Hospedaria

An old hostel, located in the center of Porto, served for many years as a hostel for people with few possessions, prostitutes and people passing through who made that place a more or less prolonged residence.

이타미 준의 바다

"Hello. I'm Itami Jun. I apologize for my poor Korean." Itami Jun (Yoo Dongryong), a Korean architect who was born in Japan. This film follows his life through heartwarming architectures for people that he had tried for all his life. The architecture of time that exists for the people, space and the story of an architect who walked his own way between Korea and Japan, Shimizu and Jeju.

Architektura ČSSR 58–89

Vladimir 518, uncompromising rapper, artist, stage designer and activist, is a rare phenomenon, who not only writes books, but publishes them as well. Today also a respected authority primarily on pre-1989 architecture, he has written not only a major publication on the subject, but also the story for two audiovisual works treating the same theme, which were shot by Jan Zajíček, renowned director of music videos. In addition to the recent TV series we have the eagerly anticipated feature-length film which, through its fascinating and impressive exploration of Czech and Slovak architecture of the latter half of the 20th century, offers exclusive insight into extraordinary buildings and unique individuals living below the Tatra Mountains. Karel Och (kviff.com)

Toorumi Pojad

In the same vein as Meri's other documentations, this one takes advantage of the glasnost policy to discuss the social and ecologic impact of the Russian oil industry on the natives and the lands they inhabit.

Grizzly Man

Werner Herzog's documentary film about the "Grizzly Man" Timothy Treadwell and what the thirteen summers in a National Park in Alaska were like in one man's attempt to protect the grizzly bears. The film is full of unique images and a look into the spirit of a man who sacrificed himself for nature.

One Ticket Please

A documentary about a 78-year-old Indian woman in New York who is the world's most passionate theatergoer. Nicki Cochrane has been seeing a play every day for more than 25 years, acquiring free tickets using a variety of ingenious means.

Places for the Soul

An intimate portrait of Christopher Alexander, a critic of modern architecture on a lifelong quest to build harmonious, livable places in today’s world. The film tells the story of two projects – a spectacular high school in Japan and an innovative homeless shelter in California. For Alexander, feelings come first, users are deeply engaged and process is paramount. We discover what happens when an architect’s unconventional method collides with standard practices in his profession.

Die Bauten Adolf Hitlers

Nazi Third Reich propaganda film that used architecture as a statement about "racial accomplishment," and so called "racial superiority." Hitler claimed that between 1934 and 1940, the Nazi rule of Germany had produced architectural uniqueness, and this film was produced to shown to attempt to validate that. The opening montage gives a survey of earlier Gothic and Baroque structures in the country as an example of "architectural superiority" that the German race was said to be the sole inventor of; then moves on to deride the recent construction of the Bauhaus school (with a racially motivated score of Jazz music) and an example of German "architectural decay." Then proceeds to show off buildings constructed by the Nazi and an architectural revival, to "last 1000 years," Film also spends a great of time dwelling on massive and "busy" monuments that had been erected all over the county.

La Sortie de l'usine Lumière à Lyon

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Triumph: Jesse Owens and the Berlin Olympics

Follows the 1936 Berlin Olympics when Black athlete Jesse Owens won 4 golds against the backdrop of Hitler's racist Nazi regime in Germany.

Jimmy Dorsey and His Orchestra

In a nightclub setting, Jimmy Dorsey and His Orchestra, with two of his vocalists, perform four of the group's best known songs. For the complete list of songs, check the soundtrack listing.

A ház

Our Godfather

The story of how Sicilian Mafia boss Tommaso Buscetta (1928-2000), the Godfather of Two Worlds, revealed, starting in 1984, the deepest secrets of the organization, thus helping to convict the hundreds of mafiosi who were tried in the trial held in Palermo between 1986 and 1987.

Berlin Babylon

A documentary focusing on the rebuilding projects in Berlin after the fall of the Berlin Wall.

Doctor Who: Music of the Spheres - Doctor Who at the Proms 2008

A selection of classical favourites with a strong flavour of time and space. Join Freema Agyeman (aka Martha Jones), and others from the Doctor Who cast, for an intergalactic musical adventure - with a little help from Daleks, Cybermen and other aliens from the series!

Your Day Is My Night

Immigrant residents of a “shift-bed” apartment in the heart of New York City’s Chinatown share their stories of personal and political upheaval. As the bed transforms into a stage, the film reveals the collective history of the Chinese in the United States through conversations, autobiographical monologues, and theatrical movement pieces. Shot in the kitchens, bedrooms, wedding halls, cafés, and mahjong parlors of Chinatown, this provocative hybrid documentary addresses issues of privacy, intimacy, and urban life.

Home Made

Ford Educational Weekly No. 164, produced by the Ford Motor Company about prefabricated houses. A new idea in house building in which the parts of the house are made in the factory, all ready to be assembled on the lot. Inspired Buster Keaton's first solo film entitled One Week, a parody borrowing events from the plot and following the narrative structure that divides the action into days of the week marked by pages falling from a calendar.

Aus westlichen Richtungen

A film essay investigating the question of what “the West” means beyond the cardinal direction: a model of society inscribed itself in the Federal Republic of Germany’s postwar history and architecture. The narrator shifts among reflections on modern architecture and property relations, detailed scenes from childhood, and a passed-down memory of a “hemmed-in West Germany,” recalling the years of her parents’ membership in a 1970s communist splinter group.

Plan para Buenos Aires

In 1929, Le Corbusier travels to Buenos Aires to give a series of lectures on Modern Architecture. During his visit, he proposed an urban plan for the city. Since his trip and for more than twenty years, he would obsessively develop his proposal, trying by all possible means to make the plan for Buenos Aires a reality.

Brasília, Contradições de uma Cidade Nova

In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)