Magic in the Mountains

Magic in the Mountains tells the remarkable underdog story of how Squaw Valley, a little-known ski area in California, won the bid for the 1960 Winter Olympics and, with the help of Walt Disney, changed forever the ways in which the Games were presented. The documentary features never-before-seen archival footage from the 1960 Olympic Games and revealing interviews with participating athletes and attendees. The 1960 edition of the Olympics introduced a substantial array of “firsts,” including such innovations as live broadcast, instant replay, sponsorships, and an official Olympic Village for the athletes. Perhaps most importantly, thanks to Disney’s involvement in producing the Games, Squaw Valley featured an unprecedented — but soon to be standard — level of pageantry for the opening and closing ceremonies.

Nasty Girl (The Sharpest Girl in Town)

Using visual assemblage as a technique to delve into the artist's own formation of personal narrative, self-possession and the aestheticization of compositional materials, Sodipo extends her long term fascination with images that pull, extend, transform and recontextualise notions of femininity, desire, and danger.

The Road Movie

Anything can happen on Russian roads and is precisely shot by the dashboard camera. Super-objective video registration grows into the strong image of Russian national character – with its permanent awaiting for the miracle and habitual approach to real dramas. A forest on fire as a symbol of Russian hell, a military tank at a car wash and car chase in the vicinity of Kremlin shot with a dashboard cam at the same time when Boris Nemtsov, the leader of political opposition, was shot dead near Kremlin. Dashboard cam depicts life in it’s purity as an unbiased observer.

Found Footage Festival Volume 7: Live in Asheville

This special 10th anniversary edition of the Found Footage Festival finds curators Joe Pickett and Nick Prueher in a nostalgic mood, delving deeper--perhaps too deep--into some of their favorite VHS finds from over years. But Volume 7 is also jam packed with newly unearthed treasures, featuring singing rabbis, petulant news anchors, coughing snake handlers, bodybuilding clowns, and two body parts never before seen in the festival! It's a celebration of a decade of Found. Record over and you'll die! Taped live at The Grey Eagle in Asheville, North Carolina.

O que queda

A reflection about memory, the digital world and the files that we generate daily through the audiovisual gallery of a mobile phone

Orbainak

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

Something Walks in the Woods

A viral video shows a mysterious figure walking along the edge of the woods each day, and filmmaker Bill Howard sets out to spend a night there to find out exactly what it is.

Bloodline

One man's journey into the world of the so-called 'Bloodline' conspiracy, at the heart of Dan Brown's The Da Vinci Code, where a secret society, the Priory of Sion, claims to have guarded evidence of the marriage of Mary Magdalene and Jesus Christ, their children and their descendants down through the centuries.

His Name Was Jason: 30 Years of Friday the 13th

A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.

Faces of Death II

Brief scenes of death related material: mortuaries, accidents and police work are filmed by TV crews and home video cameras. Some of it is most likely fake, some not as much.

Faces of Death III

The third installment of the infamous "is it real or fake?" mondo series sets its sights primarily on serial killers, with lengthy reenactments of police investigations of bodies being found in dumpsters, and a staged courtroom sequence.

Faces of Death IV

Follows the same pattern of the other Faces of Death movies. In this one we see many staged and not so staged looking deaths ranging from bungee jumping accidents and magic tricks gone bad.

Faces of Death V

A direct-to-video compilation of the highlights of the earlier films in the Faces of Death series.

Faces of Death VI

A direct-to-video compilation of the highlights of the earlier films in the Faces of Death series.

Nueva York. Quinta Planta

Time Here No Longer

A young man recalls different moments of his life, reflecting the preservation of memory, the enigma of time and the inevitability of death

Untitled (Pink Dot)

In Untitled (Pink Dot), Murata transforms footage from the Sylvester Stallone film First Blood (1982) into a morass of seething electronic abstraction. Subjected to Murata's meticulous digital reprocessing, the action scenes decompose and are subsumed into an almost palpable, cascading digital sludge, presided over by a hypnotically pulsating pink dot.

ВЫЖИГАНИЕ

A short film, based on a series of poems, about childhood, the break with parental, and war.

Opération Lune

A French documentary or, one might say more accurately, a mockumentary, by director William Karel which originally aired on Arte in 2002 with the title Opération Lune. The basic premise for the film is the theory that the television footage from the Apollo 11 Moon landing was faked and actually recorded in a studio by the CIA with help from director Stanley Kubrick.

BULIR

All the stories told, all the memories, dreams and lost moments were left in a tank from other generations.