Verliebt, verlobt, verloren

Trotz und Treue: Das Phänomen Sahra Wagenknecht

2024 is likely to be a decisive year for Sahra Wagenknecht's political future. In the arena of power, she might assume a role that she is already very familiar with. In the early years following the fall of the Berlin Wall, Sahra Wagenknecht became the "most famous face" of the PDS, the successor party to the SED. Yet, even as the youngest member of the party's executive board, she was considered a "disruptive factor." She is unyielding and swims against the tide. Sahra Wagenknecht does not distance herself from Stalinism, nor from the Berlin Wall, and wishes for a reformed GDR.

Ein Traum in Erdbeerfolie

This film undertakes a journey into the amazing parallel universe of East Berlin’s fashion designers and experts in the art of survival. For, in the midst of the constraints of life in the GDR, there existed a fantasy world where it was possible to dance to another tune, be individual and even provocative. The most important characteristic of this bohemian scene was one’s per- sonal style. But this certainly wasn’t something that could be bought off the peg in the GDR. In this parallel universe it was up to you to create your own individual image – with your own hands. This film tells the story of the desires, the passion and the dreams that were tried and tested, lived and performed in the shadow of the Berlin Wall.

Der Osten unter Strom – Kraftakt mobile Wende

The documentary focuses on the future of mobility and as a company that wants to help shape the automotive development of tomorrow.

OstPunk! Too much Future

Tells the story of punk in the GDR.

Die Zeit meines Lebens - Dirty Dancing in Ost und West

Auf der Oder

Dragan Wende - West Berlin

Dragan Wende has lived in Berlin since the '70s and has seen the city change through the years. His nephew comes to live with him as Dragan remembers the better days he lived as a Yugoslavian immigrant in a divided city.

Das offene Geheimnis

A documentary that explores questions of secrecy and power in relation to the East German Secret Police (the 'Stasi') within East German society. The film is based upon key findings from an extensive research project, 'Knowing the Secret Police', and reflects upon how different kinds of knowledge were circulated through social, religious, political and literary networks within the former GDR. The filmmakers present this research with footage filmed at key locations throughout East Berlin and the wider surrounding landscape, including the Stasi archives and former HQ, Karl-Marx-Allee, Volkspark Friedrichshain, rural 'dacha' cabins, the urban neighbourhood of Prenzlauerberg and the social housing estates of Marzahn.

Theaterarbeit

A review of 25 years of theatre work by the Berliner Ensemble, dedicated mostly to plays by Bertolt Brecht. Interviews with stage hands and lighting technicians provide an interesting view behind the scenes.

Přátelství ve jménu míru

Junge Deutsche im Mai

Every year, the most beautiful, best and proudest representatives of German youth meet in Dresden to take to the streets together.

Der letzte Sommer der DDR - Aufbruch und Anarchie

After the fall of the Berlin Wall, citizens of East Germany had to get used to a new way of consuming, working, and living. New-found freedoms were a breath of fresh air for many but in the chaos leading up to reunification with West Germany, the experience was also disconcerting.

Novembertage – Stimme und Wege

Marcel Ophüls interviews various important Eastern European figures for their thoughts on the reunification of Germany and the fall of Communism.

Busch singt – Sechs Filme über die erste Hälfte des 20. Jahrhunderts

"Busch singt" consists of 6 films "About the first part of our century" and does not present Ernst Busch only as a singer but is a film with and about Busch as a chronicler and fighter for communist ideals of his time. Konrad Wolf died during the production, he directed part 3 "1935 oder Das Faß der Pandora" and part 5 "Ein Toter auf Urlaub".

Grenze

In February 1986 they received the call of a fatherland that no longer exists: four young GDR citizens on the verge of adulthood see themselves forced, like so many others in East and West Germany, to do their one and a half years of military service. What is special: Their service area is the border system, an anti-imperialist protective wall according to their superiors, death strips and prison bars for a population incapacitated in naked reality. Now, seventeen years later, there is a reunion with the comrades and the old post. This feature film, which was the first in reunified Germany to deal with the inner workings of the GDR border troops, tells of life on the fence, the associated contradictions and some hot phases in the Cold War.

1989, les trains de la liberté

Robotron - High Tech made in GDR

In a world divided by the Iron Curtain, East Germany sought to carve its niche in the technological race. Enter "Robotron" - a name that seamlessly blended "robot" and "electronics." This wasn't just a brand; it was an ambitious answer to the West's technological advancements, a testament to the GDR’s drive to match, if not surpass, Western innovation. Drawing inspiration from the corporate giants of the West, the GDR‘s government merged various businesses to form this tech behemoth. With 16 major hubs in Central Germany alone, it was clear: "Robotron" was to be the DDR's technological crown jewel. But what was the Socialist Unity Party (SED), the GDR's ruling party, envisioning with this grand venture? How did "Robotron" navigate the challenges of operating within a socialist planned economy, while striving for global excellence? And as it grew to dominate East Germany's tech landscape, why did it always seem to be one step behind the leading global tech powers?

Kalter Krieg der Konzerte - Wie Bruce Springsteen den Osten rockte

Einmal Hooligan - immer Hooligan?

The documentary accompanies a group of soccer fans twice on a train ride to a soccer match - first in 1991 and then again in 2006. Have the fans learned something or are they still hooligans?