Один день «Мосфильма»

The film tells about the main stages of the history of the country's largest studio "Mosfilm", about the work of the creative team, introduces the viewer to the outstanding masters of Soviet cinematography, with such unique groups such as the Theater-Studio of Film Actors, with the workshops of the studio.

Za tučňáky, lvouny a velrybami

Fais le mort !

If there is one person Matthew Lancit can’t get out of his mind, it is his uncle Harvey. Dark rings around his eyes, pale, blind, his legs amputated. Like Harvey, the filmmaker also suffers from diabetes. He has the disease under control, but one question is always nagging at him: How much longer? His long-term (self-)observation reliably revolves around fears of infirmity and mutilation. He translates the feared body horror into film, stages himself as a zombie, vampire, a desolate figure. Lancit playfully anticipates his potential decline, serving up a whole arsenal of effects which – as video recordings prove – go back to his youth. It is not for nothing that the “dead” in the title is also reminiscent of “dad.” Because “Play Dead!” also negotiates his own role as a father.

Černobyl na kolečkách

Dworzec

Warsaw's Central Railway Station. 'Someone has fallen asleep, someone's waiting for somebody else. Maybe they'll come, maybe they won't. The film is about people looking for something.

Christspiracy

The moral dimension of humanity's interaction with nonhuman animals and the industries that profit from their exploitation, as informed by world religions. A historical explanation of how the current global situation came to be.

No Ordinary Life

In a field dominated by men, five pioneering camerawomen Mary Rogers, Cynde Strand, Jane Evans, Maria Fleet and Margaret Moth went to the frontlines of wars, revolutions and disasters to bring us the truth. As colorful as accomplished, these brave photojournalists made their mark by capturing some of the most iconic images from Tiananmen Square, to conflicts in Sarajevo, Iraq, Somalia and the Arab Spring uprising. But the world doesn’t know it was these women behind the camera. In the midst of unfolding chaos, the pictures they took for CNN both shocked and informed the world. This feature documentary by director Heather O’Neill tells their remarkable story.

Dave Chappelle's Block Party

The American comedian/actor delivers a story about the alternative Hip Hop scene. A small town Ohio mans moves to Brooklyn, New York, to throw an unprecedented block party.

Chinese Hercules: The Bolo Yeung Story

This is the story of the bodybuilder, Martial Artist and actor who wrote his own destiny and walked his own path. A legendary tale that's never been told on-screen before.

Le Making of Frig

A delightful insight into the filming of Antony Hickling's "Frig" with interviews and behind the scenes footage.

Collage

Considerations on collage as a cognitive act in artists’ cinema. A pedagogical film adrift: 35mm photographs and other materials collected over the last fifteen years by artist Stefano Miraglia meet a text written by Baptiste Jopeck and the voice of Margaux Guillemard.

Selena Gomez: My Mind & Me

After years in the limelight, Selena Gomez achieves unimaginable stardom. But just as she reaches a new peak, an unexpected turn pulls her into darkness. This uniquely raw and intimate documentary spans her six-year journey into a new light.

Les dents de la mer: Un succès monstre

In the summer of 1975, the young director Steven Spielberg set new standards for cinema worldwide with an oversized shark bite, a plastic shark fin and an unmistakable two-note main theme composed by John Williams. With the horror from the deep, a man-eating, gigantic great white shark, the film of the same name became a similarly traumatic reference as Alfred Hitchcock's "Psycho": it triggered lasting primal fears across generations. On the beaches of the world, there was clearly a "before" and an "after". Steven Spielberg, who was only 28 at the time, not only set new standards for the thriller genre, but also hid his biting criticism of US capitalism in the 1970s behind it.

CAN and Me

In 1968, musician Irmin Schmidt and friends founded the avant-garde band "Can", which achieved worldwide fame. Schmidt also made a name for himself as a composer for films by Wim Wenders. In this documentary, the charismatic sound tinkerer looks back on his life and career.

George Stevens Jr. On 'Swing Time'

George Stevens Jr shares his insights and observations about his father's production of "Swing Time"

Tilbageblik på Festen

This 2005 documentary features interviews with the cast and crew of The Celebration, including director Thomas Vinterberg and co-screenwriter Mogens Rukov.

Unacknowledged

Dr. Steven Greer presents brand new top-secret evidence supporting extraterrestrial contact, including witness testimony, classified documents, and UFO footage, while also exploring the consequences of ruthlessly enforcing such secrecy.

A Hard Day's Night

Capturing John Lennon, Paul McCartney, George Harrison and Ringo Starr in their electrifying element, 'A Hard Day's Night' is a wildly irreverent journey through this pastiche of a day in the life of The Beatles during 1964. The band have to use all their guile and wit to avoid the pursuing fans and press to reach their scheduled television performance, in spite of Paul's troublemaking grandfather and Ringo's arrest.

Las voces del despeñadero

La Quebrada Cliff Divers in Acapulco, Guerrero, earn their living by diving 100 feet into the sea from a dangerous cliff as part of a thrilling show at La Quebrada. In Voices from the Abyss, we explore the nature of their dives through slow-motion footage, personal testimonies, and an original poem recited by the divers themselves.

The Making of 'The Color Purple'

This made-for-video documentary treats film fans to a behind-the-scenes look at the making of The Color Purple, Steven Spielberg's oscar-nominated adaptation of Alice Walker's novel about life for a young black woman in turn-of-the-century America. Features interviews with Spielberg, as well as with producers Kathleen Kennedy and Frank Marshall, who share their experiences from working on the project, as well as discuss the special efforts that went into bringing this classic to life.