Bed & Breakfast

After a feverish dream, a paralysed dreamer finds themselves trapped within a purgatory of their sleep, as they begin to fuse with their bed. The purgatory begins to refract the dreamers mind, as they are confronted with multiple incarnations of themselves struggling to awake. Bed & Breakfast is inspired by the neurodivergent experience of procrastination, and inertia. Questioning the nature of memory, identity, and the fabric of reality, by plunging you into the psyche of a paralysed dreamer where reality is far repressed.

Loop

Everything seems to be stuck in an endless loop. Everything seems to be stuck in an endless loop. Everything seems to be stuck in an endless loop. Everything seems to be stuck in an endless loop...

Dam$els of Luxury

Amanda's stoner slumber party is put to a halt when one of her guests is nowhere to be found.

Lysreisen

"Lysreisen" is an experimental art film, a visual ode to tunnel lights. Its ethereal beauty and abstract visuals create a poetic journey, exploring the transformative dance of light with a captivating and artistic touch.

Veined

Andrew, a teacher, is attacked while leaving work in a failed mugging which results in him becoming critically injured. While he is bleeding out a Deity appears healing Andrew but this is at a cost.

Topeng Bramacorah & Media Sosial

To the day I die (songs of the sea)

A fever dream of the faces of love. Six circles of love. A kind of death and rebirth experienced within each circle. Each song in the short film evokes a realm of what love can feel like to a human being, the metamorphosis through the experience of Love. Faced with the person that was at every metamorphosis, there is a certain death, and certain transformation. We watch her move without words towards salvation.

Ascendent

A women takes a journey that questions the boundaries of reality and what is an illusion.

HE

HE, the third work in the ongoing collaboration between Rouzbeh Rashidi and actor James Devereaux, is a troubling and mysterious portrait of a suicidal man. Rashidi juxtaposes the lead character’s apparently revealing monologues with scenes and images that layer the film with ambiguity. Its deliberate, hypnotic pace and boldly experimental structure result in an unusual and challenging view of its unsettling subject.

Souvenirs d'un montreur de seins

A boobs flasher tells us, a boobs flasher lets us see.

ดอกฟ้าในมือมาร

A camera crew travels through Thailand asking villagers to invent the next chapter of an ever-growing story. A TV-obsessed boxer, a group of schoolkids, a lonely rubber-tree tapper and feuding food vendors all add to a tale that includes witches, tigers, surprise doublings, and impossible reversals.

Sunspots

In SUNSPOTS, several 16mm shots of the sun are layered and superimposed, paired with a soundscape consisting of volcanos, fire, plastic and the audible solar sounds recorded by the Solar and Heliospheric Observatory (SOHO).

Cormorant

A 16mm experimental short film loosely following a cormorant as it attempts to dry its wings.

L'île aux robes

Visual haiku dealing with still and living life, ghosts and revealing light.

visare incinerare

Burn flowers burn ,as dreams.Dreams burn down like they were never meant to bloom.

Womb

in my darkest moment, fetal and weeping, the moon tells me a secret, a confidant As full and bright as I am, this light is not my own and a million light reflections pass over me, the source is bright and endless. She resuscitates the hopeless. Without her, we are lifeless satellites drifting.

Jean Speck (1860-1933)

Little is known of Jean Speck (1860-1933) beyond the fact that he opened Zurich’s first cinema. Rouzbeh Rashidi and Jann Clavadetscher consider the flittering black and white ghosts and shadows that he left in his wake in their phantasmagorical experimental feature film. This journey through a cinematic night probes the very essence of the cinematic image.

Closure of Catharsis

A man (James Devereaux) sits on a park bench talking to the camera, trying to weave together a thought that won’t cohere while commenting on passers-by, his ‘guests’… Mysterious images intervene, overturning the serenity of the park-bench monologue. Rouzbeh Rashidi’s feature proves as engaging as it is elusive.

A Mãe

Persona non grata