Ellis Dee

During an acid drought, a young woman finds a good deal on LSD. She shares with her friend Willow making Willow have a bad trip.

I Saw the TV Glow

Teenager Owen is just trying to make it through life in the suburbs when his classmate Maddy introduces him to a mysterious TV show — a vision of a supernatural world beneath their own. In the pale glow of the television, Owen’s view of reality begins to crack.

Les Yeux d'Alice Guy-Blaché

Impressionism and expression of a view, Mavy uses fragments of the ocean landscapes of Alice Guy's studies through fluctuations of bright nuances and an imitation of these tormented waves in the eyes of a modern camera

Job

Job pleads to God for an answer to his suffering and receives one.

Backrooms

Planned film adaption based on viral found-footage shorts by 17-year-old Kane Parsons.

LIMINAL

If it Won’t Hold Water, it Surely Won’t Hold a Goat

"If it Won’t Hold Water, it Surely Won’t Hold a Goat" is an intimate meditation on the subversive nature of goats and their effect on the people who spend time with them. Centered on the story of the legendary Goat Man - a nomadic figure who spent most of his life walking the roads of Georgia with a wagon pulled by a herd of goats - this experimental documentary weaves together an interview with a goat farmer, footage of the daily rituals Johnson enacted with her own herd, and a poem about the Goat Man’s experimental and spectacular life.

L'Écho Perdu

In a liminal world where logic fades, a narcissistic narrator manipulates a lonely young woman trapped in a disturbing cycle of hatred and confusion. A poignant exploration of the inner struggle between power and powerlessness in a senseless world.

Interchange

In 2006, a 20 year old animal and nature lover ventures into the woods with a camera and a sense of serenity, only to discover that he would emerge with his reality shaken, and that only his footage would be found.

World on a string

A ferry drifts along the Weser. Slow 16mm images of boats, railings, industrial shores, and cranes—scarred and clouded by the river itself, hand-processed with its water, marked by sediment and rust—dissolve into Annina Mossoni’s text: some people want the world on a string.

Tales From the Suburbs: The Solicitor

A young man admires a cactus on his way home, much to the attention of something lurking in his neighborhood.

Everything Follows

When a teen accidentally no-clips into the backrooms, she finds out that the only way to survive is to fend for herself...

De Wind

Stomach It

While struggling to emotionally detach from the deceased, a crime scene cleaner believes a monstrous presence is toying with him.

Bailamos para no estar muertos

Some spaces draw attention, as if they evoke something that’s about to happen. These are the places where we escape when we dream or die. The only thing that exists is time; we wait for the moment to arrive.

NOCLIP

Two filmmakers set out on an adventure into a creepy old mall, only to find themselves lost in an increasingly claustrophobic maze of hallways, liminal spaces, stairwells and backrooms in this surreal found footage horror film.

Black Kettle

A student moves into their accomodation, only to find their room already decorated, a strange, inhuman flatmate, and a kettle that won't stop boiling.

Tree Limbs

A homogeneous structure of wind and light across tree branches in the South region of Isère

Mira el silencio

“I love poetry because it makes me feel like my mind expands.” In Regard Silence, that's the very first sentence expressed—in sign language of course. Watching the poems signed by deaf people in this film has a similarly mind-expanding effect. That’s because sign language—the Mexican version in this case—is a very different means of communication than written or spoken language.

137.7

A semi-found-footage artistic film exploring shifting self-perceptions and the horror of liminality.