Pornography: Andrea Dworkin

Radical feminist Andrea Dworkin's expose on the pornography industry.

In Plain Sight: Stories of Hope and Freedom

IN PLAIN SIGHT: Stories of Hope and Freedom is a feature-length documentary focused on six modern-day abolitionists as they fight sex trafficking across America. Journeying to six US cities, the film opens the viewer's eyes to what's happening down the street "in plain sight". Through engaging interviews with numerous victims of sex trafficking, the force, coercion, and deception of the children and women becomes apparent. In the midst of the darkness, stories of hope and freedom emerge as each survivor shares how she was impacted through the work of a sex trafficking aftercare home.

Happy Endings?

An intriguing exploration of the Asian massage parlor industry in Providence, RI, where a 25 year-old loophole has made the exchange of sex for money legal - as long as it happens behind closed doors. As the documentary follows a recent Korean immigrant, "Heather", working to operate her spa, the city's mayor fights to change the law that allows her business a legal existence. The film includes interviews with Korean women who work in spas, clients who frequent the spas, politicians from 1980 and today, police, local news footage, radio call-in shows and "voiced" reviews from inter-net escort review boards.

Lilja 4 real

Lukas Moodysson's acclaimed film Lilja 4-ever, seen by 100,000's of moviegoers is based on a real life story. The film's Lily was in fact called Danguole Rasalaites and came from Lithuania to Sweden when she was 16 years old. She was stripped of her passport and held captive in an apartment in Malmö where she was forced into prostitution.

Ten Million Throwaways

A growing consumer appetite for underage performers and violent sex dominates today's porn. Ten Million Throwaways uncovers the dramatic and illegal operating practices of this multi-billion-dollar industry.

Born Into Brothels: Calcutta's Red Light Kids

Documentary depicting the lives of child prostitutes in the red light district of Songachi, Calcutta. Director Zana Briski went to photograph the prostitutes when she met and became friends with their children. Briski began giving photography lessons to the children and became aware that their photography might be a way for them to lead better lives.

Ma fille n'est pas à vendre

The Epstein Files

The damning files which expose the evil of American billionaire and sex offender Jeffrey Epstein. Tara Brown investigates.

Gas Station or the Pigeons of Lahore

The parallel stories of four Pakistani immigrants in Greece become the trigger for the director to explore the story of his father, a worker in the Perama Shipyard. The background unfolds a most deadly shipwreck, Libyan immigrants found in limbo, as well as a (possibly racist) crime, which was committed during the shooting of this film.

Who Took Johnny

An examination of the infamous thirty-year-old cold case of Iowa paperboy Johnny Gosch, the first missing child to appear on a milk carton. The film focuses on Johnny’s mother, Noreen Gosch, and her relentless quest to find the truth about what happened to her son. Along the way there have been mysterious sightings, bizarre revelations, and a confrontation with a person who claims to have helped abduct Johnny.

Come Home Gary Glitter

Searching for the disgraced pop star

Out of Shadows

An exposé on how Hollywood and the mainstream media manipulate the multitudes by spreading propaganda throughout their content.

Tempestad

A woman is recruited to a prison controlled by organized crime while another woman searches for her missing daughter. Through images that submerges us in a journey from north to south Mexico, both testimonies collide and take us to the center of a storm: a country where violence has taken control of our lives, our desires and our dreams.

Mr. Trump, disculpe las molestias

An analysis of the impact on the United States Latino community of immigration policies promoted by President Donald Trump.

The Dark Side of Chocolate

A team of journalists investigate how human trafficking and child labor in the Ivory Coast fuels the worldwide chocolate industry. The crew interview both proponents and opponents of these alleged practices, and use hidden camera techniques to delve into the gritty world of cocoa plantations.

The Storm Makers

The film traces modern-day slavery in Cambodia by disclosing the fate of this young woman and following, in parallel, the daily lives of two human traffickers, a local recruiter and the head of an agency. Cambodian people call these traffickers Mey Kechol: The Storm Makers.

Heidi Fleiss: Hollywood Madam

A documentary crew from the BBC arrives in L.A. intent on interviewing Heidi Fleiss, a year after her arrest for running a brothel but before her trial. Several months elapse before the interview, so the crew searches for anyone who'll talk about the young woman. Two people have a lot to say to the camera: a retired madam named Alex for whom Fleiss once worked and Fleiss's one-time boyfriend, Ivan Nagy, who introduced her to Alex. Alex and Nagy don't like each other, so the crew shuttles between them with "she said" and "he said." When they finally interview Fleiss, they spend their time reciting what Alex and Nagy have had to say and asking her reaction.

Tělo bez duše

Documentary look at doomed male prostitutes in Prague, ages 15 to 18, who troll at the public swimming pool, the train station, a video arcade, and a disco. After the boys talk about how they got in the game, the camera follows them to the home of Pavel Rousek. Under the name Hans Miller, he makes gay porno videos, primarily for German distribution. Intercut with a movie shoot chez Rousek is an interview that follows him to his day job at a morgue, where he performs an autopsy as he talks about his work. The sex is without protection; the boys are without family. They talk about their bodies and souls, money, their sexual orientation, AIDS, their dreams, and death.

Le schiave esistono ancora

The film documents modern slave trade through a number of African countries, under dictatorship rule. The filming was conducted both in public places, and sometimes with the use of hidden cameras, for high impact scenes of nudity, sex, and violence - and a few surprises, as slaves made out of peregrins to Asia, and slave traders paid in traveller checks.

TMZ Presents: The Downfall of Diddy

A series of lawsuits and allegations have legendary rap mogul P. Diddy on the ropes. TMZ has the troubling inside story from people who were there.