Frenel

A Short film about a contemporary milliner in NYC.

The Business End: Violence in Cinema

An unflinching look at the ongoing debate on violence in movies and its effect on the audience.

Encierro de toros

Alternate Earth

A scientific expedition travels to an alternative Earth in hope of finding a new home for humanity, which has destroyed its own planet. But is it even possible to escape old patterns?

Entretien avec Condrieu et les Roches-de-Condrieu

Shot in two places marrying with each other by a single and fractured bridge between Condrieu and les Roches-de-Condrieu, this film is the continuation of exploring ephemeral movement through the use of editing, camera movements and color sampling.

The Test

A Ghanaian maintenance technician at a Virginia retirement community dreams of becoming an American citizen to provide a better life for his family. With their future at stake, he enlists the help of two elderly residents to prepare for the biggest test of his life: the US Citizenship exam.

Cricket

Through the pattern of this film a ‘Test’ at Lord’s runs like a thread and a broadcast commentary on the match is imposed on the background of cricket as a game, a craft, an interest of a people, a piece of history. The craftsmen are shown who make the ball and the bat–that ‘fourth straight stick’ with which the batsmen defend ‘the other three’. The craftsmen are shown who play the game, from W. G. Grace in the ‘nets’ to D. G. Bradman and Denis Compton in the thread of the ‘Test’. The history of the game is epitomized in the Long Room shots at Lord’s and from there the camera moves to the village green; to the London side- street where the urchins play on a ‘bumping pitch’; to South Africa, and India, where in the ‘blinding light’ there is often ‘an hour to play and the last man in.

The Illusion

Susana Barriga’s documentary, the illusion, begins with violence. A long shot reveals a man standing on a street corner, his features indiscernible in the night. He moves out of the camera’s line of vision, but the filmmaker, persistent, moves with him as the jostling of the camera marks her steps. As we learn moments later, the man in the distance is Susana’s father – and this is the clearest image of him we will have. Suddenly, an angry British man demands that Susana cease filming. Susana protests in heavily accented English, “He is my father!” Glimpses of a man’s torso are followed by blurred images as the camera spins rapidly over surfaces. The image cuts to black. A new male voice asks in carefully spaced out words if Susana would like him to call the police. When she doesn’t respond immediately, he speaks louder, as though volume would compensate for the language difference. She gives her name; she refuses the offer of an ambulance.

Making of 'Premutos - Der gefallene Engel'

A look behind the scenes of Olaf Ittenbach's splatter classic, which was made over a period of four years with a total budget of just DM 180,000. We learn the essentials about the realization of the elaborate special effects and filming, numerous scene excerpts as well as interviews with actors and producers.

Dancing Outlaw

This documentary short, produced for West Virginia public TV's "Different Drummer" series, introduces us to Jesco White, a hard-living, tap-dancing Boone County resident whose repeated run-ins with the law have interfered with his dream of becoming as renowned a "mountain dancer" as his late father, D. Ray White. We meet Jesco's three distinct personalities; the gentle and loving Jesse, the violent and dangerous Jesco, and the extremely strange Elvis. We also encounter various members of Jesco's family, all nearly as eccentric as Jesco himself. You will ask, "Are these people for real?" Yes, they are.

World of Plenty

An opening narration explaining that the film's purpose is to examine the "world strategy of food", in terms of its production, distribution and consumption. The film is then divided into three parts: "Food - As It Was", "Food - As It Is" and "Food - As It Might Be".

Weekend of a Champion

Filmmaker Roman Polanski spends a weekend with world champion driver Jackie Stewart as he attempts to win the 1971 Monaco Grand Prix, offering an extraordinarily rare glimpse into the life of a gifted athlete at the height of his powers. "Re-cut and restored" version of the original "Weekend Of A Champion (1972)", with a 2011 post-film discussion between Jackie Stewart and Roman Polanski (begins at approx 71:15 minutes).

sonic salt

The Soil, which connects us

In this movie, Dmytro Dokunov and Richard Marx explore the question of the different realities which take place simultaneously: Richards in Berlin and Dmytro's at the frontline in Ukraine. How do you have to change your own perception of reality? How will the perception of your surroundings be changed too? The nature in which they live looks almost identical, but war is fundamentally changing the view.

Riding Giants

Riding Giants is story about big wave surfers who have become heroes and legends in their sport. Directed by the skateboard guru Stacy Peralta.

Daybreak Express

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

New Horizons

A brief visualisation of NASA’s historic spacecrafts Mariner, Pioneer, Voyager, and Dawn, exploring the solar system, culminating in the New Horizons mission.

A Little Love

Through interspersed conversation and prose, this experimental documentary follows a poet and a neuroscientist as they explore the definition of love, what it means, and why it matters.

Have We Met Before?

Short docudrama exploring the history of sex in the homosexual community from the 1970s to the present day, and how the internet has changed the way gay men meet forever.

La Sortie de l'usine Lumière à Lyon

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.