Cinema Brasileiro, Mercado Ocupado

Documentary by Leon Hirszman about the economic conditions of film production in Brazil, produced in 1975 with sponsorship from Embrafilme and kept unreleased since then.

Era Uma Vez Iracema

A making-of directed by Bodanzky himself, the documentary discusses the language of the film Iracema - Uma Transa Amazônica 30 years after it was made, gathering interviews with the authors, actors, critics and the filmmakers themselves.

Criadores de Saci

a maré

The stories told by those who live from the Rio Potengi reveal the rhythm of the tides, flowing through memories, silences, and the strength of a river that resists between the mangrove, time, and the city.

Entre aulas e barricadas: dez anos das ocupações das escolas na cidade de São Paulo

O Carnaval é de Pelé

This short film follows Pelé, a retired nurse who looks back on his time as a Mateus in the century-old Bumba Meu Boi group, Boi Tira-Teima. As he builds a new boi for the festival, he revisits the defining moments of his journey as a performer, carnival artist, and son of Mestre Gerson, the group’s former patriarch. The film explores how the way we carry our memories of the past shapes who we become in the present.

Memória

The short documentary traces the fading light of Belém’s silver screens through the eyes of a young filmmaker and aspiring historian. With camera in hand, he sets out to preserve the stories of the three movie theaters that once defined the city’s cultural pulse

Sem Manual

Teatro em Jampa Vive

Cata

O Fim de Bolsonaro

Terecô: a força que vem da raiz

Eldorado SP

Silêncio das Asas

Como Vivem As Orquídeas

HannaH

Hannah didn't expect to cross the boundaries of reality. At 25, she aspires to become a successful actress. But the path turns out to be more complex than she imagined. During a rehearsal, she is transported to another reality, where her life seems better. However, the multiverse finds many ways to surprise her.

Couraça

O EREMITA

Assine Meu Nome

Between paints and easels, in various paintings and sheets of paper, Elisa's body and face occupy the whole place. Desired, observed, and immortalized—being a muse isn't as simple as it seems.

Perdida Entrelinhas

In 2012, Beatrice, a young adult, came from Acre to study Cinema at a renowned university in Belo Horizonte, with the intention of experiencing new experiences. As the days go by, she begins to identify challenges regarding the new change. Missing his family, insecurities, in addition to prejudice, pass through his life. She, not knowing what else to do, connects with her mother seeking answers and redirection to overcome her difficulties.