Candle

Confined to an endlessly burning waiting room, a dying sedentary woman experiences herself blurring in and out of her body. In her last remaining fragments she tries to make amends with her spirit before her remaining fragments either decay or create.

Anoche

Three memories that become one. An attempt to merge heterogeneous materials: a film sequence shot in Rome, a photo from the 1930s, a noisy soundtrack. Fragmented lines, exploding bass frequencies and flickering.

Claire

Claire is composed of digital scans and blow-ups of a series of three ink-on-paper artworks created in 2012 by French-Spanish researcher, publisher and artist Claire Latxague. While collecting drawings, written documents and other printed materials for a (yet unreleased) project called Un film de papier, I’ve stumbled upon Latxague’s artwork, entitled À la renverse. The blow-ups were made in an attempt of unearthing cartographic imagery in abstract compositions.

The Dot and the Line: A Romance in Lower Mathematics

Animated work detailing the unrequited love that a line has for a dot, and the heartbreak that results due to the dot's feelings for a lively squiggle.

Rhythmus 23

We watch white shapes dancing on black background, which changes when the white shape fills up the screen completely, and black lines and figures bounce around on the now white background.

Abstract feat. Alkama

Astract stop-motion short film using "lightning doodles" by Tochka.

The Shape of Space

During the 1995 Summer Institute at The Geometry Center, a team of undergraduates, middle and high school mathematics teachers and Center staff developed curriculum materials supporting The Shape of Space video. The team developed a comprehensive curriculum, covering many areas related to the video. The following materials were selected for distribution based on their direct relevence to understanding the video itself.

Not Knot

Not Knot is a guided tour into computer-animated hyperbolic space. It proceeds from the world of knots to their complementary spaces -- what's not a knot. Profound theorems of recent mathematics show that most known complements carry the structure of hyperbolic geometry, a geometry in which the sum of three angles of a triangle always is less than 180 degrees.

La Señal Cósmica

The film was produced applying mixed techniques on Super 8 film support.

La Costante di Archimede

Trip!-Trap!

In the darkness of a cave, one man who had never seen even his own figure found a hollow flooded with light. An expression of a chaotic world. This experimental graduation film is a mixture of different animation techniques

-Oh

A hand moves gently, its presence shifts continuously.

Abstronic

A pioneer of visual music and electronic art, Mary Ellen Bute produced over a dozen short abstract animations between the 1930s and the 1950s. Set to classical music by the likes of Bach, Saint-Saëns, and Shoshtakovich, and replete with rapidly mutating geometries, Bute’s filmmaking is at once formally rigorous and energetically high-spirited, like a marriage of high modernism and Merrie Melodies. In the late 1940s, Lewis Jacobs observed that Bute’s films were “composed upon mathematical formulae depicting in ever-changing lights and shadows, growing lines and forms, deepening colors and tones, the tumbling, racing impressions evoked by the musical accompaniment.” Bute herself wrote that she sought to “bring to the eyes a combination of visual forms unfolding along with the thematic development and rhythmic cadences of music.”

Down with the Dawn

Coiling and turning orbs travel through the stratosphere. Birth and transcendence short animation from Run Wrake and Howie B.

An Optical Poem

A dance of shapes. A title card tells us this is an experiment in conveying the mental images of music in a visual form. Liszt's "Second Hungarian Rhapsody" is the music. The shapes, all two-dimensional, are circles primarily, with some squares and rectangles, and a few triangles. The shapes move rhythmically to the music: receding from view or moving across the screen. Red circles on a blue background; light blue squares; white rectangles. Then, a red background of many circles with a few in the foreground. Red gives way to blue then to white. Shapes reappear as Liszt's themes re-occur. Then, with a few staccato notes and images, it's over.

Woman Is My Last Name

This visual poetry is a celebration of the full spectrum of womanhood, from the complex vulnerability to the hidden power.

A Fugue

A space occupies it, awaiting to be unlocked by a freeing action or notion. What lies ahead is its determination.

Our Lady of the Sphere

Animation using cutout animation to craft a bizarre science fiction experiment. Moving spheres, such as balloons and bubbles, are superimposed on static backgrounds to suggest travel and discovery.

Fuji

A live action footage of a smiling, bespectacled (presumably) Western tourist set against the familiar cadence of an accelerating train revving up as it leaves the station sets the mesmerizing tone for the film's abstract panoramic survey of an Ozu-esque Japanese landscape of electrical power lines, passing trains, railroad tracks, and the gentle slope of obliquely peaked, uniform rooflines as Breer distills the essential geometry of Mount Fuji into a collage of acute angles and converging (and bifurcating) lines .

Tarantella

Here the artist creates a world of color, form, movement and sound in which the elements are in a state of controllable flux, the two materials (visual and aural) are subject to any conceivable interrelation and modification.