Island Home Country

A poetic cine-essay about race and Australia’s colonised history and how it impacts into the present offering insights into how various individuals deal with the traumatic legacies of British colonialism and its race-based policies. The film’s consultative process, with ‘Respecting Cultures’ (Tasmanian Aboriginal Protocols), offers an evolving shift in Australian historical narratives from the frontier wars, to one of diverse peoples working through historical trauma in a process of decolonisation.

Reflejos

Two generations dialogue through the images they filmed of their children, a reflection of the emotional bond that arises from their involvement with what was shot.

Fulano de Tal

Seen From Here, I Feel Like Belonging

June 1971 - in a fluid landscape completely below sea level, a young biology student dies during the last year of his studies, leaving behind an unfinished scientific collection. More than fifty years later, a group of ecologists and volunteers are trying to understand and document the same environment as it is today.

Maccaia

Light Protect Me From Oblivion

A portal, a sorceress, a fictional device to portray existence as a moment encapsulated inside an instantaneous photograph to present fragmented biographical elements —family disintegration, rootlessness, scars, two loyal companions, the promises of a new land—subverting the notion of a home-movie and transform it into a pilgrimage tool of self-discovery, mirroring the fragile nature of memories.

Portrait de Rosa, à la française

Filmed on Super 8 in Paris, Portrait de Rosa, à la française portrays an intimate love story through quiet images and gentle emotion.

Selkie

According to Scottish mythology Selkies are mythological beings capable of changing from seal to human form by shedding their skin. This film follows the story of such a creature who chooses the sea over her land dwelling sweetheart.

La bella addormentata nel bosco

"What I tried to "tell" is Rosa's close and distorted relationship, common to many women who are used to living alone with themselves, with objects that have become animated and unreal and the relationship which is completely silent, but no less clear and explosive of Rosa with her feminine unconscious” (D. Maraini).

Mio padre amore mio

Fede is a theater actress who, while putting on clown make-up for a show, thinks back to her relationship with her father: a relationship of tenderness, desire and hatred.

Giochi di latte

Milk in its symbolic and ancestral dimension is the fulcrum of this short film. Primary source of female nourishment, abundance and life, milk flows, is drunk, steeps and nourishes. The woman-mother is its dispenser, the one who safeguards its vital power. The color of milk, however, also recalls male seminal fluid and the dimension of the sensual exchange between man and woman.

Trio

Three women leave for a beach holiday. The joy, the carefreeness of days on the beach, lunches on the terrace, lazy afternoons punctuate this "holiday film" which slowly reveals and builds the sensual and playful intimacy of the relationship that binds the protagonists/directors.

Lo scialle azzurro

A woman, director of advertising films, catches the eye of a mysterious young woman dressed in white during an evening of dancing on the terrace of a bar and is fascinated by her.

Dead Funny

A lonely mime takes desperate measures in order to find the audience he deserves.

HUNGER

La signora Aetna, (Etna), is bored and boredom can be a dangerous thing for those around you when you are a volcanic goddess.

sissi's mixtape (a guide to love, loss & desperation)

fragments from song lyrics of different artists have given life to this story about love, loss and desperation.

Epifania da Carne

The process of depersonalization maintains a dialogue with the objectification of the body, a sort of thingified flesh, clothed in animosity. In an epiphanic act, the sutures reveal themselves as the reflection of this gaze upon its own spilled fluids and transcend into an internal soup. It is the stream of consciousness in its purest form. It is the raw and the bare. It is the visceral nature of facts. It is the merging of worlds. It is the flesh in turmoil.

Mania

A single misstep — crushing a cicada beneath his foot — plunges a young man into unsettling paranoia.

I've Soiled Myself Again

A man is confronted by parallel versions of himself as he contemplates his life choices.

DARKMAN

Seeing himself as a form unable to experience intimacy, he is given the chance when brought to the household of twin sisters.