Lesbian Mothers

The Decline of Western Civilization

The Los Angeles punk music scene circa 1980 is the focus of this film. With Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs, and X.

This is What a Feminist Sounds Like

This is What a Feminist Sounds Like is the story of 80 year old social activist Pat Noonan and it is a guided tour of the burgeoning of woman's rights and gender equality in North America during the twentieth century, set in the small automotive town of Windsor, Ontario.

Hard Core Logo

Bruce Macdonald follows punk bank Hard Core Logo on a harrowing last-gasp reunion tour throughout Western Canada. As magnetic lead-singer Joe Dick holds the whole magilla together through sheer force of will, all the tensions and pitfalls of life on the road come bubbling to the surface.

Sofía

A taboo in the family: the death of my great-grandmother Sofía. The surface of this history is known but not the background and much less the beginning, only its end. The tragic end The answers are in the family, in my grandparents and my uncles. This project is a tribute to her and the woman she was.

Ini Scene Kami Juga!

A documentary about women in the Indonesian DIY hardcore/punk scene, including interviews with musicians, photographers, and zine-makers.

Short Stack Live at the Sydney Opera House

In the pinnacle of their Stack Is The New Black national tour, Short Stack play the Sydney Opera House in a sold out mega-show.

Teaches of Peaches

Peaches - artist, feminist, rock star. She has been challenging gender stereotypes for over 20 years and is on par with the icons of the pop and rock world. With exclusive private archive material and current footage of preparations and concerts of her 2022 jubilee tour “20 Years of Teaches of Peaches”, we learn how the Canadian Merrill Nisker became the internationally celebrated musician and electro-clash icon Peaches.

ALTAR: Cruzando Fronteras, Building Bridges

Examines the life, work, and cultural significance of Gloria Anzaldúa, poet and visual artist, and those she inspired in women's Chicano art. The work highlights the struggle for women's and gay rights.

Retiro

Marina and Perla join thousands of women on an annual Catholic pilgrimage. Perla's coming of age accentuates a generational divide as she struggles to assert her independence as a woman.

Y'a pas d'heure pour les femmes

The hairdressing salon “Saïda” is a space where people speak openly, laugh and argue. The subject rarely is hair. In the run-up to the presidential elections in Tunisia the shop turns into a political arena where the women – young or old, conservative or with a modern outlook – indulge in discussions about the pros and cons of the candidates. Their clever and witty statements reflect a young democracy with all its rifts and fault lines.

Pornography: Andrea Dworkin

Radical feminist Andrea Dworkin's expose on the pornography industry.

The Best of Flipside Video Vol. 1

This 126 minute DVD features raw, vintage live performances by Bad Religion, The Circle Jerks, The Weirdos, and The Dickies. These performances, originally released on VHS as ""Best Of Flipside Volume 1"" and ""Best Of Flipside Volume 6,"" capture all the aggressiveness and energy of the L.A. punk rock scene in the mid-eighties. The DVD also features bonus live tracks from Dead Kennedy's and D.O.A. Among the classic tracks included are Bad Religion's ""Politics"", Circle Jerks' ""Coup D'etat"", Weirdos' ""We Got The Neutron Bomb"" and Dickies' ""You Drive Me Ape.

Coller pour crier

On March 15, 2020, Montreal sees appearing on a wall, written in black letters on white paper "Stop feminicides". It is at this moment that the Collages Feminicides Montreal collective sees the light for the first time. Now the streets of the city are carpeted with their words. Today, after the 17th feminicide, they will continue to fight and stick, until this violence stops.

I'm Not Speak English

With analog and digital material collected during her stay on a "Work Trip" taking care of children in an American kindergarten as a migrant. I'm not speak English proposes —as a visual autobiography— to make visible a phantasmagorical light as a metaphor for the sudaca's bodies that work in invisible care task. Migrant bodies who bear as an imperceptible force the North American Nation.

Una identidad en absurdo Vol. 1

Guillermo Gómez Álvarez explores the identity politics of Puerto Rico via archival footage from various sources that clash with nine original songs from local independent musicians and a thematic analysis from a psychoanalyst and a historian. From the juxtaposition the absurd becomes coherent and the coherent becomes absurd as Puerto Rican identity is defined and rejected almost simultaneously.

OstPunk! Too much Future

Tells the story of punk in the GDR.

What Did You Expect: The Archers of Loaf Live at Cat's Cradle

Indie rock icons the Archers of Loaf reunited in 2011, and during the course of their reunion tour played two legendary concerts at Cat’s Cradle in Chapel Hill, NC. Combining in-your-face concert footage along with rare interviews of the band, this film by director Gorman Bechard documents those concerts, and captures the excitement and explosive energy of what its like to see this extraordinary band perform live.

The Other Song

Journeying across Varanasi, Lucknow, and Muzzafarpur in India, this documentary film traces the lost traditions and the culture of tawaifs (courtesans of North India), particularly through a song sung by Rasoolan Bai, "Lagat karejwa ma chot, phool gendwa na maar" and its lesser known, earlier version "Lagat jobanwa ma chot, phool gendwa na maar" (recorded in a 1935 Gramophone recording). Weaving the past with the present, the film spans between personal stories as it interacts with historical events, ultimately leading to the decline of a great art form.

38/79: Sentimental Punk

'It was in San Francisco at a punk festival. I was already high and the air was so thick in the rooms that you could cut it with a knife. I had a photograph camera with me; I stood in a corner of the entrance hall and took 36 pictures on slide film. At home I put the slides into a slide projector. I took out the lens and filmed the slides by filming directly from the projector - using single frames according to a certain plan.'