Mi vida dentro

Rosa is a Mexican woman who, at the age of 17, migrated illegally to Austin, Texas. Some years later, she was jailed under suspicion of murder and then taken to trial. This film demonstrates how the judicial process, the verdict, the separation from her family, and the helplessness of being imprisoned in a foreign country make Rosa’s story an example of the hard life of Mexican migrants in the United States.

Playback: Ensayo de una despedida

In Córdoba, far from the Argentine capital, the end of a military regime promises a spring that is all too brief. “La Delpi” is the only survivor of a group of friends who are transgender women and drag-queens, who began to die of aids in the late 80s. In a Catholic and conservative city, the Grupo Kalas made their weapons and trenches out of improvised dresses and lip-syncing. Today the images of unique and unknown footage are not only a farewell letter, but a manifesto to friendship.

L'eletta

The work deals with the election campaign of Vladimir Luxuria, the first transgender woman to sit in the Italian Parliament. She started off as an entertainer in gay nightclubs, found fame in television parlours and achieved consecration as a defender of LGBT rights by organising the first World Gay Pride in Rome in the Jubilee year. Luxuria entered parliament and with her emerged a social cross-section of an Italy that is changing in spite of prejudice. Thanks to her social battles around Italy, the voices of LGBT people gain visibility and social recognition

Eksil

During the 1965 mass killings to eliminate the Indonesian Communist Party, the new regime banned scholars in the Soviet Union and China, forcing them into exile across Europe. This documentary follows those displaced individuals as they navigate the Netherlands, Czech Republic, Sweden, Germany, and Indonesia, reflecting on the traumatic events that uprooted their lives.

RapLine

Between 1990 and 1993, at a time when rap was not yet on the radio in France, Olivier Cachin hosted a musical TV show on M6 called "RapLine". The show exclusively devoted to rap and other alternative music. This cult show presented all the facets of these emerging movements through interviews, lives and clips made especially for the show, around fifty clips were produced by RapLine. Another sequence of the show consisted of broadcasting new US rap clips subtitled in French.

L'abri

It is winter at an emergency shelter for the homeless in Lausanne. Every night at the door of this little-known basement facility the same entry ritual takes place, resulting in confrontations which can sometimes turn violent. Those on duty at the shelter have the difficult task of “triaging the poor”: the women and children first, then the men. Although the total capacity at the shelter is 100, only 50 “chosen ones” will be admitted inside and granted a warm meal and a bed. The others know it will be a long night.

I Don't Know

A truly major work, I Don’t Know observes the relationship between a lesbian and a transgender person who prefers to be identified somewhere in between male and female, in an expression of personal ambiguity suggested by the film’s title. This nonfiction film – an unusual, partly staged work of semi-verité – is the first of Spheeris’s films to fully embrace what would become her characteristic documentary style: probing, intimate, uncompromising. Preserved by the Academy Film Archive in 2014.

The Stroll

The history of New York’s Meatpacking District, told from the perspective of transgender sex workers who lived and worked there. Filmmaker Kristen Lovell, who walked “The Stroll” for a decade, reunites her community to recount the violence, policing, homelessness, and gentrification they overcame to build a movement for transgender rights.

Terwijl het liefde was

Artistic director of the National Theater Eric de Vroedt writes and directs a performance about his own mother Winnie, who passed away in 2020. This piece, titled The Century of My Mother, is a family story about the migration from the Dutch East Indies to the Netherlands. It is De Vroedt's way of examining the relationship with his mother and not having to say goodbye to her yet: 'I can let her live on stage, but when the curtain falls, when the play is completely finished, then she is really dead'.

Seuls

Fearing for their lives, Afshin, Alain and Patricia fled their country, without their parents, when they were only children. They had to start all over here in Canada in the hope of a better life. Combining real shooting and animated cinema, "Alone" bears the imprint of hope: how does a child manage to rebuild himself in a new country, when he has left everything behind?

« Je ne suis pas chinetoque » : Histoire du racisme anti-asiatique

Journalist Émilie Tran Nguyen invites the viewer to follow her in her quest and discover, at the same time as her, the historical origins of this anti-Asian racism. Told in the first person, alternating archive images, interviews with historians, sociologists and field sequences, this film traces the making of prejudices in the French imagination and pop culture, to twist the neck of stereotypes, deconstruct and act.

Kelet

Kelet is a twentysomething black trans woman, whose greatest dream is to be on the cover of Vogue magazine. For the Finnish-born and Manchester-raised Kelet, such models as Naomi Campbell and Iman served as role models giving her strength – and during the darkest times, kept her alive. After coming out, then 19-year-old Kelet was cut off from her family and she moved back to Finland on her own.

The Visible

A short doc to explore what it's like to be a girl in Brunei.

De Quoi J'Me Mêle ! Banlieues, Guerre Et Paix

From the “integration model” to the “Islamist fanatic”, France fantasizes about these children of immigrants who grew up with it. Like every month “What I’m Meddling With!” presents portraits, the result of an in-depth investigation, to give a face to today's questions. The program, broadcast in the thematic evening of the Franco-German channel Arte, is made up of 2 ambivalent documentaries: "Les Lumières De La Zone" and "Les Soldats De Dieu" followed by debates.

Une identité dans la diversité

Aan ons den arbeid

Documentary that shows the changing attitude towards immigrant labor in The Netherlands. The documentary follows three immigrants that arrived in Holland 30 years ago to work in a bakery.

Visions of Europe

Twenty-five films from twenty-five European countries by twenty-five European directors.

Bring Out a Briton

‘Bring Out a Briton’ was a short appeal for Australians to help the Immigration Department in its plan to form and assist a ‘Bring Out a Briton’ Committee in each district. It featured popular Australian actor Chips Rafferty as the spokesman for the campaign. Aimed at the Australian public rather than the prospective immigrants it was designed to allay a perceived anxiety amongst the public about non-British European migration.

The Flood

The decision to move to Holland doesn't sound like a wise idea. Why move to a country that could be flooded at any moment? For the last 25 years, the political climate has shifted. The public debate on migration has become harsher, more heated, and polarized. What would have been considered right-wing xenophobia back then, is now considered mainstream. Populists simplify complex realities into good and evil, victims and perpetrators: ‘us’ versus ‘them’. Their rhetoric often consists of dehumanizing words and metaphors. One of these is ‘water’. In reality, water is not an immediate threat to the average Dutch person; but it is a huge threat to the thousands trying to reach the Netherlands. People trying to survive the Mediterranean Sea in rubber boats. Trying to survive winter on the Aegean coast in primitive tents. To them, water really is deadly.

Renaître

Canada as a refuge for LBGTQ+ immigrants: Yazan from Iraq, Nata from Central Africa, Aida from Iran and Eilyn from Colombia all had to flee their homelands, where violence, threats, hate and rejection prevented them from living their lives and expressing their sexual orientation openly. All they wanted was to be free. From Beirut to Montreal, Quebec City or Vancouver, this ensemble documentary follows the journeys of four people who are determined to change their future. From the terrifying realities they had to flee to the heartbreaking sacrifices they were forced to make, Renaître is a vibrant and luminous tribute to their quiet strength.