ALTAR: Cruzando Fronteras, Building Bridges

Examines the life, work, and cultural significance of Gloria Anzaldúa, poet and visual artist, and those she inspired in women's Chicano art. The work highlights the struggle for women's and gay rights.

American Ocelot

American Ocelot tells the story of one of the most endangered and beautiful wild cats in the United States — a species so elusive that high-quality images and video have never been captured until now. With fewer than 100 individuals remaining in the US, the ocelot is critically endangered, genetically isolated, and only exists in Texas.

침묵의 장벽

Mexico─United States border bar, “Trump Wall” is full of displaced migrants’ grief. Gaston who came to America as a teenager, is expelled from the States at his 40s and meets his family at the Wall. Bassam and Rami, becomes a dad who lost their daughter by each other. This film describes the people who lost their family by the wall and includes the views of refugees, human rights. Actor Jung Woo Sung participated in narration of the film.

Algún día, en algún lugar

Sometime, Somewhere sheds light on the challenges faced by Latino communities in Charlottesville, Virginia against the backdrop of immigration driven by factors like climate change, poverty, and drug-related violence.

Cowboy del Amor

Documentary about Ivan Thompson, self-proclaimed "Cowboy Cupid" who matches up immigrant Mexican women with available American men.

Cambiando el destino

A musical band of teens travel by plane to a scheduled event where they will perform in scenario have an accident and get lost in the middle of the desert.

Amexica : le monde de la frontière

A road trip, over ten years, across the so-called Amexican border, a mythical boundary, both physical and cultural, that separates the United States of America from the United Mexican States; a journey in search of the multiple stories of those who inhabit it or are passing through: an audacious expedition that aims to paint a colorful fresco where politics, violence, visual poetry and frustrated ambitions cruelly coexist.

EDGES - the borders that define us

To some, Doña Cecilia is an invisible, elderly woman. For others, her presence validates their existence. This movie on children's civil rights shows how borders are transformed into bridges by the power of unconditional love and music.

Selena Live! The Last Concert

The concert was recorded on February 26, 1995, at the “Houston Astrodome” and was televised live on Univision. The singer shared the concert with Tejano singer “Emilio Navaira” and performed to 66,994 people, which broke the previous attendance record held by Selena in the previous year. Selena's performance at the Astrodome became her final televised concert before she was shot and killed on March 31, 1995. The set list mostly included material from her "Amor Prohibido" (1994) album and a medley mashup of disco music songs.

Forrest Trump. Amerika vor der Schicksalswahl.

Through the Repellent Fence: A Land Art Film

The film follows Postcommodity, an interdisciplinary arts collective comprised of Raven Chacon, Cristóbal Martinez and Kade L. Twist, who put land art in a tribal context. The group bring together a community to construct the Repellent Fence, a two-mile long ephemeral monument “stitching” together the US and Mexico.

Mr. Trump, disculpe las molestias

An analysis of the impact on the United States Latino community of immigration policies promoted by President Donald Trump.

Phantoms of the Sierra Madre

A Danish writer travels to Mexico with the purpose of locating a mysterious Apache tribe that fervently seeks to remain in obscurity.

Selena ¡Vive!

Tribute to Selena Quintinilla-Perez, featuring musical performances and archive footage.

Selena: Greatest Hits

Which Way Home

Follows unaccompanied child migrants, on their journey through Mexico, as they try to reach the United States.

Salidas y Entradas | Exits and Entrances

For the three-channel video Salidas y Entradas Exits and Entrances, artists Jessica Hankey and Erin Johnson worked with applied theatre facilitator Gina Sandi Diaz to offer performance workshops at public daytime senior centers managed by the city of El Paso’s Parks and Recreation Department. With the senior center as a stage, the elders who participated in the workshops enacted social, political and geographical imaginaries for the camera. Through improvisation and performance exercises drawn from the work of Viola Spolin and Augusto Boal, themes emerge: the dynamics of the U.S.- Mexico border, the desire to be seen, the role of musical storytelling as a soundtrack to daily life, power dynamics, and gender as performance. As the boundaries between rehearsal, improvisation, and performance blur, the ways in which individual lives and sociopolitical realities merge together are foregrounded.

Birth on the border

One million people legally cross the U.S.-Mexico border every day in both directions. Among them are women from Ciudad Juárez who cross to give birth in El Paso, Texas. Even with visas that allow them to cross, their journeys are uncertain. Gaby and Luisa, two women from Ciudad Juárez, cross legally into El Paso, Texas, in order to give birth. Two Chicana midwives in El Paso, Lina and Sandra, support the women who cross. After living through the extreme violence that engulfed Ciudad Juárez from 2008-2012 and with the looming threat of obstetrical violence in Mexican hospitals, Gaby and Luisa choose to cross, seeking a safer future for their children and the opportunity for natural childbirth with midwives. They risk losing their visas, getting turned back, and harassment at the hands of U.S. Border Patrol. Against the backdrop of oppressive U.S. border policy, these women's stories of risk and resilience reveal the complexities of life on the U.S.-Mexico border.

The Iron Triangle: Willets Point and the Remaking of New York

Targeted for several failed redevelopment plans dating back to the days of Robert Moses, Willets Point, a gritty area in New York City known as the “Iron Triangle,” is the home of hundreds of immigrant-run, auto repair shops that thrive despite a lack of municipal infrastructure support. During the last year of the Bloomberg Administration, NYC’s government advanced plans for a “dynamic” high-end entertainment district that would completely wipe out this historic industrial core. The year is 2013, and the workers of Willets Point are racing against the clock to forestall their impending eviction. Their story launches an investigation into New York City’s history as the front line of deindustrialization, urban renewal, and gentrification.

Spare My Bones, Coyote!

For the last twelve years, Marisela and Ely, along with the volunteer group The Águilas del Desierto have roamed the US-Mexico desert. Their goal: to seek, find and return to their families the bodies of migrants who died while crossing on foot. This all-consuming calling takes a crushing toll on them, but how could they stop? Spare My Bones, Coyote! follows their work, dedication, and difficult lives they have chosen to live.