Na počiatku bola pieseň

Martin Slivka's documentary film about Karol Plicka (1894-1987), the founder of Slovak cinematography.

Visions of Light

Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.

The Race for Colour

Antonia Quirke looks at the history of the colour film industry to find out who produced the first moving colour images.

Constructing Reality: A Film on Film

An exploration of the intricate art of filmmaking, delving into the multifaceted stages of scriptwriting, cinematography, and meticulous final editing. It provides a behind-the-scenes journey, unraveling the creative and technical complexities that bring a film to life. As an illustration, the film-within-a-film narrative centers around a race car competition.

Otkriće i razvoj filma

The birth date of film can be established: December 28, 1895. The place where it happened is also known: Paris, Boulevard des Capucines, Grand Caffe. It is also known who did it first: Louis Lumiere. However, the history of film starts in distant, almost unknown times: from drawings of cave people, through reliefs from Egyptian times, to the discovery of photography. Development of film technique: silent film, sound film, color film. Development of film expression: film as a recording of reality, film as an interpretation of reality, film as fiction or new reality. Development of film as an industry.

Have You Seen This Before?

A story with no (real) narrative that just takes you through a holiday in Wales to show you how great it can be, whilst also trying to explore the creativity that cinematography and colour grading can present to you.

Profil af et job 2 - Folkene bag kameraet

Le rêve

We all have dreams and most of people give up before achieving them. Le rêve is about mistakes don't matter. The important thing is to get up afterwards, to fight to get back on track and make our dreams come true.

Robert

De Engel En Haar Reflectie

De Wind

De Waarheid

Voorbijgangers

The Girl

A young girl spends most days by herself trying to get away from her ongoing family issues. One day while playing outside, she gets taken away and no one is there to notice.

Feed The Birds

A magician’s creation roams free in a city and explores its consciousness.

Режиссер

The main character has a dream: he wants to become a director. On his way to achieving it, he faces many challenges, and the hardest one is his divorce from his family. But he doesn’t give up and finally reaches his dream. Now, he must win his family back!

Tai Chi

A teenage girl dealing with the loss of her mother, navigating the five stages of grief, when suddenly her doppelganger appears. Throughout her journey of discovery, she not only confronts her own unresolved feelings but begins to understand the fragility of life. Through her encounters with the doppelganger — a reflection of her inner turmoil — she comes to terms with her mother's death and learns to accept her own mortality, finding peace in the inevitability of life's cycles.

End.

She attempts to escape her patterns.

Stalemate

Upon a stay in his grandparent's countryside house, young writer Matt begins to encounter strange happenings as he attempts to write his first novel.

Empire of Madness

Don’t be misled by the title and put your lube away: True Gore II (aka Empire of Madness) (1989)–M Dixon Causey’s follow-up to the eponymous first entry–has virtually no true gore in it at all. Instead, the first half is a compilation of faux-snuff vignettes akin to something you’d find in a SOV horror collection like Snuff Perversions 1 & 2, Snuff Files, The Dead Files, Violations I & II, or even more recent titles like Murder Collection Volume 1. The second half is in turn a send-up of satanic panic style videos like Law Enforcement Guide to Satanic Cults, Devil Worship: The Rise Of Satanism, and countless others shat out during the 80s/90s. The vignettes are hilariously inept to the point where it seems clear that Causey was parodying the shockumentary form. Even the credits are a joke, mocking the seriousness with which shocku producers take themselves, crediting a ‘researcher’ for a film that clearly had none, and a ‘visual archivist’ being listed in place of a cameraman.