What We Never Forget For Peace Here Now

What We Never Forget For Peace Here Now is a personal peace memorial produced in the United States, a country that does not have war memorials dedicated to peace. This video explores how we forget and how we remember memories of war. I think about who are my survivors and witnesses of war, and the deep impressions they've given me, becoming a part of me. Drawing inspiration from peace activists young and old, I ask viewers to join me in a practice of peace, here and now.

Iron

Unconventional portrayal of mining in the Swedish Lapland ore fields, a powerful image and sound symphony that can be experienced both as a documentary and symbolic work.

Projektionen der Sehnsucht

Corridors

Latest installment from the on-going collaboration between filmmaker Paul Clipson & musician Jefre Cantu-Ledesma. Paul's Super8 films, shot entirely in New York City, channel the blissed out states of color drenched psychadellia explored by Brakage as well as lovely black and white still life's that reminisce on Ozu's 'pillow shots' & Chantel Akermans monumental portrait of Pre-Giuliani New York 'Letters Home'. Jefre's music is culled from the same sessions that launched his 2007 release on Students Of Decay 'Shinning Skull Breath', (the two share a track in common). Billowy clouds of distorted guitar expand out into long passages of muffled static and fuzzed out melody.

Fajr

In the Moroccan desert night dilutes forms and silence slides through sand. Dawn starts then to draw silhouettes of dunes while motionless figures punctuate landscape. From night´s abstraction, light returns its dimension to space and their volume to bodies. Stillness concentrates gaze and duration densify it. The adhan -muslim call to pray- sounds and immobility, that was condensing, begins to irradiate. And now the bodies are those which dissolves into the desert.

In Home God Remains

Religious imagery in Curado I, a small neighbourhood in the northeast of Brazil.

Artificial

Innocent nature walk leads to a discovery of the morbid nature of humans.

Third Shift Coming Home

This audio-visual tone poem uses the language of filmmaking to offer a first-hand evocation of the turbulent psychological effects one can experience due to prolonged lack of sunlight.

Afrocentricity

On the surface, this collection of shorts by up-and-coming African American filmmakers arrived at a perfect time. The cutting-edge products of the New Black Cinema of the early '90s had disappeared, giving way to embarrassingly stereotypical, scatological fare such as Booty Call and Next Friday. This feature-packed compilation (which includes production notes, interviews with all of the filmmakers, and audio commentary by four) attempts to prove that African American cinema is intent on moving past the lowbrow humor, as six of the seven shorts steer clear of any comedy.

Escombro

Escombro is a collage and found footage film that brings together a series of natural disasters around the world over the last thirty years. The film features disasters caused by climate change and also the exploitation of the earth's natural resources.

Bydlo

An experimental short film about wind and sunlight sweeping across tree leaves.

Things That Were There

Experimental video art compiled from video taken on an LG Env3 flip phone circa 2009-2010

WigWigWig

Experimental self portrait

The Forgotten

An exploration of memory after death.

The Male Gaze: Fleeting Glances

A release that features 7 shorts from Italy, Israel, Tunisia, New Zealand, the United States and France, exploring those furtive first steps that men take as they decide to act on their sexuality. The 7 short films are: The First Time [La prima volta] (2012); Kiss Me (2022); Nidhal [نضال] (2022); Sparrow (2016); I Am Mackenzie (2019); The Place Between Us [Il posto fra di noi] (2010); By the End of the Night [Que la nuit s'achève] (2018).

Τον παλιό εκείνο τον καιρό

A documentary with outtakes from early greek films like Maria Pentagiotissa (1927), Astero (1929), Promithefs desmotis (1930), Dafnis kai Hloi (1931) & O magos tis Athinas (1931).

Guaret

Pedro is Mallorcan, born to a mother from Burgos and a father from Mallorca. Due to his distant relationship with his father, Pedro doesn't fully master Mallorcan as a language. He turns to the works of Damià Huguet to remember his father, as only his poems can fill the void left by his death. The poet's words transport Pedro to his childhood and his roots, even though many of the words are unknown to him, despite them belonging to his language. This becomes the driving force behind the protagonist's search for his own identity, his origins, what it means to be a man, father-son relationships, collective identity, and "mallorquinness". Pedro constantly questions the emotions stirred by Huguet's poetry, and, most importantly, who he is and where he belongs.

La Sirena

A trip that the author makes to a distant beach trying to find the place where his grandfather made a painting years ago.

Cinquenta e oito semanas

3STIGIA