Social Butterfly

A socially awkward, neurodivergent youth struggles to adapt at a social gathering that quickly takes a turn into the uncanny and surreal.

Lullaby for the Lost

A sleeping man’s fading memory of his late Mother unravels through a recurring, hypermnesic dream that reverberates and transforms throughout his life, tracing from his final dream back to his first.

Último Desejo

Michelle

Purgatorium

After his death, a young man stuck in purgatory attempts to cope with the afterlife.

hands

A personal reflection on hands, the word "tear," and caring for oneself that experiments with sound, silence, and definitions.

Tendones Blancos

A lost traveler encounters a talking clown puppet that won’t stop looking at a mysterious orange light.

AA-PROXIMA-SUN

A girl approaches a divine entity that comes to the world in the form of a yellow umbrella, and ends up discovering her true self.

Speaking in Tongues: Take One

A 16mm experimental film that analogizes the discourse of racialized criminality and the carceral apparatus, which surveils and delimits the movements of Black people’s bodies, with the conventions and mechanics of the cinematic apparatus which regulates and standardizes the movement of the filmstrip through the motion picture camera and projector. Equal parts essay and visual art, Speaking in Tongues embodies the cinematic Black ecstatic that simultaneously re-envisions resistance defiance in the face of anti-Black state violence and subverts the conventions of cinematic realism through a manually and optically altered collage of original documentary and archival film sourced from Hollywood movies, television commercials, educational films, cartoons, European art cinema and miscellaneous ephemera.

Phantasia

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

as flores e as dores que ele me deu

Inspired by moments of the Brazilian writer Gabriel Yared’s life and mixing storytelling and poetic declamations by the author himself, the film presents us the love overgrowing between two young man, Alex and Luís, their comfortable couple routine, and explores which limits that love can support when, like dry flowers, it faces the hard and cold earth of deceptions and expectation breaches, with the city of Macapá, in ther Northern Brazilian State of Amapá, as background.

beer cans under my bed

This short, started early on into sobriety, finished about nine months in, is a collage of diaries and notes, collected from within addiction and into recovery.

Lacuna

A prisoner belonging to a void known as “Lacuna,” longs to escape their entrapment. As they search for a way out, they confront the unchecked mental illness that plagued their former life.

Kino Kopf

Born from steel and glass Kino Kopf is created by two inventors. They are assembled by their mother, a nurturing artist, and their Father a greedy entrepreneur. Kino Kopf is the first of its kind a sentient humanoid VHS camera. They are given a life by their mother but presented to the world by their father. Kino Kopf is the next big sensation and spurs a technological revolution. They are soon forgotten and alone as new models surpass them. Kino Kopf is left alone to contemplate if they ever had a soul, as visions of an electric cowboy dance through their dreams.

Blue Bedroom

June has had the same dream every night for the past three months. Lorelai is worried something bad is going to happen. Things get weird.

Soñé con el mar

A monster that lives in the darkest part of the sea, a dreamlike representation of the journey towards the depths of something that one wants to avoid and that is finally faced.

A Lovers' Discourse

Experimental short film about a couple

Leda + Swans

“Leda + Swans” depicts an infernal, mythic birth of cinema, dredging the violence and horror from Wallace McCutcheon’s comic short film “Photographing a Female Crook” (1904). Leda, who may or may not be a falsely accused young woman, is brought in for a mugshot by two officers. She first attempts to avoid the camera’s gaze, and, when overpowered and manhandled, contorts her face to ruin the photograph. However, her small rebellion proves futile; she was already being recorded, objectified, mapped, and co-opted by the Godhead of the director. As her body and image are repurposed and transmuted ad infinitum, the filmic universe also explodes into a supernova. What is born out of this suffering and manipulation is another example of our sublime medium and modern muse. She will not be last the Leda, and she may not even be the first. Who is the guilty party here? Is beauty a chimera in traditional cinema? Has the ephemeral cinema of the attractions and distractions era gone anywhere?

Lift Up Your Voices

In a not so distant future artificial intelligence speaks to suffocating humanity. On the last journey, humanity is escorted by surreal entities, through twists and turns that led to humanity’s last breath.

어떤 꿈

A female hotel employee wanders around different guestrooms and searches for an unreachable dream. Wandering in other people’s dreams, she encounters a mysterious guest and hears a story about a woman who dances deep inside her dream and a dancing procession...