Benjamin Britten: Válečné rekviem

Benjamin Britten's monumental anti-war oratorio from the Vladislav Hall of Prague Castle in memory of war veterans and victims. British composer Benjamin Britten wrote War Requiem in 1962 on the occasion of the restoration of the war-damaged cathedral in Coventry. He used the traditional, codified Latin text of the requiem – a mass for the dead – interspersed with verses by Wilfred Owen, a British officer who wrote his poems directly in the trenches of World War I. More than two hundred artists then joined their voices in the Vladislav Hall of Prague Castle as part of the Prague Sounds festival for a symbolic performance of the work, which is rarely performed due to its demanding nature and large cast.

Les Boréades

Director Robert Carsen and his creative team flood the stage with summer blossoms, drifts of autumn leaves, winter snows and thunderous spring storms. The cast of 140 are attired in elegant costumes inspired by late 1940s Dior. This mythical tale of a young queen, Alphise, determined to abdicate rather than contemplate an enforced marriage to a descendant of Boreas, is nothing less than highly-charged.

Les Paladins

Inspired by a fable by La Fontaine, [composer Jean-Philippe] Rameau produced perhaps his most brilliant music for his penultimate great work, blending reality and the surreal on several levels.

Jessye Norman Sings Carmen

Jessye Norman Sings Carmen is a gripping vérité study of the famous dramatic soprano’s approach to mastering Bizet’s heroine in recording sessions with Seiji Ozawa and the Orchestre National de France. Musical segments include performances of three arias and the great duets between Carmen and Don José

SCANDAL "Documentary film「HELLO WORLD」"

The documentary film follows the group as they perform in countries across Europe, North America and Asia. It includes live and behind-the-scenes footage of their sold-out performances at the O2 Academy Islington in London, Le Bataclan in Paris and House of Blues in Los Angeles among others, bringing audiences closer to HARUNA, MAMI, TOMOMI, and RINA of SCANDAL like never before.

Anne-Sophie Mutter - Brahms · The Violin Sonatas

The Violin Sonatas visualizes Anne-Sophie Mutter's successful 2010 Brahms album (with Lambert Orkis), her first Deutsche Grammophon recording of this essential repertoire.

L'Orfeo, Favola in musica

First seen at La Monnaie in Brussels on 13 May 1998, this production of Monteverdi’s L’ORFEO seen through the eyes of Trisha Brown and René Jacobs has become an operatic classic in a few short years. This is doubtless because it offers a total symbiosis of music, text and movement – described by the critic of the Daily Telegraph of London as being ‘as close to the perfect dance opera as I have ever seen’. Or to quote Gilles Macassar in Télérama: ‘In the pit and onstage, the Brussels production has only one watchword: mobility, nimbleness, dexterity. The singers run, fly, whirl like dancers defying gravity. From the flies down to the footlights, the whole theatre is under a fantastic spell.’ For Christophe Vetter, on ConcertoNet: ‘This Orfeo can be seen again and again with immense pleasure. . . . René Jacobs’s conducting continues to arouse admiration for its precision, its stylistic rigour, its inexhaustible inventiveness and its feeling for the contrasts so vital to this repertoire.’

Juventude e Ternura

The young singer Beth is torn between love for the honest pianist Guy; and the powerful smuggler Estênio, who sponsors his promising career.

Hanson: Strong Enough to Break

This acclaimed documentary film chronicles multi-platinum Grammy-nominated artist Hanson, and their four year struggle to make their third studio album "Underneath".

Wagner: Die Walküre

Die Walküre (The Valkyrie), WWV 86B, is the second of the four music dramas that constitute Richard Wagner's Der Ring des Nibelungen, (English: The Ring of the Nibelung). It was performed, as a single opera, at the National Theatre Munich on 26 June 1870, and received its first performance as part of the Ring cycle at the Bayreuth Festspielhaus on 14 August 1876.

