Oproerkraaiers

Coffee Coloured Children

Coffee-Colored Children is an autobiographical portrayal of Ngozi's, and her brother's, sad welcome to the world where the color of your skin dictates the amount of respect & love you receive.

I Am Richard Pryor

The life story of Richard Pryor (1940-2005), the legendary performer and iconic social satirist who transcended racial and social barriers with his honest, irreverent and biting humor.

De Cabral a George Floyd: Onde Arde o Fogo Sagrado da Liberdade

Through clippings, the film draws a narrative line between the construction of racism in Brazil and the United States, having as base the European invasion of the continent, police violence, the genocide of the black people, the massacre of indigenous peoples, religious violence, the criminalization of funk music, structural racism in art and education, the importance of quota policy and the need urgent historical repair as a commitment by the Brazilian state to the black people.

Charles Manson, The Church of Satan, The Universal Order & The Process Church of Final Judgment

Out of the spiritual chaos of the 1960s, more strange cults and unorthodox messiahs have emerged than ever. Charles Manson is seen as the annoying result of libertarianism of the 1960s - the Cain who murdered the Abel from The Love Generation. Or in the words of one commentator; "the Elvis of alienation."

The Good Terrorist

The story of anti-apartheid activist John Harris - who was hanged after a fatal bombing in Johannesburg in 1964 - told by those who knew him best and through newly discovered home movies.

A Propos D'Un Crime

In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”

The Yes Men

A comic, biting and revelatory documentary following a small group of prankster activists as they gain worldwide notoriety for impersonating the World Trade Organization (WTO) on television and at business conferences around the world.

The Shadow of Hate: A History of Intolerance in America

The film expresses the history of oppression, discrimination, violence and hate in America. It was nominated for an Academy Award for Best Documentary Short.

Cassius X: Becoming Ali

Cassius X puts a period of often-overlooked history into the spotlight – the period when Cassius Clay fought his way to achieving his lifelong dream of becoming World Heavyweight Champion while embarking on a secret spiritual journey.

Nantucket Film Festival's 2nd Comedy Roundtable

Ben Stiller, Mike Myers, Seth Meyers and Michael Ian Black have a roundtable comedy discussion.

Om våld

Concerning Violence is based on newly discovered, powerful archival material documenting the most daring moments in the struggle for liberation in the Third World, accompanied by classic text from The Wretched of the Earth by Frantz Fanon.

Rap, O Canto da Ceilândia

A documentary about rap artists from Ceilândia, a satellite-city of Brazil capital, Brasilia. The film portrait the struggle of the lives of the rapers and makes a parallel with the violent building of the city designed to settle the outcast from Brasilia after its completion.

The Man Card

For years, right-wing politicians and pundits have repeatedly criticized the left for playing “the race card” and “the woman card.” This new film turns the tables and takes dead aim at the right’s own longstanding – but rarely discussed – deployment of white-male identity politics in American presidential elections. Ranging from Richard Nixon’s tough-talking, law-and-order campaign in 1968 to Donald Trump’s hyper-macho revival of the same fear-based appeals in 2020, "The Man Card" shows how the right has mobilized dominant ideas about manhood and enacted a deliberate strategy to frame Democrats and liberals as soft, brand the Republican Party as the party of “real men,” and position conservatives as defenders of white male power and authority in the face of transformative demographic change and ongoing struggles for racial, gender, and sexual equality.

Chine : le drame ouïghour

A relentless chronicle of the tragedy of the Uighurs, an ethnic minority of some eleven million people who live in the Xinjiang region of northwest China, speak a Turkic language and practice the Muslim religion. The Uighurs suffer brutal cultural and political oppression by Xin Jinping's tyrannical government: torture, disappearances, forced labor, re-education of children and adults, mass sterilizations, extensive surveillance and destruction of historical heritage.

Dentro da Minha Pele

A doctor mistaken for a thief. A cleaning lady treated as a slave. A mother who lost her son murdered by the police. A Trans employee who is never promoted. What do these people have in common? Their skin color. A human and poetic documentary sewn together with various narrative threads – characters, music, slams and black intellectual thinking – that unveil the racism rooted in Brazilian society.

Rom Boys: 40 Years of Rad

When a tragedy strikes the worlds most unique skate park, a dogged group of old school skaters, BMXers and street artists team up to fight for its survival.

Say My Name

People from different ethnic backgrounds with "difficult" names by Western standards share their experience with moving through the world with an identity that challenges others to simply just say their name. A short social docu-film by Mariam Meliksetyan, “Say My Name” is a meditation on identity, otherness, assimilation, community, and ancestral roots.

Five Sex Rooms und eine Küche

Black Thoughts

A man that is a stranger, is an incredibly easy man to hate. However, walking in a stranger’s shoes, even for a short while, can transform a perceived adversary into an ally. Power is found in coming to know our neighbor’s hearts. For in the darkness of ignorance, enemies are made and wars are waged, but in the light of understanding, family extends beyond blood lines and legacies of hatred crumble.