Ritratti: Andrea Zanzotto

Marco Paolini discusses with poet Andrea Zanzotto about nature, history and language.

Crack: Cocaine, Corruption & Conspiracy

A cheap, powerful drug emerges during a recession, igniting a moral panic fueled by racism. Explore the complex history of crack in the 1980s.

Hospedaria

An old hostel, located in the center of Porto, served for many years as a hostel for people with few possessions, prostitutes and people passing through who made that place a more or less prolonged residence.

"WŁODZIMIERZ"

Dans l’ombre du Star Wars Kid

Ghyslain Raza, better known as the “Star Wars Kid,” breaks his silence to reflect on our hunger for content and the right to be forgotten in the digital age.

Behind the Lens

When a student documentary crew decides to interview Julia, a puzzling young woman willing to share her sensitive past, the project grows increasingly uncomfortable for the subject as the director's relentless scrutiny and unethical transgressions soon start to blur the lines between reality and performance.

Uniforme

Fritz Berger: Ο φωτογράφος των αναμνήσεων της Λευκάδας

In the spring of 1962, members of the Christian Peace Service aid group flew in from Bern, Switzerland and settled in the poorest villages in all of Greece. Led by photographer and social worker Fritz Berger, the group itself had one purpose: the provision of aid and development services to local communities inhabiting the southwest region of Lefkada. What followed were revolutionary advancements that would leave their lives forever changed.

Saynatakuna: Masks and Transfigurations in Paukartambo

An ethnographic film that tells the story of the mask makers and dancers during the festival of the Virgen del Carmen in Paukartambo, Cuzco. The dancers reinterpret their history and socio-political forces that drive them to perform their rituals of magic and resistance. The 18 dance troupes reenact and satirize the different ethnic groups that passed through Paukartambo since the beginning of time. They connect and tell a story of the past, the present, and the future wearing hand-made colorful masks and intricate beaded costumes.

Хто ми? Психоаналіз українців

A Maravilha do Século

6X-Day

Exactly like an Hour of Slack X-Day radio show, except that you can see it. Shot mostly in DV by Rev. Ivan Stang, Dr. Philo Drummond, Rev. Steve Chekey & Princess Wei "R." Doe at Brushwood; edited mercilessly by Stang. Heavy use of identifying subtitles and nudity, with Rev. Susie the Floozy, Jesus and Magdalen, Rev. Nickie Deathchick, Sister Decadence, Rev. Carter LeBlanc, Rev. Ivan Stang, Rev. Alex, Rev. Pee Kitty, Dr. Philo Drummond, Dr. G. Gordon Gordon, Sifu and Legume's butts, Rabbi's chest, the Hell Bonfire, the Alien Ball, the horror of 7 a.m., Insane Clown Bat Pussy, teabagging, and Lonesome Cowboy Dave. THE AMINO ACIDS in concert plus musical tracks by Cozmodiar, Gary G'broagfran, The Great Groovy Neptune.

Reverend Billy and the Church of Stop Shopping

Reverend Billy, a.k.a. Bill Talen, is an actor/performance artist and a leading figure within the anti-globalization movement. His work combines the ideas of social and political change with the means of theater arts to counteract our media-laden culture. The film follows the Reverend's "shopping interventions/actions" into cultural dead zones such as Starbucks, Disney and the New York University construction site at Poe House.

D'Emmanuelle à Emmanuelle

« Emmanuelle » was released 50 years ago. Its main character, played by the young Sylvia Kristel, delve freely into her sexuality, without taboo. This bold movie became one of the great success of french cinema in the 70s, and Emmanuelle became the face of sexual liberation. Through the gaze of a woman, the character is back on the screen in 2024. This new Emmanuelle, written by Audrey Diwan, go in quest of a lost pleasure.

Sara

A young woman from Barcelona's La Mina neighborhood inquires into the past of the Roma people in this documentary about the persecution of the Roma people.

Wrap de Perú

He's hungry, and chances are you're also hungry, so tag along. Who knows, you might learn a thing or two.

Inside Red China

October 1st, 1957. Dusk descends on Tiananmen Square, Peking. Fireworks crackle light across the night sky, above a city alive with National Day festivities and celebrations. Two intrepid New Zealand film-makers - Rudall and Ramai Te Miha Hayward - are there, documenting the life and times of communist China. The distinction of being the first English speaking foreigners to film unfettered in communist China was significant. The invitation to visit China was facilitated through the New Zealand China Friendship Society. They filmed in Canton, Shanghai, Peking (Beijing) and Wuhan. It was a small window of opportunity for Westerners to gaze on a country that was largely a mystery to the outside world since 1949. The unfortunate irony was that two of the documentaries; “Wonders of China”, and “Inside Red China”, were considered to be communist propaganda, and were not distributed outside of New Zealand.

Lina Mangiacapre

Kaffee - Geheimnisse eines Wundertranks

Coffee is the second most important commodity in the world after oil. The drink has a long history and what's more, its effect seems to be stimulating in two senses.

WATERSHED

WATERSHED chronicles the story of Mallory Weggemann, who was paralyzed at the age of 18 and found refuge in the pool as a swimmer. Having won five Paralympic medals, Weggemann is now not only looking to reclaim her spot on the podium, but she’s trying to become a mother as well. In WATERSHED, which was self-documented by Weggemann and her husband Jay Snyder, Weggemann trains for the Tokyo Paralympics during COVID-19 and battles an additional injury to her arm, putting her career in question. Against the backdrop of these crossroads, the couple bravely share their struggles with infertility, the importance of IVF, and their journey to start a family. In this deeply personal and inspiring film, Weggemann reminds us that trauma and tragedy not only change how we are perceived by society, but how we perceive ourselves. And that if we’re brave enough, we too can write our own ending.