Opéra National de Paris: Verdi's La Traviata

In Benoît Jacquot’s production, Manet’s Olympia dominates the stage of the Opéra Bastille. In 1863, the painting caused a scandal: the prostitute awaits her client, her expression proud, her demeanour assured. Is this Violetta? Like Olympia, Verdi’s most celebrated heroine surrenders to the spectator just as she surrenders to love, going so far as to die on stage, a woman’s ultimate sacrifice for her lover. Or might it be the spectator who strips her bare and intrudes upon her privacy, in the image of this milieu of social voyeurism? Whatever the case, these two women regard us with defiance and subjugate those who cannot help but look at them.

Owen Wingrave

Margaret Williams directs this 2001 production of adaptation of Benjamin Britten's television opera based on a short story by Henry James. Performers featured include Gerald Finley, Peter Savidge and Josephine Barstow. The conductor is Kent Nagano. As pertinent now as then, OWEN WINGRAVE was composed by Benjamin Britten at the height of the Vietnam War. The opera poses the question: Is pacifism an act of cowardice? Or rather a desire to escape from the spiral of war and create world peace? To what extent do we determine our own futures? Should we let past events inform the decisions we make? Britten’s characters grapple with timeless issues in this gripping psychodrama.

Junun

A documentary capturing the creation of the album Junun inside Rajasthan’s 15th-century Mehrangarh Fort. Paul Thomas Anderson follows Jonny Greenwood, Shye Ben Tzur, Nigel Godrich, and the Rajasthan Express as they record a cross-cultural fusion of Indian, Israeli, and Western music.

Adina Howard 20: A Story of Sexual Liberation

In 1995, Adina Howard made waves in the world of music with her hit song “Freak Like Me.” Never before had a solo R&B female artist made such a bold and controlling stance sexually through song. Along with becoming one of the highest selling singles and most played music videos on MTV and BET in 1995, Adina Howard’s performance allowed young women of color and future recording artist to express their sexuality without shame. “Adina Howard 20: A Story of Sexual Liberation” shares Adina’s story through her own words as well as the impact that she made during the 1990s and thereafter. Adina speaks on her relationship with Tupac Shakur, the banning of her music video from BET, landing a cameo role in the movie “Waiting to Exhale,” her encounter with legendary vocalist Nancy Wilson, working with Hollywood giants Jackie Chan and Jamie Foxx and the sudden halt to her stardom due to her comments about record exec Sylvia Rhone.

J. S. Bach: Koncert d moll pro dvoje housle a smyčce

Sator: Live at Sticky Fingers

1. War Music (Intro) 2. So Dressed Up 3. No Reason 4. Angelina And Sister Ray 5. Find The Time 6. Jetslide 7. Kiss Of The Rat 8. I Wanna Go Home 9. You're Out Of My Hands 10. Goodbye Joey 11. You Ain't Nothing To Me 12. Dance To The Rocket From The Crypt 13. Ghost Of My Control 14. Ain't Seen Nothing 15. Escape From Pigvalley Beach 16. I'd Rather Drink Than Talk 17. This Ain't The Way Home 18. Slug It Out 19. I'll Wait 20. No Place To Land 21. This Is My Life

Rossini: La Cenerentola

This occasionally off-the-wall but finely sung and colourfully staged La Cenerentola was Rome Opera’s first foray into the media market, shown on television and in cinemas across Italy in 2016. It clearly had the funding. Emma Dante’s production will not have come cheap – Vanessa Sannino’s costumes are a particular feature – nor would the singers, given that this is as good a Cenerentola cast as any international house might currently muster.

Zonda: folclore argentino

Argentina continues Saura’s lyrical exploration of the essence, talent and patrimony of popular dance and song in both fiction and documentary

Winterreise

Tosca

A stellar cast brings Puccini’s spellbinding opera to life, seizing every opportunity to thrill the audience. Luciano Pavarotti is Cavaradossi, the painter and political revolutionary in love with the beautiful and famous singer Tosca (the riveting Shirley Verrett). Rome’s diabolical chief of police, Baron Scarpia (Cornell MacNeil), wants Tosca for himself—but he underestimates the fury of a woman in love. With torture, murder, and a suicide in its final moments, Tosca packs more dramatic punches than most other operas—and this classic telecast captures them all. James Conlon conducts in a production by the incomparable Tito Gobbi, one of the great Scarpias of the 20th century.