One October

Reporter Clay Pigeon interviews New Yorkers in October, 2008.

Quentin Tarantino: From a Movie Buff to a Hollywood Legend

Who has ever compared Reservoir Dogs? What are “Open Road” and “New World Disorder”? Why is Harvey Keitel a fairy and how did we all almost become diehard fans of Paul Calderon? Here’s a story about Quentin Tarantino. The director who needs no introduction.

The Future of Food

Before compiling your next grocery list, you might want to watch filmmaker Deborah Koons Garcia's eye-opening documentary, which sheds light on a shadowy relationship between agriculture, big business and government. By examining the effects of biotechnology on the nation's smallest farmers, the film reveals the unappetizing truth about genetically modified foods: You could unknowingly be serving them for dinner.

In Order Not to Be Here

A night flight through hysteria and police surveillance in suburban America.

Halftime

Global superstar Jennifer Lopez reflects on her multifaceted career and the pressure of life in the spotlight in this intimate documentary.

Dixie Chicks: Shut Up and Sing

Shut Up and Sing is a documentary about the country band from Texas called the Dixie Chicks and how one tiny comment against President Bush dropped their number one hit off the charts and caused fans to hate them, destroy their CD’s, and protest at their concerts. A film about freedom of speech gone out of control and the three girls lives that were forever changed by a small anti-Bush comment

The Battle of The Alamo

Inês

Inês Etienne Romeu was an opponent to the Brazilian's dictatorship. She was kidnapped, tortured and raped in jail, where she stayed for almost 100 days. She was later sentenced to life imprisonment. She stayed ten years in prison, from 1971 to 1979. Delphine Seyrig directed this film in 1974, when Inês was still in prison, protesting against this imprisonment and in support to Inês.

Marathon

Started as a class project in what was likely the first filmmaking course ever taught at Harvard, Marathon documents the running of the 1964 Boston Marathon.

無涯：杜琪峯的電影世界

As Hong Kong's foremost filmmaker, Johnnie To himself becomes the protagonist of this painstaking documentary exploring him and his Boundless world of film. A film student from Beijing and avid Johnnie To fan, Ferris Lin boldly approached To with a proposal to document the master director for his graduation thesis. To agreed immediately and Lin's camera closely followed him for over two years, capturing the man behind the movies and the myths. The result is Boundless, a candid profile of one of Hong Kong's greatest directors and a heartfelt love letter to Hong Kong cinema.

Sex(ed): The Movie

A documentary on the history of sex education

Spies of Mississippi

Spies of Mississippi tells the story of a secret spy agency formed by the state of Mississippi to preserve segregation and maintain white supremacy. The anti-civil rights organization was hidden in plain sight in an unassuming office in the Mississippi State Capitol. Funded with taxpayer dollars and granted extraordinary latitude to carry out its mission, the Commission evolved from a propaganda machine into a full blown spy operation. How do we know this is true? The Commission itself tells us in more than 146,000 pages of files preserved by the State. This wealth of first person primary historical material guides us through one of the most fascinating and yet little known stories of America's quest for Civil Rights.

Prater

Vienna’s Prater is an amusement park and a desire machine. No mechanical invention, no novel idea or sensational innovation could escape incorporation into the Prater. The diverse story-telling in Ulrike Ottinger’s film “Prater” transforms this place of sensations into a modern cinema of attractions. The Prater’s history from the beginning to the present is told by its protagonists and those who have documented it, including contemporary cinematic images of the Prater, interviews with carnies, commentary by Austrians and visitors from abroad, film quotes, and photographic and written documentary materials. The meaning of the Prater, its status as a place of technological innovation, and its role as a cultural medium are reflected in texts by Elfriede Jelinek, Josef von Sternberg, Erich Kästner and Elias Canetti, as well as in music devoted to this amusement venue throughout the course of its history.

Inside Traffic: The Making of 'Traffic'

Blindsight

Six blind Tibetan teenagers climb the Lhakpa-Ri peak of Mount Everest, led by seven-summit blind mountain-climber Erik Weihenmayer.

Voices from the Grave

The story of the Northern Ireland Troubles through the unflinching testimony of two men who played key roles on opposite sides of that bloody conflict. Nearly ten years ago the two paramilitary leaders told their stories on condition that they could never be revealed while they were still alive. The stories told by the Irish Republican Army's Brendan Hughes and Ulster Volunteer Force's David Ervine tell us of the motivations of the participants, the planning of campaigns of violence, the misery of a hunger strike, the tracking and killing of informers and the duplicity that ended a conflict that had lasted too long. It is also a narrative of the fate of combatants when their wars are over.

The Making of 'Red Eye'

Bronx Irish at the Ramparts

The story of the settlement of Irish immigrants in the North Bronx, New York, and how the once predominantly Irish neighborhoods are changing because of the influx of other groups.

Face to Face: The Schappell Twins

Two bodies and one mind, this is the extraordinary story of one pair of conjoined twins in today's world.

Self Portrait Post Mortem

An unearthed time capsule consisting of footage of the maker's youthful self – an “exquisite corpse” with nature as collaborator. Bourque buried random out-takes from her first three films (all staged productions dealing with her family) in the backyard of her ancestral home (adjoining the grounds of a former cemetery) with the ambivalent intentions of both safe-keeping and unloading them (she was relocating). Upon examining the footage five years later she found that the material contained images of herself captured during the making of her first film. That discovery seemed handed over like a gift and prompted the making of this film, a metaphysical pas-de-deux in which decay undermines the image and in the process engenders a transmutation.