Dead Man

William Blake, an accountant turned fugitive, is on the run. During his travels, he meets a Native American man called Nobody, who guides him on a journey to the spiritual world.

The Unforgiven

The neighbors of a frontier family turn on them when it is suspected that their beloved adopted daughter was stolen from the Kiowa tribe.

How Long, Not Long

A visual journey that challenges us to think about a universal belonging that doesn’t confine itself to a city, region or national boundary, in an age in which xenophobia, nationalism and intolerance are a daily occurrence.

The Searchers

As a Civil War veteran spends years searching for a young niece captured by Indians, his motivation becomes increasingly questionable.

The Nine Lives of Fritz the Cat

Fritz, now married and with a son, is desperate to escape from the domestic hell he now finds himself in. Lighting up a joint, he begins to dream about his eight other lives, hoping to find one that will provide a pleasant distraction.

We Are Still Here

In a sweeping tale that spans 1000 years and multiple generations – from the distant past to the 19th century, the present day and a strange, dystopian future – this landmark collection traces the collective histories of Indigenous peoples across Australia, New Zealand and the South Pacific. Diverse in perspective, content and form, traversing the terrain of grief, love and dispossession, they each bear witness to these cultures’ ongoing struggles against patriarchy, colonialism and racism.

Bad Day at Black Rock

One-armed war veteran John J. Macreedy steps off a train at the sleepy little town of Black Rock. Once there, he begins to unravel a web of lies, secrecy, and murder.

Yellow Fever

What does beauty look like? In this award-winning short, Kenyan filmmaker Ng’endo Mukii combines animation, performance, and experimental techniques to create a visually arresting and psychologically penetrating exploration of the insidious impact of Western beauty standards and media-created ideals on African women’s perceptions of themselves. From hair-straightening to skin-lightening, YELLOW FEVER unpacks the cultural and historical forces that have long made Black women uncomfortable, literally, in their own skin.

Betty's Blues

The story begins in the basement of a worn-out blues bar in Louisiana in the 1980s. A few regular customers are having a drink. A guitarist gets on stage and everybody comments on the newcomer. The guitarist draws the attention of the audience by tapping the microphone. He introduces himself. He will tell them the true story of Blind Boogie Jones.

Satan Kingdom Babylon

Experimental documentary examining the interaction of hate, religion, and the apocalypse in the United States.

Choke

When Jimmy leaves his reservation for the lures of city life, he finds himself confronted with a future he could never have imagined.

Hey Good Lookin'

An outrageous, affectionate look at coming of age in the Eisenhower era in Brooklyn.

February Sixteenth Nineteen Forty-Seven

Coonskin

Brother Rabbit, Brother Bear, and Preacher Fox rise to the top of the crime ranks in Harlem by going up against a con-man, a racist cop, and the Mafia.

Yellowtail

Yellowtail is the story of a young Native American cowboy searching for meaning as his chaotic lifestyle begins to wear on him both physically and mentally. To find his purpose the young man has to reflect on his upbringing as a native to become the spiritually connect man he was meant to be.

It’s Nice in Here

A fragmented portrait of a moment, a person, and a place, seen through the subjective memories of a young Black girl, Imani, and a rookie police officer, David, who both have wildly different recollections of the same fateful moment in a corner store that will leave their lives altered forever.

Ulzana's Raid

A report reaches the US Army Cavalry that the Apache leader Ulzana has left his reservation with a band of followers. A compassionate young officer, Lieutenant DeBuin, is given a small company to find him and bring him back; accompanying the troop is McIntosh, an experienced scout, and Ke-Ni-Tay, an Apache guide. Ulzana massacres, rapes and loots across the countryside; and as DeBuin encounters the remains of his victims, he is compelled to learn from McIntosh and to confront his own naivity and hidden prejudices.

We of the Never Never

Based on the well-loved Australian classic by Mrs. Aeneas Gunn, this is the remarkable true story of Jeannie Gunn, a woman who fought to overcome sexual and racial prejudice amid the harsh beauties of the outback. Leaving her Melbourne existence for a new life on her husband's isolated ranch, Jeannie's feisty, good-natured attitude soon wins over the misogynistic stockmen, but she faces a much tougher challenge in trying to change their racist attitudes towards the indigenous aboriginal population.

Blazing Saddles

A town—where everyone seems to be named Johnson—stands in the way of the railroad. In order to grab their land, robber baron Hedley Lamarr sends his henchmen to make life in the town unbearable. After the sheriff is killed, the town demands a new sheriff from the Governor, so Hedley convinces him to send the town the first black sheriff in the west.

江口寿史のなんとかなるでショ!

Adapted from the manga of the same name by Hisashi Eguchi, and directed by Minoru Kawasaki and Rintaro, this is a series of random skits featuring anime, live action, and puppet show segments, exploring love, sex, death and many other sometimes controversial subjects.