Projektionen der Sehnsucht

Lágrimas rojas

Daybreak Express

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

Die 7 Todsünden des Staatsbürgers

Kobiety pracujące

Stylized with dramatic interiors and a distorted frame rate, this early documentary miniature from Szulkin depicts six sequences of solitary, repetitious labor.

S'altra banda

What's on the other side of Fornells bay? Pepe el Malo is an urban legend or he really existed? This documentary doesn't try to shed light on the dark; it rather plays deftly with the ambiguities of a character that is part of the Menorcan imaginary.

Las Hurdes

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Minuta ticha

Sarajevo Film Festival

Sarajevo in the twentieth month of its besiegement. The situation is critical, but the city chooses to organise an international film festival. Dutch filmmakers Johan van der Keuken and Frank Vellenga present Van der Keuken's documentaries Face Value and Brass Unbound there, and one of the festival organisers asks a festival visitor: "What is the significance of film in war?" In Sarajevo Film Festival Film, a reflection on film, war and daily life, fictional images are juxtaposed in a disconcerting way with the gruesome reality of the life of a festival visitor.

Have We Met Before?

Short docudrama exploring the history of sex in the homosexual community from the 1970s to the present day, and how the internet has changed the way gay men meet forever.

We Met At Midway - Two Survivors Remember

Interviews with two veteran survivors of the pivotal battle of WWII

Llueve

Is that what mass graves are like, one body on top of the other and nothing else? Through the rain, Oliver sends signals to his mother to help her unearth the truth.

Łódź Ghetto

The Polish city of Łódź was under Nazi occupation for nearly the entirety of WWII. The segregation of the Jewish population into the ghetto, and the subsequent horrors are vividly chronicled via newsreels and photographs. The narration is taken almost entirely from journals and diaries of those who lived–and died–through the course of the occupation, with the number of different narrators diminishing as the film progresses, symbolic of the death of each narrator.

Cuenca

A medium-length documentary commissioned by the Cuenca City Council. The documentary shows an honest, sincere, although sometimes mere tourist portrait, of the lands of Cuenca and its people, without artifice or imposture, with feeling and authenticity and at the same time with marked coldness.

Henri Matisse

Documentary film about artist Henri Matisse

Beco

Tuã Ingugu (Olhos d'Água)

In the Kalapalo cosmogony (an ethnic group that lives in the Xingú Indigenous Park), water is as old as humans and is the source of life. That is where all their sustenance comes from, their food, their drink, their joy. The idea of using water as a dumpster, of poisoning water is a dystopia. In this documentary Chief Faremá —from Caramujo village on the banks of the Kuluene River— tells us about the birth of water and warns us about the consequences of disrespecting it.

New Horizons

A brief visualisation of NASA’s historic spacecrafts Mariner, Pioneer, Voyager, and Dawn, exploring the solar system, culminating in the New Horizons mission.

Shipyard

Shipyard is a landmark documentary covering the creation and life of Bellingham, Washington's wooden boat shipyard, which was built in response to the Axis threat of WWII, it's continued growth through the '50's and '60's, as well as it's innovative role in the development and production of fiberglass boats, including patrol riverboats for the Vietnam war.

Díra v hlavě

A pig farm in Lety, South Bohemia would make an ideal monument to collaboration and indifference, says writer and journalist Markus Pape. Most of those appearing in this documentary filmed in Slovakia, the Czech Republic, Poland, France, Germany and Croatia have personal experience of the indifference to the genocide of the Roma. Many of them experienced the Holocaust as children, and their distorted memories have earned them distrust and ridicule. Continuing racism and anti-Roma sentiment is illustrated among other matters by how contemporary society looks after the locations where the murders occurred. However, this documentary film essay focuses mainly on the survivors, who share with viewers their indelible traumas, their "hole in the head".