Grease

Australian good girl Sandy and greaser Danny fell in love over the summer. But when they unexpectedly discover they're now in the same high school, will they be able to rekindle their romance despite their eccentric friends?

Stalag 17

It's a dreary Christmas 1944 for the American POWs in Stalag 17 and the men in Barracks 4, all sergeants, have to deal with a grave problem—there seems to be a security leak.

Paní Marjánka, matka pluku aneb Ženské srdce

Nummisuutarit

Rural comedy of the intrigues and stratagems involving a country wedding. From a comedy by Alexis Kivi.

Wilhelm Reich in Hell

'Law and Order’ on acid and in Hell–only Robert Anton Wilson could conjure a courtroom punk rock drama blending Marilyn Monroe, the Marquis de Sade, Gurdjieff, the American Medical Association (aka the world’s greatest rock band) and the HORROR of the condition on planet Earth. Wilhelm Reich, infamous Austrian-American psychoanalyst and researcher, whose books were burned by Hitler, Stalin and the U.S. government, finds himself again accused of Thoughtcrime. Offered a final attempt to free mankind from its “emotional plague,” Reich leads his own defense amid a surreal and frightening spectacle of sex, violence, fascism and liberation.

Pension pro svobodné pány

Comedy based on short Sean O'Casey play. John Jo Mulligan finds himself in a situation with which his pious conscience cannot cope. He has spent a night with the cunning seductress Angela. Full of remorse and dreading the ruin of his reputation, he tries to get rid of her, fearing that his pal Halibut or his landlady Miss Mossie might get to know. Angela sees her chance, turns gold-digger and does not leave before relieving John of a considerable amount of money.

Handel: Alcina

Philippe Jaroussky as Ruggiero is in thrall to Patricia Petibon as the sorceress Alcina in Katie Mitchell’s virtuosic production of Handel’s opera from the 2015 Aix-en-Provence Festival, described by Bachtrack as “a night of a thousand delights”. Conducted by Andrea Marcon, this was, in the words of Opera News, “musically … a performance of the highest festival level”. The production of Alcina, by the British director Katie Mitchell, was welcomed by the Financial Times as “meticulously executed …, rich in detail, consummately polished”. As the New York Times wrote: “It involves a huge sorcery machine for turning people into animals (or whatever). And Ms. Mitchell works magic of her own onstage, constantly showing the enchantresses Alcina and Morgana alternating between glamorous public personas and their ‘real life’, older, private selves …There are also bits of simulated sex, mingling genders and suggesting, among other things, inventive new ways to hit high notes.”

Skapinova šibalství

Anton Špelec, ostrostřelec

Anton Špelec (Vlasta Burin) is a producer of musical instruments by trade but a sharp-shooter at heart. He expects to be awarded a medal at a large parade in town where veteran sharp-shooters will be honored. When the town council is one medal short, Anton must wait another year for his prized possession. He drowns his disappointment in drink at the local pub and becomes so drunk that he insults the emperor who sentences him to jail. Instead of fulfilling the emperor’s orders himself, Anton sends his employee in his stead.

U svatého Antoníčka

La Traviata

A collaboration between award-winning American filmmaker Sofia Coppola and Italia haute couture king Valentino comes in the form of a revival of Giuseppe Verdi's classic opera, La Traviata. Captured live from the Teatro dell'Opera di Roma.

Macbeth

This hard-edged postmodern production of Giuseppe Verdi's haunting masterpiece brings the story of Shakespeare's bloody tragedy to vivid life, characterized by spine-tingling atmospherics and a triumphant debut by American baritone Thomas Hampson in the title role. This Zurich Opera House production also features a mesmerizing turn by Paoletta Marrocu as the beautiful, power-hungry Lady Macbeth, while striking sets and costumes further enhance the duality of the main character whose rise and fall mirror the darkest impulses of man. Replete with supernatural mystery, sexual tension, and violent power plays, this timeless story remains gripping and chilling for today's audiences and boasts some of the most astonishing music of Verdi's legendary body of work.

Verdi: La Traviata

Giuseppe Verdi based his famous opera on the novel “The Lady of the Camellias” by Alexandre Dumas. Robert Wilson’s production of Violetta Valéry’s tragic fate is his first work at the State Theater of Linz, Austria, one of the most modern operatic stages in Europe by architect Terry Pawson. After the run in Linz, the production was transferred to the Opera House in Perm, Russia, where the production was conducted by Teodor Currentzis. In 2017, the work received a “Golden Mask”, the most prestigious Russian theater award, in three categories (Teodor Currentzis, Best Conductor; Nadezhda Pavlova, Best Female Singer; Robert Wilson, Best Lighting Design).

Valkyrie Limited

The documentary draws a portrait of an opera director who is staging Richard Wagner’s Die Walküre. He is torn between the tragicomic routine of an opera house and his own perception of Wagner and the Ring cycle. The film witnesses the director’s drama in maintaining the fragile link between a well-constructed performance and his own vision that lies within the music and the narrative, and is seen as German expressionism-like nightmares.

Casei-me com um Xavante

Much Ado

Hero and Beatrice, cousins and best friends, have very different approaches to love. Beatrice, burned once, is fiercely avoiding her arrogant ex-boyfriend Benedick and has sworn off men in general. Hero, a true romantic, is deeply in love with Benedick's friend Claudio, but too shy to say it. When they get trapped in a house with the entire boys rugby team, they'll be forced to face the questions they'd been avoiding.

La Clemenza di Tito

This is an effective staging, though the set looks medieval and the costumes are modern. It’s well paced, well played, well sung. Jonas Kaufmann is an ideal Tito. His voice is not only beautiful and flexible, it’s also ample, retaining warmth and sweetness when he sings out. The character of Tito is too good to be true, but Kaufmann makes him intense, noble, and beliveable. Vesselina Kasarova is riviting as Sesto. Her voice is gorgeous and multi-colored, her technique exquisite, her immersion in the role complete.

Tři sestry

Мина Мазайло

The action takes place during the time of Ukrainization, at the end of the 1920s. Kharkiv employee Myna Mazaylo decides to change his ukrainian surname to the russian Mazenin, as he considers it more solid.

Husári