Veelinnurahvas

A documentary about the histoy and linguistic ties of the Finno-Ugric, and Samoyedic peoples. Speakers of the Kamassian, Nenets, Khanty, Komi, Mari, and Karelian languages were filmed in their everyday settings in the late 1960s and early 1970s. The footage was shot in Altai Krai, the Nenets Okrug, Khantia-Mansia, Uzbekistan, the Komi Republic, Mari el, Karelia, and Estonia. The first documentary in Lennart Meri's "Encyclopaedia Cinematographica Gentium Fenno - Ugricarum (1970 - 1997)" series.

Linnutee tuuled

Sequel to the "The Waterfowl People". The author interprets the kinship, linguistic and cultural relationships of the Finno-Ugric peoples. Finns, Vepsians, Votes, Setos, Erzya-Mordvinians, Mansi, Hungarians, Sami, Nganasans, and Estonians appear in the film. The film was shot in 1977 on location in northern Finland, Sapmi, Vepsia, Votia, Mordovia, Khantia-Mansia, Hungary, the Taymyr Peninsula, the Setomaa region in Estonia, and on the Estonian islands of Saaremaa and Muhu. Footage was also shot in 1970 in the Nenets Okrug. The second documentary in Lennart Meri's "Encyclopaedia Cinematographica Gentium Fenno - Ugricarum" series.

O Arco e a Lira

Mi Barrios Altos querido

Five stories about dignity in the capital of Peru. A local leader looking for someone to leave the post of her complex work, a tourist guide who is a patron of the architectural heritage and Creole music, an ex-delinquent rescued by the Evangelical Church, a teenage dancer of Afro-Peruvian music forced to emigrate and a muralist of Bellas Artes son of Andean migrants, they try to get ahead in Barrios Altos, the most feared – but also most beloved – historic neighborhood of Lima.

جنبل

From time immemorial, the people of the island used to leave the clothes of their dead to the sea, so that the mother of the sea could turn them into imaginary people. The ignorant Musa finds the gold-embroidered pieces of southern women's trousers among the clothes thrown by the sea on the shore, and with the colorful soils of the island, creates paintings that are his gateway to the fantasy world.

Metal: A Headbanger's Journey

The film discusses the traits and originators of some of metal's many subgenres, including the New Wave of British Heavy Metal, power metal, Nu metal, glam metal, thrash metal, black metal, and death metal. Dunn uses a family-tree-type flowchart to document some of the most popular metal subgenres. The film also explores various aspects of heavy metal culture.

Sciences nazies : la race, le sol et le sang

In 1935, German scientists dug for bones; in 1943, they murdered to get them. How the German scientific community supported Nazism, distorted history to legitimize a hideous system and was an accomplice to its unspeakable crimes. The story of the Ahnenerbe, a sinister organization created to rewrite the obscure origins of a nation.

In the Land of Giants and Pygmies

IN THE LAND OF GIANT PYGMIES, a diary of Aurelio Rossi's 1925 trek into the immense Belgian Congo, preserves a long-gone-Colonial-era wonder at natural resources, "primitive" tribes, customs and costumes in Europe's cast African possessions, and implies that the "dark continent" could benefit from the "civilizing" influences of home.

Global Metal

In GLOBAL METAL, directors Scot McFadyen and Sam Dunn set out to discover how the West's most maligned musical genre - heavy metal - has impacted the world's cultures beyond Europe and North America. The film follows metal fan and anthropologist Sam Dunn on a whirlwind journey through Asia, South America and the Middle East as he explores the underbelly of the world's emerging extreme music scenes; from Indonesian death metal to Chinese black metal to Iranian thrash metal. GLOBAL METAL reveals a worldwide community of metalheads who aren't just absorbing metal from the West - they're transforming it - creating a new form of cultural expression in societies dominated by conflict, corruption and mass-consumerism.

Dans le regard d'une bête

How do humans and animals see each other? Dominique Loreau captures astonishing exchanges of “views” between people and animals who coexist in the city, in farms, slaughterhouses, zoos, museums, or in a dance rehearsal room. In The Eyes Of A Beast questions the permeable boundary between man and animal.

Ongka's Big Moka

The film follows Ongka's struggles to accumulate huge numbers of pigs and other items of value to present at a Moka ceremony to another tribe.

Dialoguri de baltă

The Danube Delta in Romania - the 'Last European Sanctuary’ - is a UNESCO World Heritage Site. While major efforts are made to protect biodiversity, the plight of local communities is largely overlooked. Social scientists claim that the traumatic nature of the swamp bears heavy on the villagers' lives. But is Nature really to blame? Swamp Dialogues is based on an extensive field-research in the Danube Delta Biosphere Reserve. Through a careful ‘argument montage’ built entirely on cinematic language the film represents an anthropological analysis formulated in image and sound.

Amazônia Indomável

Sweet Osmanthus Flowering Late

"Sweet Osmanthus Flowering Late" is a feature-length ethnographic film that envisions social rejuvenation and collective convalescence in the aftermath of the pandemic. Filmed in Wuhan, the film follows the everyday lives of three middle-class households. It postulates the existence of a mass dreaming phenomenon that facilitated fatigued Chinese inhabitants to rejuvenate themselves following the secluded episode of lived experience and to coexist with the enduring imprints of "the event" on their social lives.

The Shaman's Apprentice

Scientist Mark Plotkin races against time to save the ancient healing knowledge of Indian tribes from extinction.

Él Es Dios

About the "concheros", dancers in México City that keep aztec traditions alive.

Papua New Guinea: Anthropology on Trial

"Papua New Guinea: Anthropology on Trial" was a 1983 episode of the PBS science documentary series NOVA. It explored the field of anthropology, particularly in the context of Papua New Guinea, from the perspective of the people being studied.

American Hardcore

Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.

Paralelo 10

It portrays a pioneering and risky work carried out in a small Xinane base, by FUNAI, near Parallel 10º South, west of Acre, on the border with Peru. In simple installations, in the middle of the jungle, the sertanista José Carlos Meirelles carries out the difficult mission of protecting the isolated Indians of the region, with the help of anthropologist Terri Aquino. With few resources, specialists perform their tasks tirelessly. In addition to carrying out a permanent negotiation with the riverside populations in the area, they also deal with the confrontation with traffickers and squatters who try to invade it.

N/um Tchai: The Ceremonial Dance of the !Kung Bushmen

Tchai is the word used by Ju/'hoansi to describe getting together to dance and sing; n/um can be translated as medicine, or supernatural potency. In the 1950's, when this film was shot, Ju/'hoansi gathered for "medicine dances" often, usually at night, and sometimes such dances lasted until dawn.