Roadsworth: Crossing the Line

Roadsworth: Crossing the Line details a Montreal stencil artist's clandestine campaign to make his mark on the city streets. As he is prosecuted at home and celebrated abroad, Roadsworth struggles to defend his work, define himself as an artist and address difficult questions about art and freedom of expression. - Written by Loaded Pictures

Martha: A Picture Story

In 1970s New York, photographer Martha Cooper captured some of the first images of graffiti at a time when the city had declared war on it. Decades later, Cooper has become an influential godmother to a global movement of street artists.

Avon Vido

Documentarian Dhara Wright and Steven T. Hanley of Deeper Into Movies are given the opportunity to rummage Avon Video, a London video store left abandoned for about 20 years.

Heart of an Empire

A 1935 black and white film advertising London and exolting it's most popular tourist attractions.

Jack the Ripper : The Case Reopened

Emilia Fox and Britain’s top criminologist, Professor David Wilson, cast new light on the Jack the Ripper case. Together, they examine the Ripper’s modus operandi using modern technology to recreate the murder sites to help understand the extraordinary risks the Ripper took to kill his victims. Using the Home Office Large Major Enquiry System (HOLMES)—a bespoke computer system used by the police to help detect patterns in criminal activity—and evidence uncovered within the investigation, results strongly indicate another woman was, in fact, the first Ripper victim.

The Street Performers

This documentary-style short follows two impoverished teens performing on the streets of London in the days leading up to the London Blitz of 1940.

Many Beautiful Things

In an age when women were incapable of joining the artistic dialogue, Lilias Trotter managed to win the favour of celebrated critics.

Every Good Marriage Begins with Tears

Two Bangladeshi girls born and raised in London have weddings arranged for them against their will by their family. Shahanara, the rebel of the family, banished from the family in her teens for being "too Western", has to swap her pink hot pants for a sari as she goes off to the airport to meet her new Bangladeshi husband. Her sister Hushnara is the opposite of Shahanara; a devout Muslim who agrees to marry so she doesn't upset her parents.

Beatrice Wood: Mama of Dada

Up until the end of her life, Beatrice Wood continued to influence younger artists with her definitive, free-wheeling ways. She was central to the American Dada movement and was the last surviving member of this group. In this program she recalls her friends Man Ray, Picabia and others, and her ex-husband Marcel Duchamp. She died in 1999 at 105 years of age.

West End Jungle

1961 documentary about the history and seedy reality of the sex industry in London's Soho.

Working Class

Loosely based on Charles Dicken’s book “A Tale of Two Cities”, Working Class tells the tale of underground street artists Mike Giant and Mike Maxwell and their decade long friendship that started with a tattoo. The story is told through the cities they call home by, cutting back and forth between the neighborhoods of San Francisco and San Diego, as the artists talk about their life philosophies and the work they create.

The Dolls of Lisbon

The Dolls of Lisbon is NYC's Antagonist Art Movement's latest exploit inspired by the Zapatista Dolls of Mexico, a souvenir that traveled the world symbolizing a rebellion against the legacy of Andy Warhol's commodification of art.

Iranian Yellow Pages

Striving to build a successful life in London, Reza places an ad in a peculiar newspaper and discovers the Iranian community hidden in plain sight. Winner of the Netflix Documentary Talent Fund.

Lõuendilinn

Tartu is a city in southern Estonia, whose streets and walls are awash with colorful pictures and thought-provoking messages. Who are the mysterious shadows lurking around at night with spray cans, and why do they do what they do? CANVASCITY is a story of Tartu street art through the eyes of its two most prominent rebels - MinaJaLydia and Edward von Lõngus.

People In A Film

Chronicles the musical career of British post-punk art rockers Wire.

Punk Girls - Die weibliche Geschichte des britischen Punk

London 1976: Between economic crises and the Silver Jubilee, something is brewing in the squats and basement clubs of West London: Punk. A promise, a new beginning. Punk meant self-empowerment, especially for the women in the scene. For the first time, women picked up guitar, bass and drums, formed bands and wrote their own songs.

Na Atividade

Affitti Gray Vol. 1

This one is dedicated to all writers. The long awaited and much anticipated Affiti Gray #1 is now available, feat. A solid variety of bombing, freights and walls along with a good amount of live painting actions. Containing new as well as classic footage, this video is pure graffiti – no filler content. Featuring tons and tons of quality fr8s from writers around the U.S., this video will surely please. Classic SF Graffiti. Throw ups, pieces, and tags from various writers. Live piecing on walls, live fr8 painting, live bombing and live transit painting and more. Check this one out, and enjoy the great music aswell!

All My Homies Hate Skrillex

Art as a Weapon

Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.