Nadie inquietó más

A peculiar, meticulous, vocationally archeological account of the professional life of the actor, Spanish by birth, Argentinean by adoption, Narciso Ibañez Menta (1912-2004), spiritual disciple of Lon Chaney, the new man of a thousand faces, master of horror, star of Argentinean theater, cinema and television for decades.

La forma exacta de las islas

For many, the name Malvinas/Falklands evokes an absurd war between England and Argentina in 1982. For Julieta Vitullo, the protagonist of this film, this tragic history becomes deeply personal 25 years later when she suffers a loss associated with her search to uncover that past, unfolding into a life-affirming struggle for renewal and rebirth. This film tells the story of two trips, one made in 2006 and the other in 2010. In the space between one trip and the next, between past and present, between the public and the private, between what can and cannot be told, the movie reflects on the possibilities of conveying extreme life experiences, presenting landscapes and sounds that suggest subtle contours of that shape, 'The Exact Shape of the Islands.'

Muchachos, la película de la gente

The celebrations for the title of the Argentine National Team in the World Cup in Qatar 2022, through videos of Argentines around the world and unpublished material of the party in the streets.

La Bonita

Submerged under the blows and fury of the boxing ring, Daniela "La Bonita" Bermúdez, a young and introverted girl, aspires to be someone in life. Raised in a humble family of boxers, Daniela represents her only outlet for her family and she personifies the frustrated dream of her father, manager and coach.

Fondo

The history of how the International Monetary Fund has been operating in Argentina for years.

Grata

Zombies en el cañaveral: el documental

Tucumán, Argentina, 1965. Three years before George A. Romero's Night of the Living Dead was released, director Ofelio Linares Montt shot Zombies in the Sugar Cane Field, which turned out to be both a horror film and a political statement. It was a success in the US, but could not be shown in Argentina due to Juan Carlos Onganía's dictatorship, and was eventually lost. Writer and researcher Luciano Saracino embarks on the search for the origins of this cursed work.

Batato

Experimental documentary short starring Batato Barea and Peter Pank, filmed in July 1991

Compañero Fernando

This documentary is a portrait made in Mexico by a group of Argentine exiles, directed by the painter Nicolás Amoroso.

Proyecto muerto v6 (6).mp4

Un importante preestreno

For many years, Buenos Aires, Argentina, was one of the best places in the world for a film buff; but from the mid-sixties onwards, successive authoritarian governments shaped the will of the spectators, dictating what could be seen and what could not, so that the true cinema lovers, in their desire to watch films, had no choice but to embark on the most extraordinary and strange adventures.

La Oscuridad Más Oscura

Pata Marsilla was at the former nightclub when the tragedy of Cromañón (2004) happened in Argentina. Although he was only seventeen years old, he remembers every step he took that night. His words come alive through a recreation of how a concert turns into horror.

Por amor al arte

UNA Historia: lucha por la educación y la cultura

Through archival footage and testimonies from professors, students, staff, and graduates, the documentary traces the history of the National University of Arts, focusing on the Audiovisual Department, while critically addressing the impact of the current government's underfunding of education and cultural institutions in Argentina.

Toska

Hotel Gondolín

The hotel Gondolín is home to some 30 transvestites who practice prostitution as the only option to survive in a society that excludes them.

El camino eterno

Una mirada sobre el hombro mientras crecía

In Argentina, almost all adopted children are under 5 years of old. Luis and Valeria open the doors of their home and tell us their family story. A true story full of obstacles, fears and love about paths that connect and people who meet by chance.

Hoy Como Ayer

Desentierros. Los libros que no heredamos

"Unearths, the books we do not inherit" delves into the family memory of Maria Julia Blanco, its director. The unearthing of his father's student library - recovered in 2018 - is the starting point. Julia guides us through the province of Santa Fe following her family's story. Historian and bibliophile by choice, Julia takes books, which do not know what has happened on the surface, as a starting point to excavate family memory. Little by little it becomes evident that, in the remains of the books, both family history and Argentine history can be reread.