굿바이, 평양

Documentary focuses on Sona, the daughter of the director’s brother who moved to North Korea from Japan in the early 1970s. Through Sona, the film shows the generation that migrated from Japan to North Korea and their offspring who were born and raised in North Korea.

2차 송환

In 2000, in the era of inter-Korean reconciliation, 63 non-converted prisoners were repatriated to the North, and a 2nd repatriation movement was launched in 2001 but failed again and again in later years. As of 2022, the average age of the surviving secondary repatriation applicants is 91.

Le Dernier Prince rouge

A journey through several countries to find those who really know Kim Jong-un, North Korea's leader, in an attempt to profile a contradictory dictator who seems to rule his nation with both disturbing benevolence and cold cruelty while being worshipped as a living god by his subjects in exalted displays of ridiculous fanaticism.

경계도시 2

In 2003 Song Du-yul, a philosophy professor, decides to go back to his homeland after spending thirty-seven years in Germany. Within a week after crossing the border, his reputation falls from a respected global political figure to an infamous communist spy. During a five-year-long trial, he was arrested and held in custody. This throws Korean society into turmoil and brings a big conflict between the Conservative and the Progressive parties. The filmmaker calmly contemplates this long period of the incident in detail and depicts a society with an indifferent manner. The story builds through an accretion of whimsical facts and it sometimes brings up uncomfortable truths which will irritate viewers. This film is a camera inside of us that evokes what viewers may have tried to forget.

Combat in the Air - Air War Over Korea

나는 조선사람입니다

After 15 years of knowing Chosun people in Japan I met on Mt. Geumgang in 2002, I face the history of colonization and division that I had not known before. They’ve been to North Korea many times, but never to South Korea. They tell us why they want to live as Chosun people despite the discrimination in Japanese society. 

Dans la peau de Kim Jong-Un

The Architect: A Montford Point Marine

In this dynamic and dramatic short film, an African American veteran takes us on an extraordinary journey through his life. From a chance visit to the Pentagon, to growing up in a vibrant integrated neighborhood, his story is one of resilience and inspiration. Fueled by the determination to seize educational opportunities, he enlists just in time to experience the racial divisions of his era before Truman desegregates the military. Thrust into the brutality of the Korean War, the weight of combat becomes an indelible part of his soul. Returning home, he embarks on a new path as an architect and discovers unexpected connections in far-off Pakistan. As his family expands, his sons reflect on the man who raised them and the legacy he instilled. This film unearths the essence of the Black experience in the early 20th century, paints a vivid portrait of the Chosin Reservoir, and unravels the intricate tapestry of race, family, and personal growth.

Crossing the Line

In 1962, a U.S. soldier sent to guard the peace in South Korea deserted his unit, walked across the most heavily fortified area on earth and defected to the Cold War enemy, the communist state of North Korea. He became a star of the North Korean propaganda machine, but then disappeared from the face of the earth. Now, after 45 years, the story of James Dresnok, the last American defector in North Korea, is being told for the first time. Crossing the Line follows Dresnok as he recalls his childhood, desertion, and life in the DPRK.

Homes Apart: Korea

They speak the same language, share a similar culture and once belonged to a single nation. When the Korean War ended in 1953, ten million families were torn apart. By the early 90s, as the rest of the world celebrated the end of the Cold War, Koreans remain separated between North and South, fearing the threat of mutual destruction. Beginning with one man's journey to reunite with his sister in North Korea, filmmakers Takagi and Choy reveal the personal, social and political dimensions of one of the last divided nations on earth. The film was also the first US project to get permission to film in both South & North Korea.

기억의 유산

A State of Mind

Two young North Korean gymnasts prepare for an unprecedented competition in this documentary that offers a rare look into the communist society and the daily lives of North Korean families. For more than eight months, film crews follow 13-year-old Pak Hyon Sun and 11-year-old Kim Song Yun and their families as the girls train for the Mass Games, a spectacular nationalist celebration.

망명자

Combining a humorous and affectionate family portrait, a historical film and a search for identity, Defectors confronts the impact of the Korean War on different generations. Through encounters with a North Korean defector, Hyun kyung Kim reflects on her separation from her loved ones — such as her whimsical mother, whom she left behind in Korea upon moving to the United States.

The Mole: Undercover in North Korea

A real-life undercover thriller about two ordinary men who embark on an outrageously dangerous ten-year mission to penetrate the world's most secretive and brutal dictatorship: North Korea.

Pyongyang s'amuse

Is it possible to have fun in Pyongyang? Can one be joyful in the Democratic People’s Republic of Korea? If so, who can? Everyone? Doing what? Why does Kim Jong-un bet on amusement parks, skis trails, and tourism? This film allows to go beyond mass parades and recurring missile crisis, to meet the people of North Korean “Hermit Kingdom”. The authors have been there dozen times, like amateur anthropologists, filming during eight years parties and harvests, factories and singing contests, Pyongyang and the countryside – and interviewing North Korean people.

자백

YU Wooseong who had been working as a civil servant is on trial for espionage following his sibling’s confession. A reporter who has been laid off begins following the traces of a spy story manipulated by a government agency. The clues lead to a confession and false evidence that society and the press have turned their back on.

... ned, tassot, yossot ...

About five years after her film, Hana, dul, sed ... (2009), filmmaker Brigitte Weich returns to North Korea to ask four women on the national football team how their lives have evolved. In a friendly and congenial cooperation between the filmmaker and her protagonists, a work arises that not only tells about the concrete life of a professional athlete in North Korea, but also poses the question of the images that we all make of ourselves to give meaning to our lives and the world.

아버지의 이메일

The director's father, who did not know how to use a computer, left her an autobiography via email. It includes his whole life through many notable events such as the Korean War, the Vietnam War, 88's Seoul Olympic, New Town Development, etc.

Frank Maselskis: From WWII POW to Chosin Reservoir Survivor

Despite his horrible experience as a prisoner of war during WWII, Frank Maselskis stays in the military and goes on to fight in Korea, where he participates in the brutal battle of the Chosin Reservoir. Upon returning home, Frank struggles to live a normal life while raising his daughters.

Noord-Korea: Een dag uit het leven

If the cityscapes and patriotic anthems of this film seem a far cry from the bleak landscape of Seoul Train, that's no accident. Dutch filmmaker Pieter Fleury, with the full permission and cooperation of the North Korean government, created this propaganda film that gives us a glimpse of a day in the life of one of the world's most enigmatic societies. A Day in the Life, largely dictated by the North Korean film bureau, follows a typical North Korean family through their daily duties, largely dedicated to the pride in the North Korean nation of comrades and the glory of General Kim Jong Il. The film is meant to extol the success of modern North Korea. But does it? With straight footage and a total absence of narration, viewers may interpret Fleury's film in a slightly different manner than intended