Escribir no es normal: Roberto Bolaño y su paso por Cataluña

Congonhas do Campo

Aspects of the city of Congonhas do Campo. The preponderance of baroque architecture, the Basilica of Senhor Bom Jesus de Matozinho, the six chapels on the terrace leading to Morro do Maranhão. Each chapel contains statues representing moments of the Passion of Christ. While in the first chapel there is Santa Ceia figuration, in the second there is the Passo Horto scene. The kiss of betrayal and the imprisonment of Christ before the scene of the third chapel. In the fourth, two scenes are gathered: the coronation and the flagellation. On the fifth, the Christ bears the cross and the crucifixion is featured in the sixth chapel. The twelve apostles of Aleijadinho and the Latin inscriptions of each one. The interior of the Basilica and its main altar, with the figure of the Lord Dead.

Barcelona, la rosa de foc

The many faces of Barcelona are portrayed in this documentary, shot in a false sequence shot that goes across the streets, squares, markets and bars of a city that is presented as both conventional and law-breaking, exquisit and shameless, elegant and dispossessed.

Going Attractions: The Definitive Story of the Movie Palace

Celebrating the splendor and grandeur of the great cinemas of the United States, built when movies were the acme of entertainment and the stories were larger than life, as were the venues designed to show them. The film also tracks the eventual decline of the palaces, through to today’s current preservation efforts. A tribute to America’s great art form and the great monuments created for audiences to enjoy them in.

Mamani in El Alto

His buildings are garish, colorful and completely overloaded. Columns and glittering chandeliers everywhere, and way too much of everything. The Bolivian civil engineer and architect Freddy Mamani Silvestre (*1971) builds houses in El Alto for a nouveau riche upper class of the Aymara, the largest indigenous ethnic group in Bolivia.

Housing First: un nou sostre

Arrels Fundació's experience with housing first in the city of Barcelona, ​​a policy that offers permanent housing to homeless people. The documentary features both professionals and volunteers from Arrels, as well as people like Lluís, Pedro, or Manuel, who already have their own homes.

Ralph Erskine

The British architect based in Stockholm looks back on major projects of a long career inspired by European Modernism combined with his personal sensitivity to nature and community. Erskine is especially valued for his vital understanding of social interaction, exemplified in commissions for universities and housing complexes built from Scandinavia to Italy. The architect takes the camera on a tour of his buildings while offering revealing comments and interpretations.

Le Cabanon par le Corbusier

Minimalist documentary by Rax Rinnekangas about the wooden cottage "La Cabanon" designed and built in 1952 by Swiss architect and furniture designer Le Corbusier - a refuge intended for a single person with a living space of only 3.66 x 3.66 meters. The construction followed Corbusier's maxim that architecture must adapt to the human body and not vice versa. 

Architecton

An extraordinary journey through the material that makes up our habitat: concrete and its ancestor, stone. Victor Kossakovsky raises a fundamental question: how do we inhabit the world of tomorrow?

Nel silenzio del parco

Kathedralen

The city of Ordos, in the middle of China, was build for a million people yet remains completely empty. Ordos is not so much a place but a symbol of babylonic hype. But nothing will change - as long as people believe.

Nishinoyama House by Kazuyo Sejima

One Big Home

On the tiny island of Martha's Vineyard, where presidents and celebrities vacation, trophy homes threaten to destroy the islands unique character. Twelve years in the making, One Big Home follows one carpenters journey to understand the trend toward giant houses. When he feels complicit in wrecking the place he calls home, he takes off his tool belt and picks up a camera.

Soviet Bus Stops

“There’s a bus stop I want to photograph.” This may sound like a parody of an esoteric festival film, but Canadian Christopher Herwig’s photography project is entirely in earnest, and likely you will be won over by his passion for this unusual subject within the first five minutes. Soviet architecture of the 1960s and 70s was by and large utilitarian, regimented, and mass-produced. Yet the bus stops Herwig discovers on his journeys criss-crossing the vast former Soviet Bloc are something else entirely: whimsical, eccentric, flamboyantly artistic, audacious, colourful. They speak of individualism and locality, concepts anathema to the Communist doctrine. Herwig wants to know how this came to pass and tracks down some of the original unsung designers, but above all he wants to capture these exceptional roadside way stations on film before they disappear.

Dorchester: au coeur de la mêlée

Under Dorchester Square in Montreal lies the cemetery where 55,000 people were buried in the 19th century. The square is still at the heart of social conflicts in Quebec, 150 years later.

Empire City

A film essay contrasting the modern metropolis with its "golden age" from 1830-1930, with the participation of some of New York's leading political and cultural figures. Made at a time when the city was experiencing unprecedented real estate development on the one hand and unforeseen displacement of population and deterioration on the other. Empire City is the story of two New Yorks. The film explores the precarious coexistence of the service-based midtown Manhattan corporate headquarters with the peripheral New York of undereducated minorities living in increasing alienation.

Rückblickend betrachtet

Immigrant workers build a shopping mall for the upcoming 1972 Olympic Games in Munich. In 2016, nine people with migrant backgrounds are killed in a racist attack at the same mall.

Kroměříž

Big Time: Historien om Bjarke Ingels

Big Time gets up close with Danish architectural prodigy Bjarke Ingels over a period of six years while he is struggling to complete his largest projects yet, the Manhattan skyscraper W57 and Two World Trade Center.

The Great North

Beginning at the industrial revolution of the ‘great north’, Jenn Nkiru draws lines between peoples, cities, countries, buildings, movements, bodies and spaces(s) using a mixture of archive materials and new footage. There is little stillness as we are pushed and pulled through Black histories and communities across the city of Manchester and beyond. Nkiru has termed this filmmaking process “cosmic archeology”, and it is grounded in Afro-surrealism, experimental film and the Black arts movement.