La Ferme des Bertrand

1972 in Haute-Savoie (France) : the Bertrand's farm, with a hundred dairy cows owned by three bachelor brothers, is filmed for the first time. In 1997, they were the subject of Gilles Perret's first movie, as they let their farm to their nephew Patrick and his wife Hélène. Nowadays, 25 years later, Gilles Perret take another look at this farm, managed by Hélène who will step down. Through their words, an intimate, social and economic history of the rural world.

Mi no lugar

A boy migrates from Guerrero to Colima in Mexico, guided by the illusion of his parents, who want him to study high school. Nevertheless, the inequality barriers force him to work as a sugarcane harvester.

Tu nourriras le monde

Les vaches n'auront plus de nom

Cows With No Name is almost a diary, filmed one day at a time, of each stage of this process, documenting the operation of the farm with critical and incisive humour. But it is also an intimate documentary. By filming scenes of daily life on the family farm, around the kitchen table during meals, or in front of the TV in the evening while everyone falls asleep on the sofa, more personal questions are raised: the farmer’s connection to his herd, or even the handover that Hubert has chosen not to ensure.

Shady Chocolate

Ever since it was revealed that the chocolate industry is involved with child slavery in the Ivory Coast, the industry has been busy – due to consumer demands – explaining what exactly it does to actively fight trafficking and child labour. But does the industry live up to its own promises?In this investigative film, director Miki Mistrati tries to find out, if the chocolate industry – which is one of the largest corporations in the world – speak the truth, when they say that they provide education, medical care etc for the children of the Ivory Coast. But the project runs into trouble already from the get-go, because the embassy of the Ivory Coast won’t let Miki enter the country until he has an invitation – from the chocolate industry.

வெள்ளை யானை

Vellai is a farmer from an economically self-sufficient village. But when he and the villagers take a bank's crop loan, they get caught in debt due to drought and low prices for crops. So few desperate farmers migrate to the city in search of a job. Can they pay off their debt? Or will they give up farming?

Ang Nagliliyab na Kasaysayan ng Pamilya Dela Cruz

Faced with a series of terrible incidents, the Dela Cruz family now has to make a decision that will alter the history of their family.

கடைசி விவசாயி

Maayandi, the only farmer in a village that has abandoned farming, is charged with a petty case that leads to his imprisonment.

லாபம்

The president of a farmers' association wants to set up a community farming initiative and takes on a big shot, who wants to destroy his plans so that he can start a bio-diesel project on the land.

神々の深き欲望

Tokyo engineer Kariya arrives on a primitive tropical island, where he interacts with the Futori clan, to drill a well to power a sugar mill.

Dumula ng Isa, Dalawa, Tatlo...

A theater group begins their rehearsal on a play about a witness' account of a massacre eventually leading to a confrontation and inner conflicts of the actors portraying their roles.

Chronique Des Années Tristes

Here is a film that is, to say the least, singular. A fiction filmed under Giscard, in two farming families, one in Brittany and the other in Languedoc. One sees the Catholic mass and the mass of the television news, one hears the Benedicite and the Internationale, a rural class struggle is played out, daily peasants against the aristos in the middle of a hunt...Chronicle of the Sad Years tells the story of the new forms of subjection suffered by the workers of the land, discovering the perverse effects of the CAP and the growing influence of agribusiness. A film in which the director, Alain Aubert-Dechartre, stages a historical turning point, the forced conversion of peasants into technicians of farms of which they will be the first to be exploited

Honor in the Valley of Tears

The story of A-Company 1/8 4th Infantry Division, US Army during the Vietnam War from 1965 to 1967. In the men's own words, through the stories they narrate, the film gives us insight into the time these men spent together and the bond they formed that remains unbroken to this day. The 4th Infantry Division is one of the only divisions that trained and retained its troops during the Vietnam War. The men of A-Company trained together for eleven months and served together for one year. Their story begins with basic training at Ft. Lewis Washington in 1965 and continues 40 years later at their last reunion in September 2007. Filming began September 27, 2007 in Houston, Texas during a reunion to honor First Sergeant David H. McNerney, who is the only living member of the 4th Infantry Division to receive the Congressional Medal of Honor. He was celebrated by the men he trained and served with and who's lives he saved on March 22, 1967.

Volt egyszer egy képregény

"Once Upon a Time in Hungarian Comics" provides a comprehensive picture of Hungarian comic culture, touching on the history of comics from the beginning to the present day, focusing on the development of Hungarian comics.

Report from Hollywood

“It may be worse than Portugal,” observes cinematographer Henri Alekan about a Los Angeles film lab while on the set of Wim Wenders’ The State of Things (1984). A legendary production and a transitional work for the New German Cinema director as his work became increasingly international, Wenders set out to make a film about filmmaking as funding stalled on the American production of Hammett. The State of Things deals with American and European sensibilities about cinema, and he enlisted Lachman to film and document the film being made in Los Angeles. Made for German television, completed in 1985 and unseen outside of Germany, Lachman’s portrait of Wenders at work features striking filmmaking and location photography of Los Angeles in the 1980s, and serves as a candid glimpse into European encounters with American culture at the time.

Sans soleil

A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.

Daybreak Express

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

West Side Stories

Two impressions of New York - a city of dreams or nightmares. The Outsider: Jonathan Miller 'If you enter New York in the first place in a show business context every time you return you have to justify your existence in show business terms. If you haven't got something to sell you become almost transparent...' The Insider: Patti Smith, poet, singer, actress. 'People come to New York to see the stars, but there ain't no stars in the sky. I lived in the city and I haven't seen a constellation since.'

Le ventre de Paris

How to Win the Ashes

A deep dive into one of the fiercest rivalries in sport. Unearthing stories from the most unforgettable series, a look at what it takes to lift the most famous cricket trophy, the Ashes urn. Through in-depth interviews with cricket legends including Ben Stokes, Jimmy Anderson and Glenn McGrath, this documentary relives the on-field heroics and lifts the lid on the behind-the-scenes turmoil, revealing a darker side to the pursuit of success.