The Fashion Side of Hollywood

Compilation of lighting and costume tests from various films, most notably Sternberg's "The Devil Is a Woman" (1935).

Black Girl in Bloom

St. Louis florist Darien Burress launches her small business while preparing to compete at Art in Bloom, the St. Louis Art Museum's annual festival celebrating floral design and the fine arts.

Barbarossa: Hitler Turns East

Hitler's invasion of Russia was one of the landmark events of World War II. This documentary reveals the lead-up to the offensive, its impact on the war and the brinksmanship that resulted from the battle for Moscow. Rare footage from both German and Russian archives and detailed maps illustrate the conflict, while award-winning historian and author John Erickson provides insight into the pivotal maneuvers on the eastern front.

Behind the Lens

When a student documentary crew decides to interview Julia, a puzzling young woman willing to share her sensitive past, the project grows increasingly uncomfortable for the subject as the director's relentless scrutiny and unethical transgressions soon start to blur the lines between reality and performance.

D-Day, 100 jours pour la liberté

Using restored, colorized archives and testimonies from all the players in this conflict, this documentary covers the hundred days of apocalyptic fighting that wrote History. June 1944, the Allies landed in Normandy. This odyssey was meticulously prepared for months. The construction of two artificial ports, the transport of Anglo-American troops, their training cost colossal efforts, and caused many cold sweats: the secret of D-Day almost came to light several times. The documentary reveals the inner workings of Operation Overlord, it also deciphers the military operations, and evokes the choices of the high command. Placed at human level, it retraces the fate of Norman civilians subjected to deadly bombings, the attitude of the Allied soldiers and their German adversaries, as well as the aspirations of the French population, torn between fear and hope.

A Linguagem de Orson Welles

Orson Welles acted in Brazilian culture and music by deeply researching Brazil's historical geology, consciously completing a legendary cultural mission. Although being turned down by Hollywood producers, he developed a triumphantly accomplished mission in the language domain - three friends of Welles' testified his love for cinema, his passion for Brazilian music and people and his obstinate endurance against formidable pressures coming from inside and outside Hollywood regarding his unfinished "It's All True".

Festung Bratislava

L'arrivée d'un train à La Ciotat

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Food from the Empire

Made in 1940 and sponsored by the Ministry of Information this film shows the food contributions supplied to Britain by various colonies and dominions. 'Food from the Empire highlights the severity of the food issue, by discussing food production as a battle (...) and offers insights into British attitudes towards its colonies and dominions. The commentary notes that the ‘free people’ of these countries are ‘anxious to send every ounce they can to the United Kingdom for they know that upon the ability of Great Britain to hold out depends their own freedom’. Britain is depicted as a dominant power, fighting to protect those within the Empire, while the colonies are loyal and ‘anxious’ to help.' - Tom Rice, on the film from colonialfilm.org.

En dehors de vos murs

Paparazzi

Paparazzi explores the relationship between Brigitte Bardot and groups of invasive photographers attempting to photograph her while she works on the set of Jean-Luc Godard's film Le Mépris (Contempt). Through video footage of Bardot, interviews with the paparazzi, and still photos of Bardot from magazine covers and elsewhere, director Rozier investigates some of the ramifications of international movie stardom, specifically the loss of privacy to the paparazzi. The film explains the shooting of the film on the island of Capri, and the photographers' valiant, even foolishly dangerous, attempts to get a photograph of Bardot.

The True Story of the Bridge on the River Kwai

Made famous by the 1957 Hollywood movie, the bridges of the River Kwai emblematize one of the most misunderstood events in history. Contrary to the romanticized film version, the structures represent a period of terror, desperation, and death for over 16,000 POWs and 100,00 local slaves. The Thailand - Burma Railway was the vision of the Japanese Imperial Army: a 250-mile track cut through dense jungle that would connect Bangkok and Rangoon. To accomplish this nearly impossible feat, the fanatical and ruthless Japanese engineers used POWs and local slaves as manpower. Candid interviews with men who lived through the atrocity - including Dutch, Australian, British, and American POWs - illuminate the violence and horror of their three-and-a-half-year internment. From Britain's surrender of Singapore the enduring force of friendship, The True Story Of The Bridge On The River Kwai narrates a moving and unforgettable account of a period in history that must be remembered.

Breakdowns of 1938

Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1938.

Liminaali & Communitas

After the sunset, a man wonders between the edges of the highways gathering edible roadkill animals.

Die Naturgeschichte der Zerstörung

Is it morally acceptable to use the civilian population as yet another tool for waging war? Is it possible to justify death and destruction for the sake of supposedly lofty ideals? The question remains as pertinent today as it was at the beginning of World War II, and it is becoming increasingly urgent to answer, as countless tragedies have been caused by unethical political decisions.

The RAF at War: Part One

Three part documentary of the history of the Royal Air Force during World War Two. They combine actual Air Ministry films and period newsreel footage with interviews of surviving members of the air force. The first part covers the period from the 'phoney war', the invasion of Poland and the early bombing raids on enemy shipping, through to the attacks on France. Aircraft featured include the Blenheim and Wellington bombers, the Sunderland flying boat, Spitfires and Hurricanes and the opposing ME109.

The RAF at War: Part Two

Three part documentary of the history of the Royal Air Force during World War Two. They combine actual Air Ministry films and period newsreel footage with interviews of surviving members of the air force. The second part covers the early years of 1939-1940 from the threat of German invasion preceded by Oporation Eagle attacks on airfields and ports, through the Battle of Britain to the commencement of the British bombing of Berlin after attacks on London and wider civilian casualties such as Coventry.

The RAF at War: Part Three

Three part documentary of the history of the Royal Air Force during World War Two. They combine actual Air Ministry films and period newsreel footage with interviews of surviving members of the air force. This final part covers the the years 1941-1945 from the campaigns to attack German military targets to mass night bombing, primarily from the viewpont of Bomber Command, and associated Air-Sea rescue. It ends with the food aid flights to the Netherlands immediatly prior to Victory in Europe. Featured aircraft include the Bristol Blenheim, the Vickers Wellington, and the heavy bombers Short Stirling, Handley Page Halifax and Avro Lancaster.

The Romance of Celluloid

Several behind the scenes aspects of the movie-making business, which results in the enjoyment the movie going public has in going to the theater, are presented. They include: the production of celluloid aka film stock, the materials used in the production of which include cotton and silver; construction crews who build sets including those to look like cities, towns and villages around the world; a visit with Jack Dawn who demonstrates the process of creating a makeup design; the screen testing process, where many an acting hopeful gets his/her start; the work of the candid camera man, the prying eyes behind the movie camera; a visit with Adrian, who designs the clothes worn by many of the stars on screen; and a visit with Herbert Stothart as he conducts his musical score for Conquest (1937). These behind the scenes looks provide the opportunity to get acquainted with the cavalcade of MGM stars and their productions that will grace the silver screen in the 1937/38 movie season.

Las Hurdes

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)