Skagit

Four friends leave Seattle for a weekend in a remote, rain-soaked corner of Washington State's rustic Skagit Valley. The foreboding October landscape begins to warp their minds, plunging each of them into alternate realities where they must grapple with personal demons, sexual tensions, and a sinister natural world as they claw their way back to sanity.

Magic Conch Shell

Estranged lovers reconnect through the power of the Magic Conch Shell.

Me and My Victim

Featuring one of the most monstrous personalities to grace the screen, "Me and My Victim" follows the tumultuous romance between its creators, Billy Pedlow and Maurane. In their feature debut, they have created a new genre using a blend of podcast-style audio recordings and visual fragments. "Me and My Victim" is like turning over a rock and witnessing a full ecosystem of bugs scattering in the light. It'll make you cringe, but it'll be hard to look away.

Flower of Flesh, Celestial Body

Big Bang

A silent tale about a dying love. Symbolisms and sounds are the elements used to explore the birth and destruction of a universe derived from the exchange of behaviors and beliefs when two individuals collide. - The film was recorded in the desert of White Sands in New Mexico. BEST EXPERIMENTAL FILM at TRANSFORM FILM FEST 2018 WINNER - EXPERIMENTAL FILM FEST 2023 - Una historia muda sobre un amor que muere. Simbolismos y sonidos son los elementos utilizados para explorar el nacimiento y destrucción de un universo derivado del intercambio de comportamientos y creencias cuando dos individuos se encuentran.

A Paw Over Dark

A washed up actor performs night after night in a grimy theater to a nearly empty audience. However, everything changes when a clueless dog jumps on stage.

No. 11: Mirror Animations

Cut up animation and collage technique by Harry Smith synchronized to the jazz of Thelonious Monk's Mysterioso.

What We Never Forget For Peace Here Now

What We Never Forget For Peace Here Now is a personal peace memorial produced in the United States, a country that does not have war memorials dedicated to peace. This video explores how we forget and how we remember memories of war. I think about who are my survivors and witnesses of war, and the deep impressions they've given me, becoming a part of me. Drawing inspiration from peace activists young and old, I ask viewers to join me in a practice of peace, here and now.

lente / ruido

ANA C.

ANA C. uses videoart and videoperformance to express the relationship between the marginalized poet Ana Cristina Cesar with art itself.

Temporality in Movement

A short experimental dance film about the use of the body as an instrument of temporal expression, focusing on how our memories are held and revealed in our movement.

ONE NIGHT IN HELL

FLES

A young man sits at a local restaurant with his friend: but he isn't paying attention to her as she speaks. This film visualizes his chaotic state of mind and how he uses mindfulness practice to tune back into the conversation. Mindfulness is being able to sit with and observe your thoughts. Being mindful improves focus and mental health. FLES is SELF spelt backwards.

47 Days, Sound-less

47 Days, Sound-less by Vietnamese artist Nguyễn Trinh Thi is a film that explores the relationships between sound and silence, vision, language, colours and their absence. Nguyễn identifies “peripheries”—including natural landscapes used as backdrops, uncredited characters and soundtracks from American and Vietnamese movies—that reveal more-than-human perspectives. Offering new ways of looking and listening, 47 Days, Sound-less invites audiences to reflect on the inextricable relationship between a place and its inhabitants.

Killer Girl, Odyssee III

In 1989, Jun-Jieh Wang enrolled in Hochschule der Künste, Berlin, a year when the Berlin Wall was pulled down and the fall of Communism in the communist states of Central and Eastern Europe and beyond. He was astonished by these dramatic events. Several issues concerning politics, ideologies, aesthetics as well as the forms, market and power of art had been preying on his mind for so long that he lost the ability to make artworks and even questioned the value of the existence of art. His passively reactionary state of mind in this period was clearly reflected in the works simulating low-quality B-movies or TV programs, such as Killer Girl, Odyssey III (1990), Love, Die, Daredevil, Odyssey IV (1991).

Toll of a bell

Chen Cheng-Tsai works primarily in video art, photography, and mixed media installations. This work was created during his postgraduate studies in Germany. The trees rotate 360 degrees, and the artit's face reflected in the water, distorted by the ripples, iss overlapped by the trees. The sound of a bell also plays a continuous rythm.

Das Glas II

A ritual about"memory". The words and phrases written on the paper are easy to understand but difficult to define, substituting the usual " incantations to gods". The spat out red matter suggests kind of "refusal". This kind of "nauseous" mixture combined with these moods represents a space : a space for painting.

No seu Lugar

Alone, during Christmas morning, Leah has an encounter with the ghosts of her past and her family traumas.

midautumn

shot in melbourne, may 2024

3/60: Bäume im Herbst

The first embodiment of (a) concept of structural activity in cinema comes in Kren's Bäume im Herbst, where the camera as a subjective observer is constrained within a systematic or structural procedure, incidentally the precursors of the most structuralist aspect of Michael Snow's later work. In this film, perception of material relationships in the world is seen to be no more than a product of the structural activity in the work. Art forms experience.