Draussen bleiben

Beethoven In Beijing

"Beethoven in Beijing" starts with a forgotten moment in history —the first American orchestra's visit to communist China. The Philadelphia Orchestra’s 1973 tour was a gesture of cultural diplomacy that resonates still today, as the revival of classical music in China energizes the world of music.

Dance for All

Exergo

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.

Visions of Europe

Twenty-five films from twenty-five European countries by twenty-five European directors.

Overloaded Peking

A documentary about Peking in the dawn of the new Millenium. Contains interviews with Jia Zhangke and dj Gaohu

Ergui as Mãos aos Céus e Não Havia Mais Luz

After James Benning's YouTube

Divided into 26 parts, an attempt to remake James Benning's film, YouTube (2011) with similar internet footage after 13 years.

Zu Dritt

Beyond the scheduled programme of a school trip, three teenagers find ways to pass the time. Between tenderness, boredom and rejection they all try to find their own place in the group.

The Tea Explorer

The Tea Explorer documentary follows the journey of tea enthusiast Jeff Fuchs along the Tea Horse Road, a 1300-year-old trade route in the Himalayas. It combines the author's passion for both tea and mountains, tracing the route's history, meeting the people who live along it, and exploring the significance of tea in the region.

Ne travaille pas (1968-2018)

A year in the life of Elsa Michaud and Gabriel Gauthier, students of Fine Arts in Paris, lovers in troubled times, overwhelmed by maddening verbal and auditory stimuli, witnesses of a globalized violence more visible than ever in a chaotic digital era, in which the slow execution of simple gestures in a silent performance is an act of resistance.

Der Dreher - 81 RPM

Jürgen Leppert, also known as "Der Dreher" or "der Kreisel" is a graduate engineer, speaker inventor, 360 degree dancer, gifted Frisbee player and thoroughbred 68er. Everything revolves around the Karlsruher legend, and not just on the dance floor. A declaration of love to music, dancing and rebellion. A portrait of a tough person who still swims against the stream and the living proof that 81 years is far from too old for hard raves.

40 Days to Learn Film

For just forty days, filmmaker and writer Mark Cousins embarks on a peculiar journey in order to explore topics as the passion for cinema and certain aspects related to making films as style, ideas, emotions and practicalities; an ambitious exploration of the universal language of cinema by analyzing pieces of work that cross every artistic and cultural boundaries.

Fram – eteenpäin

Why do we do incredibly difficult things that have no practical application? Is there a parallel between geographic and artistic exploration? Fram is a documentary and travel film about two friends journeying to the end of the earth, in order to make a dance film in the arctic wilderness of Svalbard. En route, they explore the history of our ideas of the Arctic, along with the grand questions of life, art and our place in the world. Sharing their love of discovering new geographic and artistic frontiers, choreographer-dancer-filmmakers and outdoor enthusiasts Thomas Freundlich and Valtteri Raekallio take the viewer on an engaging journey to a place where few have been and even fewer have danced.

Chine : Opérations secrètes

Wild Swimming

Alice Roberts swims in cavernous plunge pools, languid rivers and underground lakes to examine the passion for wild water swimming, following the classic swimming text Waterlog.

The Last Chinese Laundry

A documentary from 1987 featuring the life of early Chinese immigrants to the island of Newfoundland.

Heimat ist ein Raum aus Zeit

Director Thomas Heise picks up the biographical pieces left by his family, and composes an epic picture of four generations of his family, of a country, of a century.

女人50分钟

A representation of queer and feminist imagery that was mainly shot in the Qinghai-Tibetan Plateau, remote and developing areas in southwest China, and metropolitan cities like Beijing from 2000 to 2004 to document the social changes in contemporary China. The director sympathetically and erotically represents a variety of women, including women as laborers, women as prayers, women in the ground, women in marriage, and women who lie on the funeral pyre with their dead husbands. Her camera juxtaposes the mountains and rivers in old times, the commercialized handicrafts as exposition, the capital exploitation of the elders’ living space, and the erotic freedom of the young people in a changing city.

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