Atlas

The concept of machine-made knit was known as early as the 1850s, but it was only during the 1920s that the quality of the material had improved. When the plant known as "Atlas" was introduced in 1931, the shop windows drew a lot of attention, and Aho & Soldan was ordered to make a promotional film. In this well-paced film, we see the jersey production step by step.

North China Factory

This documentary from 1980 depicts a factory community in China where over 6000 workers process, spin and weave raw cotton into 90 million yards of high-quality cloth per year. Also seen are the workers' residential, social, recreational and educational facilities, all located on factory property. The film presents an engrossing study of a lifestyle that is very different from that of the Western world.

Court Case

An insider's look on the making of Penn's tennis balls, from their creation in a factory to the final stages of quality control.

Manufactured Landscapes

MANUFACTURED LANDSCAPES is the striking new documentary on the world and work of renowned artist Edward Burtynsky. Internationally acclaimed for his large-scale photographs of “manufactured landscapes”—quarries, recycling yards, factories, mines and dams—Burtynsky creates stunningly beautiful art from civilization’s materials and debris.

越後 世界一 正四尺玉 片貝まつり

The Katakai Festival, one of Niigata and Echigo's Three Great Fireworks Festivals, has a 400-year history. Held annually on September 9th and 10th in Katakai Town, it features fireworks dedicated to Asahara Shrine, filled with wishes and prayers. Highlights include Japan’s largest 'San-shakudama' and the world's largest 'Yon-shakudama,' which impress spectators with their grandeur. The small hill behind the launch site amplifies the fireworks' powerful bursts. This work condenses the festival's two-day fireworks displays. It captures the fleeting beauty of each firework, the vibrant rapid-fire starmine displays, and the grand 'San-shakudama' and 'Yon-shakudama' that fill the night sky, creating an emotional and resonant experience. Filmed in ultra-high-definition 4K/8K60P, it faithfully reproduces the grand fireworks and fine sparks. Enjoy the immersive experience with high-resolution audio at 96kHz24bit, emphasizing the fireworks' explosive sounds and echoes.

The Lost Colony of Roanoke: New Evidence

In 1587, more than 100 English colonists settle on Roanoke Island and soon vanish, baffling historians for centuries; now, experts use the latest forensic archaeology to investigate the true story behind America's oldest and most controversial mystery.

Una passione dirompente

A journey through a century of Ambrosoli family history.

Un seul héros, le peuple

This film is the product of a seven-year research journey on the popular insurrection of December 1960 in Algeria and the failure of the counter-insurrection, thanks to the Wretched of the Earth themselves.

Habilito: Deuda por Vida

Documents the conflicts and tensions that arise between highland migrants and Mosetenes, members of an indigenous community in the Bolivian Amazon. It focuses particularly on a system of debt peonage known locally as ‘habilito’. This system is used throughout the Bolivian lowlands, and much of the rest of the Amazon basin, to secure labor in remote areas.

Machines

This portrayal of the rhythm of life and work in a gigantic textile factory in Gujarat, India, moves through the corridors and bowels of the enormously disorienting structure—taking the viewer on a journey of dehumanizing physical labor and intense hardship.

Om våld

Concerning Violence is based on newly discovered, powerful archival material documenting the most daring moments in the struggle for liberation in the Third World, accompanied by classic text from The Wretched of the Earth by Frantz Fanon.

Megacities

Megacities is a documentary about the slums of five different metropolitan cities.

La Sortie de l'usine Lumière à Lyon

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Nous irons jusqu'au bout (les Kaolins de Plemet)

Chronicle of the 9-week strike by the kaolin workers of Plémet. The film emphasizes the particular nature of such a strike in a rural commune and in a sector of the old Breton proletariat: that of subsoil mining, almost entirely liquidated after the closure of the Hennebont forges.

K oblakům vzhlížíme

A gentle love story from the harsh environment of northern Bohemia.

S.A.L.P. Esercizio di memoria

A documentary about the industrial, urbanistic and social aspects of the Società Anonima Lavorazione Pelli (S.A.L.P) factory located in Rivarolo Canavese, thirty kilometers north of Turin.

Load Runners

An overview of Osborn manufacturing equipment, in particular their load runners in utility plants and factory environments.

Charlie Marx and the Chocolate Factory

Charlie Marx and the Chocolate Factory started as an investigation of the link between politics and chocolate, at the Karl Marx Confectionary Factory in Kiev, Ukraine. Since access to the factory was denied, the project had to be re-considered, re-invented or re-enacted. Mostly made of archival footage and re-enacted performances based on the company's website, the film merges what was left of the initial idea with what has been collected and realized instead. It borrows from the genres of video art, 'Man on the street' interview, direct address, corporate film, essay, and music video, without legitimately belonging to any of them. The film unravels as a reflection on its own failure, and yet keeps on investigating what has always been at stake: the shift from public to private property (and from analog to digital technology), dialectics of permanence and change, language as a mirror of ideology, and post-Soviet oligarchy culture.

L'abatis

Dernière Tribune