsh, vicious period has opened in the political arena... It seemed impossible to see the future and take precautions in that dusty smoke...

No End in Sight

Chronological look at the fiasco in Iraq, especially decisions made in the spring of 2003 - and the backgrounds of those making decisions - immediately following the overthrow of Saddam: no occupation plan, an inadequate team to run the country, insufficient troops to keep order, and three edicts from the White House announced by Bremmer when he took over.

12 Mart: Baskın

Revolutionaries passed before the streets of the 1960s on the road to democracy. Then the use of victory songs and rebellion flags, right-wingers, leftists and putschists again. The February 22nd Operation could not revolutionize, but it succeeded in overthrowing its government. Unexpectedly, because of an amnesty... İnönü kept Talat Aydemir's forgiveness by making a promise to him when he received him and drafting a law. But when this structure came to the Parliament, the AP members revolted. They also asked for the ex-Democrats to be pardoned. They said "all or nothing". It's a mess. When the AP insisted, İnönü resigned. Thus, without doing much work, Turkey's first settlement was dissolved in six months. İnönü was brought to the head of the new crime again. However, this time, EP was excluded and a second provision government was formed with CHP, YTP and CKMP. And the winds blowing from Kayseri would continue to sweep Ankara more...

12 Mart: "Demir-El"

By the end of 1963, the word coup was no longer spoken in Turkey. Talat Aydemir is history, the last tremors of the May 27 earthquake have passed and the sliding faults of the regime have begun to settle into place. In this transition period, which lasted more than four years, the person who managed to get the ship to the port without running aground was İsmet İnönü. He ruled for four troubled years in a country torn between armed uprisings, Cyprus crises, coalition governments and regime debates. But meanwhile, he was also worn out. In the local elections held at the end of 1963, while the CHP's votes remained at 37 percent, the AP found 45 percent. But on the very day of the final election results, a few gunshots heard from across the Atlantic turned everything upside down...

Shutdown: The Rise and Fall of Direct Action to Stop the War

In the winter of 2002-'03, as the US was building its case to attack Iraq, people around the world responded with a series fo the largest peace protests in history. Shutdown: The Rise and Fall of Direct Action to Stop the War, is an action-packed documentary chronicling how DASW successfully organized to shut down a major US city and how they failed to effectively maintain the organization to fight the war machine and end the occupation of Iraq. Created by organizers involved with DASW, Shutdown combines detailed information on organizing for a mass action, critical interviews on organizing pitfalls, and the wisdom of hindsight. It is a must-see film for those engaged in the continuous struggle toward social justice.

Life After People

In this special documentary that inspired a two-season television series, scientists and other experts speculate about what the Earth, animal life, and plant life might be like if, suddenly, humanity no longer existed, as well as the effect humanity's disappearance might have on the artificial aspects of civilization.

Paris l'éternel

A legendary city everyone dreams of visiting, Paris has retained all its authenticity, resembling more a collection of villages rather than one major metropolis. From the Eiffel Tower to Notre Dame de Paris, we discover the French capital's most emblematic monuments, and the vibrant life of its boulevards

TGV, 30 ans de vitesse

American Herro

American Herro is the remarkable story of a young Kurdish girl who comes to America as a refugee from Iraq and lives out the American dream. 30-years later, traveling the globe working for Condoleeza Rice, U.S. Diplomat Herro Mustafa invites her first American friend, filmmaker Kirk Roos, to visit Iraq and retrace her steps to freedom.

WMD: Weapons of Mass Deception

There were two wars in Iraq--a military assault and a media war. The former was well-covered; the latter was not. Until now... Independent filmmaker, Emmy-award winningTV journalist, author and media critic, Danny Schechter turns the cameras on the role of the media. His new film, WMD, is an outspoken assessment of how Pentagon propaganda and media complicity misled the American people...

Darên Bitenê - Dengbêj

Darên bitenê is a fascinating documentary exploring the “dengbej” musical heritage of the singers, poets and storytellers from Northern Syria’s region. Featuring a stunning scenery of poetic landscapes, the film is interlaced with stories of Kurdish and Assyrian songs that narrate the long history of love and suffering of this semi-autonomous region.