Asdrúbal Trouxe o Trombone

Piracema - uma carta de amor ao teatro

ÉVORA

"ÉVORA" follows the story of António Évora, an actor retired due to a health condition. The longing and permanent absence from the stage brings with it a reflection on the times when he was young, the joy of applause and what is to come.

Campo Cênico

On a boring Sunday, Rebeca is taken by chance to a distant relative she has not seen for a long time. Curious about her uncle's life, her search opens the curtains into a previously unexplored but strangely familiar theatrical universe.

Teatro Circo de Orihuela

Augusto M. Torres makes a tour of images in honor of the CIRCUS THEATER of Orihuela.

Tangos e Tragédias Para Sempre

Elza

A Santa Joana dos Matadouros

Leonor

In her new comedy special, Malena Pichot stars as Eleonore von Schwarzenberg, an European vampire princess sent to live in a seedy Buenos Aires apartment.

Peppino Girella

La favola mia

Escena Perdida

During the rehearsals for his upcoming play, Carlos, a theater director, reminisces about the romantic breakup that inspired the script.

Edipo Re

Bom Dia Sem Companhia

Vini and Lara are two former child presenters who are invited to revive their old program in a special that will be recorded live 10 years after the end of the show. Between good and bad memories, joys and frustrations, they remember the times when they were loved by the entire country and face the marks that success left on each one's history and on their friendship.

Déjalo Salir

Los Cuentos de Hoffman - Compañía Nacional de Ópera (INBAL)

Opera in three acts, a prologue and an epilogue, by Jacques Offenbach (1819-1880), with a libretto in French by Jules Barbier (1825-1901), based on a work that Barbier himself and Michel Carré (1821-1872) had written based on stories by E.T.A. Hoffmann (1776-1822). Approximate duration: 2 h 45 min Recommended for those over 15 years old. The young poet Hoffmann, accompanied by Nicklausse, his alter ego and confidant, is in a tavern next to the theatre where Mozart's Don Giovanni is being performed. During the opera's intermission, some diners arrive at the bar who, upon seeing the poet, encourage him to sing and tell them the story of his famous love affairs. Hoffmann finally gives in and shares with them the stories of Olympia, Antonia and Giulietta. They, absorbed in the poet's stories, remain in the tavern, forgetting about the opera performance.

Estado da Arte

Febre

Brenda Lee e o Palácio das Princesas

A musical that brings a bit of the history of Brenda Lee, called the "guardian angel of transvestites", activist who founded the first support house for people with HIV/AIDS in Brazil. She has a pension for transvestites who, for the most part, live off prostitution. Despite the reality of violence in which they live, inside the house, the transvestites are welcomed by Brenda, who teaches them to want more out of life.

Corpo de Cena