Beethoven: The Complete String Quartets

Amadeus

Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Viennese composer Wolfgang Amadeus Mozart.

Offenbach: Les Contes D'Hoffmann

Bregenzs Tales of Hoffmann is different from everything you saw before. The New York Times praised the thoughtfulness and creativity of Stefan Herheims new production, devised by the director as a search for ones own self in a sparkling drag show. A shining-toned (NYT) Hoffmann is embodied by tenor Daniel Johansson in the title role. He is supported by a fantastic cast: Rachel Frenkel is positively ideal as Muse and Niklausse (Kurier), Kerstin Avemo as Olympia is endowed with brilliant, cheekily extemporized coloraturas (Neue Zürcher Zeitung), Michael Volle sings the parts of Lindorf, Coppelius, Dr. Miracle and Dappertutto, the works four villains, with warmth and intensity (NYT) and Mandy Fredrich is a finelyphrased Antonia (Kurier).

Endless

A visual album by American singer Frank Ocean serenades the construction of a spiraling “staircase to heaven” inside a warehouse.

Antonín Dvořák: Slovanské tance op.46, op.72

Antonio Caldara – Magdaléna u nohou Kristových

José Cura a Slovenská filharmónia

Leos Janácek - Kát'a Kabanová

Janáček's three-act opera Katya Kabanova, staged by Barrie Kosky and staged at the Felsenreitschule by Czech conductor Jakub Hrůša with an international cast of soloists, was performed on August 7 at the 2022 Salzburg Festival. The opera is based on the play The Storm by Aleksandr Ostrovsky. Set in a small Russian town, the story revolves around Káta, who is trapped in a loveless marriage to an abusive man named Boris. When she meets and falls in love with a young man named Vána Kudrjáš, she finally experiences happiness and passion. But their relationship is short-lived, as Boris finds out and forces Káta to confess her infidelity in front of the entire town. The opera explores themes of social conformity, oppression, and the consequences of forbidden love. Stage director Barrie Kosky creates an intimate but impressive setting in the magnificent Felsenreitschule.

Eric Clapton's Crossroads Guitar Festival 2004

Eric Clapton's Crossroads Guitar Festival 2004 Recorded Live at the Cotton Bowl, Dallas, Texas Captures Highlights from Festival With Performances and Collaborations by Guitar Wizards Eric Clapton, B.B. King, Buddy Guy, Jeff Beck, John Mayer, Robert Cray, Robbie Robertson, Sheryl Crow, Derek Trucks and More

Tableau Vivant of the Delirium Constructions - Skylight One Hanson, 2011

A 120-participant tableau vivant by Sarah Small.

Jakub Jan Ryba – Česká mše vánoční „Hej, mistře!“

Kouzelný strom

Yeonjun's "Make it Happen" Winter 2023

Choi Yeonjun prepares for his end of the year performances. He takes us along with him in his journey as he makes it all happen.

Borgoño

Sienna struggles with dreams of an unknown and scary place after receiving a dress that belonged to her late grandmother, who commited suicide years ago

Fantasia

Walt Disney's timeless masterpiece is an extravaganza of sight and sound! See the music come to life, hear the pictures burst into song and experience the excitement that is Fantasia over and over again.

Mefistofele

The season kicks off with Boitos resplendent retelling of Goethes Faust, a monumental work of 'choral grandeur and melodic richness' (The New York Times) in one of the most impressive productions ever seen at the War Memorial Opera House. The cast includes Ramón Vargas, a tenor 'in ravishing voice' (Financial Times), as the philosopher who sells his soul to the Devil; the 'luminous, compelling' Patricia Racette (Washington Post) as the woman he desires; and, in the vividly menacing title role, the 'seductively malevolent' bass-baritone Ildar Abdrazakov, a 'fullbodied bass-baritone' renowned for his 'wonderfully evil portrayals' (The New York Times).

The Britpop Story 'It Really, Really, Really, Could Happen'

In August 1995 Blur and Oasis were engaged in a head-to-head chart battle which divided music fans and led to a wider argument about British pop music. John Harris, journalist and author of The Last Party - the definitive study of the entwinement of music and politics in the 1990s - presents a documentary charting the rise of Britpop, its brief romance with New Labour and the emergence of 'new lad' culture. Finally, as Britpop declines, he asks what legacy it has left. Including contributions from Blur's Graham Coxon, Elastica's Justine Frischmann, Sleeper's Louise Wener, former New Labour insider Darren Kalynuk, and the founder of Creation records, Alan McGee.

I Promessi Sposi - Opera Moderna

Samson Et Dalila

Pious restraint comes face to face with sensuous hedonism in Camille Saint-Saëns’s grand-opera retelling of the Bible story of Samson and Delilah. Multi-Olivier Award winning director Richard Jones returns to The Royal Opera to stage this spectacular fin-de-siècle masterpiece, not performed at Covent Garden since 2004. Elina Garanca stars as the Philistine Dalila, SeokJong Baek as the inspiring Jewish hero Samson and Antonio Pappano conducts the full forces of the Orchestra of the Royal Opera House. With superb singing in solos and duets of great intimacy and fervour, gorgeous music with thrilling orchestral interludes, and splendid choral numbers for the Royal Opera Chorus – this is a performance to remember.

Parsifal live at the Salzburg Easter Festival

Christian Thielemann conducts the Staatskapelle Dresden in this performance of Wagner's opera recorded live in 2013. The performance was held for the Salzburg Easter Festival and featured vocalists including Johan Botha, Michaela Schuster, Stephen Milling and Wolfgang Koch.